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1151 Oxford Road
San Marino, CA 91108
Approximately 1876. Colfax, California
Watkins, Carleton E., 1829–1916, Rounding Cape Horn. / C.P.R.R., approximately 1876. Albumen, mammoth plate photograph. Central Pacific R.R. and views adjacent. In Library as of 1930. | The Huntington Library, Art Museum, and Botanical Gardens.
This photograph shows a train rounding Cape Horn in Placer County, California. Known for its dramatic scenery and steep cliffs, Cape Horn was named after the famous Cape Horn on South America’s southern tip. The photograph is one in a series of 48 that photographer Carleton E. Watkins created beginning in 1876 to document the California-Nevada route of the Central Pacific Railroad, which connected with the Union Pacific line to form the Transcontinental Railway. He used oversized glass-plate negatives known as mammoth plates, which produced highly detailed, large-format prints.
Construction of the transcontinental railroad was driven in part by California’s rapid growth following the discovery of gold in 1848. Railroad companies began building eastward from California and westward from the eastern United States with the goal of meeting in the middle. The two railroad lines connected on May 10,1869, in Promontory Summit, Utah. Once completed, the Transcontinental Railroad dramatically reduced travel time between the East Coast and California—from months by wagon or ship to approximately one week by rail—encouraging migration, trade, and economic growth throughout the American West. Building the railroad was dangerous and physically demanding, and many workers were injured or killed. Chinese laborers, who made up a large portion of the Central Pacific workforce, worked under hazardous conditions, using picks, shovels, drills, and explosives to cut pathways into the Sierra Nevada rock. Historical accounts describe some laborers being lowered by ropes along the cliff face while excavating footholds. Railroad engineers described how workers had to carve a narrow ledge into nearly perpendicular granite slopes.
After the first transcontinental railroad was completed, some of the Chinese laborers who built it returned to China with their earnings, while thousands remained in the United States, finding work in a variety of industries, such as agriculture and mining, and launching small businesses.
Rounding Cape Horn. / C.P.R.R. is among an album of photographs believed to have been gifted by Carelton E. Watkins to the estate of Collis P. Huntington, one of the railroad magnates who financed and promoted the Central Pacific Railroad.
Transcontinental and California Travel
“Cape Horn and the Transcontinental Railroad,” n.d., web page. National Geographic. https://sierranevadageotourism.org/entries/cape-horn-and-the-transcontinental-railroad/19bdc041-8f1b-4e5f-82d8-41ec9e2ecc47
“Exploring the Path of Chinese Railroad Workers: A Self-Guided Heritage Tour of Chinese Railroad Worker Sites from Auburn to Donner Pass,” 2018. Explore APA Heritage. https://1882foundation.org/wp-content/uploads/2018/10/Railroad-Tour-Brochure_Digital-Publishing_Single-Page.pdf
“The Contributions of the Chinese Transcontinental Railroad Workers,” n.d., web page. The Asian American Education Project. https://asianamericanedu.org/1.2-Transcontinental-Railroad-lesson-plan.html
Watkins, Carleton E., 1829–1916, Rounding Cape Horn. / C.P.R.R., approximately 1876. Albumen, mammoth plate photograph. Central Pacific R.R. and views adjacent. In Library as of 1930. | The Huntington Library, Art Museum, and Botanical Gardens. https://hdl.huntington.org/digital/collection/p15150coll2/id/21189
“The Transcontinental Railroad,” n.d., web page. Library of Congress. https://www.loc.gov/collections/railroad-maps-1828-to-1900/articles-and-essays/history-of-railroads-and-maps/the-transcontinental-railroad
Illustrated London News, Chinese emigration to America: sketch on board the steam-ship Alaska, bound for San Francisco, 1876. Print. John Haskell Kemble Collection, Gift of John Haskell Kemble, 1960s–1990s. | The Huntington Library, Art Museum, and Botanical Gardens.
This image was printed in the Illustrated London News on April 29, 1876, and was reprinted a month later in Harper’s Weekly. The artist sketched a scene onboard the steamship Alaska, bound for San Francisco, featuring many Chinese immigrants serving or eating food as they journeyed in search of opportunity in the United States. The increasing population of Chinese immigrants was an essential part of building a new California and nation during the late 19th and early 20th centuries. Many Chinese immigrants worked on the construction of the transcontinental railroad, which was completed in 1869. This was frequently dangerous work. Chinese immigrants also launched businesses, such as restaurants, shops, and laundries, and were employed in agricultural work, including in citrus orchards.
San Francisco was the port of entry for Chinese immigrants. Eventually, it became home to the largest Chinatown in the country. However, there was also anti-Chinese sentiment in the city. In July 1877, a speech by the founder of the Workingmen’s Party of California, a group that was vehemently opposed to Chinese immigration, incited an angry mob that rioted for three days and attacked Chinese businesses and the docks of steamship companies.
This backlash against foreign-born workers reflected a larger national movement. A few years later, in 1882, the Chinese Exclusion Act would bar new Chinese immigrants from entering the United States for 10 years. However, innovative thinkers like the Chinese American lawyer and advocate Y. C. Hong supported Chinese immigrants seeking to enter the United States despite these restrictions.
Explore Immigration and Migration
Unidentified artist. Chinese emigration to America: sketch on board the steam-ship Alaska, bound for San Francisco, 1876, engraving on paper, 15 3/4 x 21 1/4 in. John Haskell Kemble Collection. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-p9539coll1-22007.
California Migration Museum. “Chinese Exclusion,” 2026, website. https://www.calmigration.org/learn-chapter/chinese-exclusion.
Linda Chiavaroli, “Chinese American Advocate, Y.C. Hong,” Verso, December 15, 2015. https://www.huntington.org/watch-read-listen/verso/chinese-american-advocate-yc-hong.
Greg Hise. “Chinatown History Project.” 2021, website. Huntington-USC Institute on California and the West. https://dornsife.usc.edu/icw/chinatown-history-project.
“Immigration and Relocation in U.S. History: Struggling for Work,” n.d., web page. Library of Congress. https://www.loc.gov/classroom-materials/immigration/chinese/struggling-for-work.
Johnstone, E. McD., d. 1895, artist, and Dickman-Jones Co., printer, The unique map of California, ca .1888. Lithograph, color printed. Jay T. Last Collection. Gift of Jay T. Last, 2005. | The Huntington Library, Art Museum, and Botanical Gardens.
The Unique Map of California was made around 1888 and published by the Southern Pacific Railroad and the California State Board of Trade. It was printed in San Francisco by the Dickman-Jones Company to promote California’s acreage, natural resources, and growing industries. The circles and squares with scenes inside are called “vignettes.” Twenty vignettes on this map show distinctive natural and man-made wonders, including Lake Tahoe, Yosemite, Mt. Whitney, Hotel del Coronado, Golden Gate Bridge, and redwood trees. This map also includes railroad routes and the Sierra Nevada mountain range, with the names and elevations of its peaks. Three insets provide references to California’s soil, temperature, and surface area compared to those of 10 Eastern states. You can also see the State of California seal in the lower-right corner.
Two types of maps were blended to create this one: a physical map and a resource map. It depicts physical features of the land, such as rivers, lakes, and mountains, as well as California’s natural resources, such as oranges, minerals, and lumber. Given the variety of resources featured, entrepreneurs, manufacturers, land developers, and farmers—likely the intended audiences—would have benefited from a map like this.
Design Your Own Unique Map of California
E. McD. Johnstone, “The Unique Map of California,” c. 1888, lithograph, 29 5/8 x 22 3/8 in. Jay T. Last Collection, gift of Jay T. Last. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-p16003coll4-1479.
“Southern Pacific Railroad,” 1900–1934, manuscripts and ephemera. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-mssheh-aspace-ca201ff96ed749db6e8e85cfef30b895.
Mutual Label & Lith. Co., printer, California Brand, 1890-1900. Lithograph, color printed. Jay T. Last Collection. Gift of Jay T. Last. | The Huntington Library, Art Museum, and Botanical Gardens.
This image of a California citrus box label dates from about 1890 to 1900. Citrus fruits, including oranges, were a regional commodity. Grown in California and other areas, they were sold across the country. This label includes a map of California alongside colorful illustrations of oranges, lemons, and citrus blossoms. These kinds of images helped sell more than just oranges. Marketing campaigns from the orange industry that showed off oranges, plus the state’s land, sea, and sun, were a catalyst for further migration into the state, encouraging people to move to California, purchase tracts of land, and earn money through agricultural means such as growing citrus trees. By the 1920s, oranges had become a symbol frequently associated with California, and citrus was the state’s second-largest source of revenue, behind oil.
Create an Advertisement for California
Unidentified artist. “California Brand,” 1890–1900, lithograph, 9 1/2 x 13 3/8 in. The Jay T. Last Collection of Graphic Arts and Social History, gift of Jay T. Last. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-p16003coll4-97.
“Ch 2: King Citrus and the Selling of the California Dream,” LA Foodways, 2019, documentary, directed by Raphael Sbarge. PBS SoCal. https://www.pbssocal.org/shows/la-foodways/clip/king-citrus-and-the-selling-of-the-california-dream.
Prof. May, U. S. Indian Day School, Soboba, undated. Photograph: black and white print. William H. Weinland Collection. Gift of Clarence E. Weinland, 1944 and 1970. | The Huntington Library, Art Museum, and Botanical Gardens.
This is a photo of students and their teacher—seated at the far right—at the California Indian Day School near San Jacinto, California, at the Soboba Indian Reservation in Riverside County. Students likely came from local tribal communities, including the Serrano, Luiseño, Cahuilla, Gabrielino, Juaneño, and Diegueño.
During the 19th and 20th centuries, many Native American children were forced into residential boarding schools funded by the federal government or operated by Christian churches. The purpose of these schools was to assimilate Native children into mainstream American society and suppress their languages, cultures, and traditions. School authorities enforced assimilation practices that included replacing Native names with English ones, cutting students’ hair, and discouraging or punishing the use of Native languages, religions, and cultural practices. Students were taught to read, write, and speak English and were instructed in white Western social and cultural values. According to recent federal investigations, more than 500 Indian boarding schools operated across the United States.
Alongside these residential institutions, the government also established an extensive network of Indian day schools. Unlike boarding schools, students in day schools returned home to their families each evening. Day schools combined academic instruction with industrial and vocational training. They stressed order, discipline, and routine, often including regimented activities such as drills and manual labor.
Research Indian Day Schools
Prof. May, U.S. Indian Day School, Soboba, n.d., photograph, 5 5/16 x 8 7/16 in. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-p15150coll2-12450.
“Interactive Digital Map of Indian Boarding Schools,” website, n.d. The National Native American Boarding School Healing Coalition. https://boardingschoolhealing.org/interactive-digital-map.
Bryan Newland, “Federal Indian Boarding School Initiative: Investigative Report,” 2022. Office of the Assistant Secretary – Indian Affairs, U.S. Department of the Interior. https://resources.collegefund.org/wp-content/uploads/bsi_investigative_report_may_2022_508.pdf.
Kelly Leah Stewart. “(Re)writing and (Re)righting California Indian Histories: Legacies of Saint Boniface Indian Industrial School, 1890 to 1935,” 2018, thesis, UCLA. https://escholarship.org/uc/item/5qx1w2mz.
William H. Weinland, “William H. Weinland photograph collection, 1885?-1929,” ca. 1885–1929, photographs, prints, and ephemera. Gift of Clarence E. Weinland. The Huntington Library, Art Museum, and Botanical Gardens. https://catalog.huntington.org/record=b1064134.
Universal City. Entrance to the “City of Wonders,” ca.1915. Photograph, print. Ernest Marquez Collection. Purchased in part by the Library Collectors’ Council from Ernest Marquez, January 2014. | The Huntington Library, Art Museum, and Botanical Gardens.
It’s hard to think about California without thinking about the film industry. In 1915, filmmaker Carl Laemmle (whose nephews later founded the still-operating Laemmle Theatres in Los Angeles) opened a new movie studio, called Universal City, south of Lankershim Boulevard in Los Angeles County’s San Fernando Valley. This photograph captures the entrance to Universal City, with administrative buildings visible in the background. A woman and an early automobile stand next to a sign reading “Universal City: Capital of the Film World,” highlighting the studio’s ambition and growing influence. On the right side of the image, a small group of people gather near the gated entrance. Today, this same area is home to Universal Studios, a theme park and one of the largest film production facilities in the world.
Compare Then to Now
Unidentified artist. Universal City. Entrance to the “City of Wonders,” ca. 1915, postcard, 3 3/8 x 5 3/8 in. Ernest Marquez Collection. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-p15150coll2-19441.
“About Laemmle,” n.d., web page. https://www.laemmle.com/pages/about.
Bishop, G. Haven, photographer, Big Creek Huntington Lake Dams, 1917. Glass Plate.
Southern California Edison Photographs and Negatives. Gift of Edison International, December 2005. | The Huntington Library, Art Museum, and Botanical Gardens.
As California’s population grew, its cities needed more electricity to meet the rising demands of residents and businesses. Hydroelectric power—electricity generated by harnessing the energy of moving water, such as rivers or water falling from dams—offered an appealing source of inexpensive energy, but constructing dams, reservoirs, and power plants was challenging and expensive.
In 1910, construction began on the Big Creek Hydroelectric Project in the Sierra Nevada mountains. Its primary purpose was to supply electricity to Los Angeles. Rather than relying on a single massive dam and power plant, engineers developed an interconnected system of multiple reservoirs and generating facilities.
One of these reservoirs, Huntington Lake, was named after Henry E. Huntington, president of the Pacific Light and Power Company—and The Huntington’s founder—who financed the project’s early development.
The Big Creek system became one of the largest and most extensive power networks, often called “The Hardest Working Water in the World.” Today, it generates about 12% of California’s hydroelectric power.
Design an Energy Solution
G. Haven Bishop, Big Creek Huntington Lake Dams, 1917, photograph on glass plate, 8 x 10 in. Southern California Edison Photographs and Negatives. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-p16003coll2-16315.
“Huntington Lake Photograph Album, approximately 1915–1920,” ca. 1915–1920, photographs. Online Archive of California, UC Libraries. https://oac.cdlib.org/findaid/ark:/13030/c8db8858.
“Southern California Edison Big Creek Hydroelectric Project,” n.d., web page. Southern California Edison Northern Hydro Division. https://sierranevadageotourism.org/entries/southern-california-edison-big-creek-hydroelectric-project/6833b411-c6db-4ad1-aae9-8a71b7a07b2c.
The habitations of the unemployed in Los Angeles County, 1931–32. Gelatin silver print. Los Angeles County Department of Health Services Collection, 1930–32. Gift of the Los Angeles County Health Administration/Management and Health Systems Agency Libraries, June 1996. | The Huntington Library, Art Museum, and Botanical Gardens.
During the Great Depression, widespread unemployment and poverty forced many Americans to seek shelter wherever they could find it. One such settlement was “Hoover Town” or “Hooverville,” a five-acre community of makeshift homes in the Graham neighborhood of Los Angeles, located near Alameda Street and Firestone Boulevard.
The Great Depression, which began in 1929 and lasted about a decade, is widely regarded as the most severe economic downturn in American history. Californians had experienced homelessness before this period, but soaring unemployment and widespread business failures caused housing loss on an unprecedented scale. As a result, thousands of people across the country were forced to live in improvised communities known as Hoovervilles, mockingly named after the U.S. president at the time, Herbert Hoover.
The settlement shown in the image comes from a photographic collection created by the Los Angeles County Health Department titled The Habitations of the Unemployed in Los Angeles County, 1931–1932. Homes in Hooverville were built from whatever materials people could find, including scrap wood, metal sheets, cardboard, and canvas tents.
In striking contrast, Los Angeles was hosting the 1932 Summer Olympics when this photograph was taken. The event generated a profit of more than $1 million, equivalent to nearly $24 million today, highlighting the sharp economic inequalities present in the city.
1930s News Report
“The Habitations of the Unemployed in Los Angeles County, 1931–1932,” 1931–1932, photographs. Los Angeles County Department of Health Services Collection, gift of the Los Angeles County Health Administration/Management and Health Systems Agency Libraries. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-p15150coll2-7811.
Patrick J. Kiger, “5 Causes of the Great Depression,” 2022, history.com. A&E Television Networks. https://www.history.com/articles/great-depression-causes.
Mark Stanbrough, “Olympic Games of 1932 (Summer),” 2023, web page. EBSCO Information Services Inc. https://www.ebsco.com/research-starters/history/olympic-games-1932-summer.
Orange packers, San Fernando Heights Citrus Packing House, Los Angeles County. 1938. Negative. “Dick” Whittington Studio Collection of Negatives and Photographs, 1924–48. Photographs purchased from, and donated by, Edward Whittington, 1976. | The Huntington Library, Art Museum, and Botanical Gardens.
In this 1938 photograph, before the start of World War II, young women pack orange crates at the San Fernando Heights Citrus Pack House in Los Angeles County. Before the 1890s, these packinghouses were commonly staffed by Chinese and Japanese men. Anti-Asian sentiment, furthered by the Chinese Exclusion Act in 1882, caused the workforce to shift to women. This picture was taken toward the end of the citrus industry’s peak era in Southern California. After World War II, Southern California became a hub of defense manufacturing and many commercial orange groves were converted to residential housing to accommodate the influx of people working in that industry.
Wearing aprons and gloves, the young women in the photograph stand in front of crates picking oranges from a conveyor belt. Often, workers would wrap each orange in paper before placing it in crates marked with colorful labels like those in The Huntington’s citrus label collection. Packers were paid based on how many fruits they handled in a day, meaning the faster they packed, the more they were paid.
Packinghouse: A place where food is processed and/or packed.
Meet an Orange Packer
Dick Whittington Studio, “Orange packers, San Fernando Heights Citrus Packing House, Los Angeles County. 1938,” 1938, photographic negative, 4 x 5 in. “Dick” Whittington Studio Collection of Negatives and Photographs, 1924–1948. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-p15150coll2-3880.
“Citrus Label Collection,” 1880–1960, photographs, prints, and ephemera. The Huntington Library, Art Museum, and Botanical Gardens. https://www.huntington.org/collections/lib-ephcl
Sandi Hemmerlein, “Where to Find the Bygone Citrus Groves of Southern California,” 2017, web page. PBS SoCal. https://www.pbssocal.org/shows/socal-wanderer/where-to-find-the-bygone-citrus-groves-of-southern-california.
Audrey Maier, “A Woman’s World: A History of Female Labor in Citrus Packinghouses,” n.d., Sweet and Sour Citrus, website. https://sweetandsourcitrus.org/a-womans-world-a-history-of-female-labor-in-citrus-packinghouses.
Writing–Research to Build and Present Knowledge
Kristin Brisbois McNutt, Ph.D., is educator programs specialist at The Huntington.
Sarah Thomas is senior manager of school programs and partnerships at The Huntington.
Dora Dalton is a freelance writer and editor.
Diego Godoy, Ph.D., is associate curator of California and Hispanic collections.
Victoria Gonzalez is digital learning specialist at The Huntington.
Special thanks to the 2025–26 Teacher Advisory Panel: Amelia Angulo, Marivell Caba Arayasirikul, E. Dominic Black, Rubina Chadha, Merek Chang, Dolores Delgado, Shannon Garrison, Meghann Kraft, Rachel Kulik, Dahlia Martin, Rachel Morrison, Michael Ochs, Dr. Izzy Pittman, Laura Ruiz, and Giuliana Silva.
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