Visual Materials
Jay T. Last collection of sports and leisure prints and ephemera
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Physical activities, SL-Z, by subject, and multiple sports
Visual Materials
The Jay T. Last collection of sports and leisure prints and ephemera contains about 1,770 printed materials related to the history and advertising of athletics, recreational activities, pyrotechnics, gambling, and games in the United States. The materials date from approximately 1758 to approximately 1938, although the bulk of the items date from the mid-19th to early-20th centuries. The collection consists of about 67 large-sized items, and over 1,000 smaller-sized items, including paper dolls, playing cards, trade cards, puzzle cards, dime novels, and promotional billheads and letterheads. Images on the materials range from scenes of indoor pastimes such as billiard and board games, to outdoor sports and activities like roller skating and horse racing. Some materials also include advertisements for fireworks and other pyrotechnic products, largely promoted for Fourth of July celebrations. The collection also consists of many broadsides announcing lottery and charity drawings that took place in Delaware, Maryland, Louisiana, Wyoming, Kansas, and other parts of the United States. Many of the drawings were organized by reputed swindlers at the time, like J.M. (James Monroe) Pattee and L.D. Sine. Some of the drawings organized by the Louisiana State Lottery Company were also officiated by former Confederate generals G. T. (Gustave Toutant) Beauregard and Jubal Anderson Early. In addition to sport materials, this collection also consists of items relating to toys and novelties. Items range from paper cut-out templates, to playing cards, holiday toy listings by retailers, and toy advertisements by manufacturers such as the Milton Bradley Company and the McLoughlin Bros. A significant portion of this collection includes paper dolls with fashion accessories, published either as promotional product advertisements by companies, as art supplements by newspapers, or as toys retailed to consumers.
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Jay T. Last Collection of Firefighting Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Firefighting Prints and Ephemera contains more than 200 printed items that relate to firefighting and the activities and organizations of firemen in the United States from approximately 1820 to 1909. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to firefighting organizations, related social or charitable events, and firefighting vehicles, equipment, and supplies. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small materials broadly at the series level; large-size items have been fully inventoried and all printers, artists, and publishers are indexed by name. The collection has 40 large-size items comprised mainly of lithographic and engraved prints that include: Fire department membership and discharge certificates Depictions of fires and firefighters working to extinguish blazes Builders prints of fire engines and similar vehicles Images and advertisements pertaining to social and charitable events involving fire departments and related organizations Small-size items in the collection number more than 160 and consist mainly of business documents and advertising and promotional ephemera such as printed booklets, trade cards, small programs, menus, tickets and invitations for charitable and social events such balls, concerts, musters, and celebrations, business cards, lapel ribbons, book and periodical illustrations, membership certificates, and stationery with printed billheads and letterheads filled out in manuscript.
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Jay T. Last Collection of Horticulture Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Horticulture Prints and Ephemera contains approximately 1,425 printed items from 1840 to 1933, with the majority of material dating from 1865 to 1920. The collection consists of advertising prints and ephemera promoting businesses whose products and services relate to growing flowers, fruits, and vegetables. This includes the tools, equipment, and supplies used for planting and cultivating gardens, orchards, and lawns for commercial and noncommercial purposes by nurseries, florists, fruit growers, and home gardeners. Seed companies are most prominently represented. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (bigger than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and selected small-size items between 8 x 10 inches and 11 x 14 inches are fully inventoried, and all printers, artists, and publishers are indexed by name. The collection has more than 50 large-size items comprised mainly of lithographs and engravings, including seed advertisements, decorative floral prints, and promotional materials related to fruit, vegetable, and floral products. Small-size items in the collection number almost 1,400 items and are comprised mainly of trade cards, stationery, handbills, and seed packets from various businesses. Approximately 285 ephemeral items featuring images of anthropomorphic fruit, vegetables, flowers, and other plants are also contained here, even though the products they promote do not always relate to horticulture. The collection's prints and ephemera are primarily promotional in nature and provide information about American fruit, vegetable, seed, and flower-related industries, as well as the evolution of advertising strategies employed by these businesses in the 19th and early 20th centuries. Materials in this collection also provide a perspective on American aesthetic sensibilities during this period, as many of these prints were offered as decorative items as well as advertisements. As graphic materials, the items offer evidence of printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.
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Jay T. Last Collection of Transportation Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Transportation Prints and Ephemera contains more than 730 printed items that relate to land-based modes of transportation primarily in the United States from the 1820s to the early 1900s. The bulk of the collection dates from 1840 to 1905 and consists largely of advertising and promotional materials, business records, and illustrations produced for or pertaining to the bicycle, carriage and wagon, railroad, and freight and passenger transport industries. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items are fully inventoried, and all printers, artists, and publishers are indexed by name. The collection has 167 large-size items consisting of advertising cards, posters, broadsides, system maps, timetables, views, and other visual materials primarily produced for railroad companies, with additional items concerning vehicle and part manufacturers such as wheel works, carriage builders, bicycle manufacturers, and locomotive machine shops. Small-size items in the collection number more than 570 and are comprised mainly of advertising and promotional ephemera and business documents such as printed booklets, business cards, calendars, catalogs, envelopes, handbills, labels, leaflets, postcards, trade cards, and separated book and periodical illustrations, as well as stationery with printed billheads and letterheads filled out with manuscript or typewritten correspondence. The collection touches on topics of transportation, commerce and manufacturing, technology and engineering, travel and tourism, and geography. The images are primarily promotional in nature and provide information about the history of the American railroad, bicycle, and horse-drawn vehicle industries and the evolution of their advertising strategies in the 19th and early 20th centuries. As graphic materials, the prints offer evidence of the development of printmaking techniques and trends, and of the artists, engravers, lithographers, printers, and publishers involved in the creation of these prints.
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Jay T. Last Collection of Entertainment: Circus Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Entertainment: Circus Prints and Ephemera contains more than 850 printed items that relate to circuses in the United States from the 1846 to the 1990s. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to circuses, their tours and shows, staff and performers, acts and exhibits, and animals. Materials are arranged in three series: small-size prints and ephemera (11 x 14 inches or less); large-size prints and ephemera (more than 11 x 14 inches); and broadsides and handbills. The small-size items are described broadly at the series level; large-size items are fully inventoried and all printers, artists, and publishers are indexed by name; and the broadsides and handbills contain item-level entries that include the circus name, date, printer (when identified), and show location (when applicable). The collection has 220 large-size items comprised mainly of lithographic posters containing brightly colored images of featured circus acts, performers, and animals that were typically posted outdoors in advance of the circus coming to town. Small-size items in the collection number more than 500 and are comprised mainly of advertising and promotion ephemera and business documents such as trade cards, programs and souvenir books, route cards, envelopes, tickets, songsters, and printed billheads and letterheads. The 130 broadsides, handbills, and related advertisements consist primarily of long, narrow broadsides printed on newspaper paper in black ink using letterpress type that advertised upcoming circus shows and were intended to be distributed by hand, left in stacks in public places, or posted on walls, fences, or in windows in advance of the circus's arrival in a town. This collection provides a resource for studying the history of the American circus and its impact on popular entertainment and advertising in the 19th and 20th centuries. As graphic materials, the items offer evidence of the development of printmaking techniques and trends, and of the artists, engraves, lithographers, printers, and publishers involved in the creation of these prints.
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Jay T. Last Collection of Education Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Education Prints and Ephemera contains over 2,200 printed items related to education in the United States from 1788 to approximately 1930, with the bulk of the items dating from 1850 to 1910. Most of these items are lithographs, but engravings and woodcuts are also included. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and select small-size items are fully inventoried with printers, artists, and publishers indexed by name. The collection includes over 75 large-size items comprised mainly of lithographed views of colleges and universities, diplomas and other certificates, penmanship examples, and uncut sheets of rewards of merit. Small-size items number approximately 2,150 and contain a variety of materials, including copy and writing books (composition books), arithmetic and ciphering books, tuition bills, programs and tickets to graduations and other school events, certificates, trade cards, student identification cards, postcards, ribbons, and printed billheads and letterheads (with and without manuscript text). The collection highlights institutions, products, and services relating to personal knowledge, understanding, character building, and moral and social qualities including the tools, equipment, supplies, and structures used for learning and teaching these disciplines in the United States in the 19th and early 20th centuries. This includes items associated with academic achievement, exhibits, lectures, and institutions of learning. The images provide a rich visual resource for studying the history of American educational institutions, methods, and materials, as well as a perspective on student life and activities during the 19th and early 20th centuries. As graphic materials, the prints and ephemera offer evidence of developing techniques and trends in printmaking, and of the artists, engravers, lithographers, printers, and publishers involved in the creative process.
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