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The primary sources in this collection record these events, inviting us to reflect on the past while considering the present and future.
This resource contains a collection of high-quality images of primary sources from 1776 to 1877. Together, they tell the story of how the United States formed through the lens of oak trees and land, helping students explore the past from a new perspective. Beginning with a 250-year-old cross-section of an oak tree, the collection invites students to think about the ideas of freedom, equality, and land. The story continues with westward expansion and its effects on Indigenous communities, the signing of the Declaration of Independence, and the impact of the gold rush, the Civil War, and the 13th Amendment to the Constitution. A contemporary work helps tell the story by providing new perspectives on this time.
At the bottom of each primary source, you’ll find vocabulary words, project ideas, and prompts intended for students from fifth grade through high school that can also be adapted for other grade levels. Additional resources from reputable sources can help students learn more. Relevant California state standards in social science, art, and science, with additional collection-wide project ideas, are at the end.
Cross-section of Pasadena oak tree (Engelmann oak), ca. 1740–93. Preserved, repaired, and finished by Andrew Mitchell in 1993. The Huntington, Botanical Study Collection. | The Huntington Library, Art Museum, and Botanical Gardens.
Oaks serve as living records of the past. Named the National Tree of the United States by Congress in 2004, these long-lived keystone species—often living 200 to 300 years, with some individuals exceeding 1,000 years—once covered vast stretches of the United States. With approximately 90 native species, they support entire ecosystems, providing food and habitat for hundreds of species of birds, insects, fungi, and other organisms. They have also helped shape human life: Their acorns are a source of food, and their galls have been used for centuries to make iron gall ink, the ink used to sign the Declaration of Independence.
This tree cross-section, or “cookie,” comes from an Engelmann oak (Quercus engelmannii), a type of oak tree native to California, that fell during a rainstorm in 1993 at The Huntington in San Marino, California. Its growth rings show that it was about 250 years old, making it old enough to have been alive when the Declaration of Independence was signed in 1776.
Each ring marks one year of growth and reveals how the tree responded to its environment. Wider rings indicate years with more water, while narrower rings indicate years of drought. A visible scar is evidence that the tree survived a severe fire, thanks to its thick, wildfire-resistant bark.
This oak also grew during major changes to the land where it stood. When it first took root in the 1740s, it lived alongside Indigenous peoples known today as the Gabrielino-Tongva and the Kizh Nation. Over its lifetime, it witnessed Spanish colonization (1769–1821), the founding of the San Gabriel Mission by the Spanish Franciscan monks (1771), the shift to Mexican rule (1821), and California statehood (1850). After the tree fell, a craftsman at The Huntington preserved it as a slab, adding support to hold the different cracked segments together.
Create a Tree-Ring Timeline
“Stems,” n.d., web page. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/all-about-plants/stems
Cross-section of Pasadena oak tree (Engelmann oak), 1993. Cross-section of log crafted from Huntington Gardens Oak Preserved, repaired and finished by Andrew Mitchell, ca. 1993. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/mus-64313
National Park Service. “Species Spotlight – Oaks,” September 2022, web page. https://www.nps.gov/articles/species-spotlight-oaks.htm
Nicole Cavender, “The Coast Live Oak,” Bloomberg Connects, n.d. The Huntington Library, Art Museum, and Botanical Gardens. https://guides.bloombergconnects.org/en-US/guide/huntingtonLibraryGardensAndArt/item/29253d00-c6d0-4ddf-bf2e-471b421b884d
The Huntington. “Even after a tree falls, it still has stories to tell,” May 14, 2026, Instagram video. https://www.instagram.com/reel/DYVdVOxhf76
The Huntington. “How Do Oak Trees Adapt?” n.d., web page. https://www.huntington.org/botany-videos-edu/how-do-oak-trees-adapt-plant-adaptations
UC Master Gardeners of San Luis Obispo County. “Oak Galls,” n.d., web page. University of California Agriculture and Natural Resources. https://ucanr.edu/site/uc-master-gardeners-san-luis-obispo-county/oak-galls
USC Dornsife College of Letters, Arts and Sciences. “On view in ‘This Land Is …’ at The Huntington,” 2026, web page. https://dornsife.usc.edu/la2026/pasadena-oak-tree
Nicholas Scull, Nicholas Scull map of the fork of the Delaware River, ca. 1735. Walking Purchase Collection, 1700–1962. Purchased for The Huntington from Donald A. Heald Rare Books and Fine Art by the Library Collectors’ Council, January 2020. | The Huntington Library, Art Museum, and Botanical Gardens.
In 1737, members of Pennsylvania’s colonial government stole more than 1 million acres of land from the Lenape (Delaware) people in a swindle known as the Walking Purchase. This map, drawn in about 1735 using iron gall ink, helps show how the loss unfolded. Created by surveyor Nicolas Scull, it outlines rivers and landscapes in Lenape territory. It includes notes on natural resources such as timber, soil, and water—features that made the land attractive to colonists who wanted it for themselves.
Leaders of the colony, including the sons of the founding governor of Pennsylvania, William Penn, coveted the land because of its worth and their debts. Their goal was to sell it and use the profits to repay creditors. They claimed that a 1686 treaty with the Lenape people—most likely fraudulent—had granted them as much land as a person could walk in a day and a half.
When the arrangement was finally executed in 1737, Penn’s sons hired runners and cleared paths in advance to illegally maximize the territory they could seize.
The Walking Purchase reflects a shift from earlier diplomacy with the Lenape to aggressive land seizure. It shows how maps and surveys could be used as tools of colonial expansion, leading to the displacement of Indigenous people from their homelands.
Research, Reflect, and Create Landscapes
Delaware Nation. “The History of Delaware Nation,” n.d., website. https://www.delawarenation-nsn.gov/history/
Hayburn, Tim. “Walking Purchase,” 2015, web page. The Encyclopedia of Greater Philadelphia. https://philadelphiaencyclopedia.org/essays/walking-purchase/
Joel Rose. “Walking Purchase,” n.d., web page. ExplorePAhistory.com. https://explorepahistory.com/story.php%3FstoryId=1-9-3&audioId=1-5-1C.html
Nicholas Scull. “Nicholas Scull map of the fork of the Delaware River,” ca. 1735, map. Walking Purchase Collection. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-msswalking-aspace-a3dabbd95556eed39729a6bb7e088752
Sandy Rodriguez. YOU ARE HERE – Tovaangar / El Pueblo de Nuestra Señora la Reina de los Ángeles de Porciúncula / Los Angeles, 2021, hand-processed watercolor and 23K gold on amate paper, 94 1/2 x 94 in. https://www.huntington.org/collections/mus-59508
Thomas Penn. “A List of the Goods which Sassoonan alias Allummapis Sachem of the Skuykill Indians received in consideration of the Lands on Skuyhill …,” August 7–September 7, 1732, manuscript. The Huntington. https://www.huntington.org/collections/lib-p15150coll7-56030
Detail of the Declaration of Independence (recto and verso), broadside published in New York City by John Holt, July 1776. Annotations by John McKesson (ca. 1734–1798). | The Huntington Library, Art Museum, and Botanical Gardens.
Many people think of the Declaration of Independence as a single document. However, multiple versions were created in 1776 for different purposes and audiences. While the famous handwritten parchment copy was signed by representatives of the 13 colonies and is now preserved in the National Archives in Washington, D.C., printed copies were distributed throughout the colonies so that the declaration’s message could be widely shared.
The printed copy pictured above is unique because on the back it contains handwritten notes recording a key moment in the movement for independence. Written by John McKesson, secretary of New York’s Provincial Congress, the notes record the July 9, 1776, vote that made New York the 13th colony to support independence from Britain. McKesson listed the representatives by county, along with a vote tally showing that the resolution passed unanimously.
McKesson’s notes were written in iron gall ink, a common ink of the period made partially from oak galls. The ink would have been light when first written, then darkened as it was exposed to the air, turning purplish black. With age and additional light exposure, it has lightened to a warm brown color.
Among the complaints in the declaration was the restriction against colonial settlement west of the Appalachian Mountains included in the Royal Proclamation of 1763. While this policy aimed in part to manage conflicts with Indigenous nations, it frustrated colonists seeking to expand westward. Seen in this context, the declaration shows an important tension: The push for freedom and opportunity for some was tied to displacement and dispossession for others.
Write Your Own Declaration
Holt, John. “White-Plains, July 9, 1776. In Convention of the Representatives of the State of New-York. …,” 1776, manuscript. The Huntington. https://www.huntington.org/collections/lib-p15150coll3-6954
Mary Lynn Ritzenthaler and Catherine Nicholson “The Declaration of Independence and the Hand of Time,” Prologue, fall 2016, vol. 48, no. 3. https://www.archives.gov/publications/prologue/2016/fall/declaration
National Archives. “Declaration of Independence: A Transcription,” n.d., web page. America’s Founding Documents. https://www.archives.gov/founding-docs/declaration-transcript
Olga Tsapina. “Declaration of Independence,” Bloomberg Connects, n.d. The Huntington Library, Art Museum, and Botanical Gardens. https://guides.bloombergconnects.org/en-US/guide/huntingtonLibraryGardensAndArt/item/4e6b24b2-1a35-4681-9f4e-e48c5e75a969
Olga Tsapina. “Proclaiming Independence,” July 2024, Verso. The Huntington. https://www.huntington.org/watch-read-listen/verso/proclaiming-independence
The Huntington. “No, that’s not a typo in the Declaration of Independence,” July 3, 2026, Instagram video. https://www.instagram.com/thehuntingtonlibrary/reel/DaVhmk2DGIr/
USC Dornsife College of Letters, Arts and Sciences. “On view in ‘This Land Is …’ at The Huntington,” 2026, web page. https://dornsife.usc.edu/la2026/declaration-of-independence
Joseph Goldsborough Bruff, The “gnarled oak” of California, 1850, pencil drawing, 14.5 x 24.5 cm. Purchased from A. S. W. Rosenbach, 1919. | The Huntington Library, Art Museum, and Botanical Gardens.
In 1848, news of gold in California sparked a major westward migration known as the gold rush. Many people—including Joseph Goldsborough Bruff, who made this sketch—saw it as a chance for instant wealth. While this dream of “striking it rich” may have been possible for some, many others were excluded from the same opportunities. Unequal laws and racial discrimination limited access for non-white miners, and Indigenous communities already living on the land faced displacement and forced changes to their way of life. The gold rush echoes themes seen during the Walking Purchase (1737), such as settler expansion and Indigenous dispossession. In California, United States expansion added another layer to a long history of Indigenous land loss that began under Spanish colonization.
This drawing, The “gnarled oak” of California, shows a mature oak in the Sacramento Valley. The artist, Joseph Goldsborough Bruff, recorded scenes like this in detailed journals during his travels in search of gold. The sketch reminds us of the hopes of many people during the gold rush but also foreshadows the gold rush’s lasting environmental impact. Hydraulic mining dramatically reshaped the landscape by washing away entire hillsides and leaving behind layers of sediment. Mercury, a toxic chemical element, was used in the mining process, polluting soil and waterways. These changes damaged habitats, including oak habitats, and surrounding ecosystems for generations.
In this shifting landscape, oaks remained important as both ecological anchors and cultural and physical markers. In some cases, oaks like the one depicted here were used to mark the rancho territory lines, quietly witnessing disputes over land and ownership during the Mexican rule of this area in the early 1800s. The twisting, leafless branches of the oak tree in this drawing reflect both resilience and change during a time when California’s environment and communities were rapidly transforming.
Seek, See, and Sketch
Alexandria Herr. “Mercury in Our Waters: The 10,000-Year Legacy of California’s Gold Rush,” web page, September 2020. PBS SoCal. https://www.pbssocal.org/shows/earth-focus/mercury-in-our-waters-the-10-000-year-legacy-of-californias-gold-rush
Joseph Goldsborough Bruff, The “gnarled oak” of California, 1850, pencil drawing, 14.5 x 24.5 cm. Purchased from A. S. W. Rosenbach, 1919. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-p15150coll7-5129
Nathan Masters. “These Boundary Trees Are Remnants of California’s Lost Mexican-Era Ranchos,” web page, July 2017. PBS SoCal. https://www.pbssocal.org/shows/lost-la/these-boundary-trees-are-remnants-of-californias-lost-mexican-era-ranchos
National Park Service. “Applegate-Lassen Trail,” web page, July 2021. https://www.nps.gov/subjects/nationalhistoriclandmarks/applegate-lassen-trail.htm
U.S. Congress resolution to amend constitution, 13th Amendment, 1864 December 5. Abraham Lincoln collection, 1813–1911 (bulk 1840-1865). | The Huntington Library, Art Museum, and Botanical Gardens.
The word “amendment” has both botanical and political meanings. In both cases, an amendment brings about transformation. In ecology, an amendment is the addition of beneficial materials, such as compost, to the soil to support plant growth. In government, an amendment is a change or addition made to a law or official document. The notion that amendments are transformative is clear in the Reconstruction Amendments (13th, 14th, and 15th), which reshaped the definition of freedom in the United States after the Civil War.
President Abraham Lincoln issued the Emancipation Proclamation on Jan. 1, 1863, which declared that “all persons held as slaves within any State, or designated part of a State, the people whereof shall be in rebellion against the United States, shall be then, thenceforward, and forever free.”
The Emancipation Proclamation was not enough to abolish slavery permanently. Lincoln knew that a constitutional amendment was necessary to ensure lasting freedom. He supported passage of the 13th Amendment, which permanently abolished slavery. Written in iron gall ink, the amendment states:
“Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.”
Congress passed the 13th Amendment on Jan. 31, 1865, with 119 congressmen voting “aye,” 56 voting “nay,” and eight abstaining from voting. The president’s signature was unnecessary, but Lincoln signed some souvenir copies, such as this one. Despite the amendment being passed in January, it was not ratified by the states until Dec. 6, 1865.
Lincoln did not live to see its ratification, but his leadership in its passing was instrumental. The 13th Amendment redefined the meaning of freedom in a nation long divided over whom it applied to, abolishing legal slavery while leaving unresolved the deep and enduring inequalities that continue to shape our country.
The Reconstruction Amendments continued with ratification of the 14th Amendment in July 1868. This amendment grants citizenship and equal protection for anyone born in the United States or naturalized, including formerly enslaved individuals. The final Reconstruction Amendment, the 15th Amendment, was ratified in February 1870 and prohibited denying citizens the right to vote on the basis of race. Together, these federal actions transformed the legal and constitutional foundation of the United States and expanded the meaning of freedom and citizenship in American democracy.
Amend the Future
William H. Tipton, Monument honoring the 90th Pennsylvania Infantry, 2nd Brigade, 2nd Division, 1st Corps, ca. 1885, gelatin silver print, 30.5. x 17.8 cm (12 x 7 in.). Lindsey M. Gould, a Civil War veteran, acquired the photographs in the 1880s as a keepsake of his war experience. Herbert William Singleton Collection of Civil War Photographs (ca. 1861–1890s). | The Huntington Library, Art Museum, and Botanical Gardens.
In April 1861, long-standing tensions over slavery led to the outbreak of the American Civil War and the fracturing of the nation. Eleven Southern states seceded to form the Confederacy, while the remaining states fought to preserve the Union. The war lasted four years, caused the deaths of at least 620,000 people, and resulted in the emancipation of roughly 4 million enslaved people.
One of the war’s most important battles was the Battle of Gettysburg, fought from July 1 to July 3, 1863. On the final day of the battle, a failed attack known as Pickett’s Charge, led by Confederate General Robert E. Lee, resulted in heavy Confederate losses and forced a retreat, ending their invasion of the North. Today, the battlefield is marked by many monuments honoring those who fought and died there.
Dedicated Sept. 3, 1888, this monument honors soldiers of the 90th Pennsylvania Infantry who fought at Gettysburg. Carved from granite, the monument is shaped like a damaged oak tree. It reflects how real trees on the battlefield served as living witnesses and survivors. The tree’s trunk is split by a cannonball that represents the destruction of war. Other details, like a bird’s nest and climbing vines, symbolize hope, renewal, and the possibility of new life after loss. Gettysburg marked a turning point in the nation’s struggle over who had the right to freedom. Like the scarred oak it resembles, this monument symbolizes the wounds of the past shaped by slavery and the possibility of renewal.
Make a Monument
“Monument honoring the 90th Pennsylvania Infantry, 2nd Brigade, 2nd Division, 1st Corps,” ca. 1885, photograph. Herbert William Singleton Collection of Civil War Photographs. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-p16003coll6-681
Gary W. Gallagher. “The American Civil War,” n.d., web page. The Gilder Lehrman Institute of American History. https://www.gilderlehrman.org/history-resources/essays/american-civil-war
Gettysburg Foundation. “Monument Minute: 90th Pennsylvania Infantry,” May 2025, video. YouTube. https://www.youtube.com/shorts/IPOYAigESPQ
History.com. “Battle of Gettysburg,” October 2009, web page. https://www.history.com/articles/battle-of-gettysburg
Sandy Rodriguez, YOU ARE HERE / Tovaangar / El Pueblo de Nuestra Señora la Reina de los Ángeles de Porciúncula / Los Angeles, 2021, hand-processed watercolor and 23K gold on amate paper, 94 1/2 x 94 in.
This artwork by Los Angeles–based Chicana artist and researcher Sandy Rodriguez, a contemporary living artist, centers the communities who have lived on the land where Los Angeles stands and who continue to call it home. Her work emphasizes community and resilience while reflecting on the layered history embedded in the landscape. Her map, YOU ARE HERE, is multilingual, incorporating text in Tongva (the language of the Indigenous peoples known today as the Gabrielino-Tongva), Spanish, and English. It speaks to the past, the present, and her hope for the future. Rodriguez refers to historical documents and maps, while conducting site-based research and collaborating with contemporary historians, scholars, and Indigenous leaders, including the late Tongva elder Julia Bogany.
In this work, Rodriguez engages with the interwoven histories of Los Angeles by illustrating the land, language, flora, and fauna, all beneath a unifying rainbow. Among the native plants depicted, an oak tree serves as a landmark for the Santa Monica Mountains. It is represented as a sacred tree surrounded by the four cardinal directions (north, south, east, and west).
In addition to featuring California native plants in her artworks, Rodriguez works with hand-processed materials sourced from the local landscape. She collects different natural materials such as cochineal, marigolds, and acorns from coast live oak trees.
By creating her own pigments, she seeks to recover Indigenous knowledge and meaning and engage with traditional artistic practice that remains alive and vibrant today.
“I want visitors to feel the presence of the communities who shape this region—the lived stories that unsettle official accounts, affirm resilience, and bring layered truths to the surface,” Rodriguez said.
Make a Memory Map
Be a Plant Detective
“How Plants Color Your World,” January 28, 2026, video. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/botany-videos-edu/how-plants-color-your-world-plants-and-people
Gabrielino/Tongva Nation. “Gabrielino/Tongva Nation: The First Angelenos,” n.d., website. https://gabrielinotongva.org/
Sandy Rodriguez. YOU ARE HERE – Tovaangar / El Pueblo de Nuestra Señora la Reina de los Ángeles de Porciúncula / Los Angeles, 2021, hand-processed watercolor and 23K gold on amate paper, 94 1/2 x 94 in. https://www.huntington.org/collections/mus-59508
The Huntington. “YOU ARE HERE: A Multilingual Map of the Greater Los Angeles Area,” December 2021, video. YouTube. https://www.youtube.com/watch?v=5z4elzJ2pQE&t=1s
Writing – Research to Build and Present Knowledge
Kristin Brisbois McNutt, Ph.D., is the educator programs specialist at The Huntington.
Sarah Thomas is the senior manager of school programs and partnerships at The Huntington.
Armando Pulido is assistant curator for special projects at The Huntington.
Dora Dalton is a freelance writer and editor.
Josh Garrett-Davis, Ph.D., is the H. Russell Smith Foundation Curator of Western American History
Linde B. Lehtinen, Ph.D., is the Philip D. Nathanson Senior Curator of Photography.
Victoria Gonzalez is the digital learning specialist at The Huntington.
“U.S. Congress resolution to amend constitution, 13th Amendment,” 1864, manuscript. Abraham Lincoln Collection. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-p16003coll21-5572
Diana W. Thompson. “Lincoln’s Signature Accomplishments,” Jan. 30, 2015, Verso. https://www.huntington.org/watch-read-listen/verso/lincolns-signature-accomplishments
Library of Congress. “13th Amendment to the U.S. Constitution: Primary Documents in American History,” n.d., web page. https://guides.loc.gov/13th-amendment
National Archives. “13th Amendment to the U.S. Constitution: Abolition of Slavery (1865),” May 2022, web page. Milestone Documents. https://www.archives.gov/milestone-documents/13th-amendment
National Archives. “14th Amendment to the U.S. Constitution: Primary Documents in American History,” n.d., web page. Milestone Documents. https://www.archives.gov/milestone-documents/14th-amendment
National Archives. “15th Amendment to the U.S. Constitution: Voting Rights (1870),” n.d., web page. Milestone Documents. https://www.archives.gov/milestone-documents/15th-amendment
National Archives. “The Emancipation Proclamation,” n.d., web page. Online Exhibits. https://www.archives.gov/exhibits/featured-documents/emancipation-proclamation