Visual Materials
Jay T. Last Collection of Entertainment: Circus Prints and Ephemera
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Jay T. Last Collection of Transportation Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Transportation Prints and Ephemera contains more than 730 printed items that relate to land-based modes of transportation primarily in the United States from the 1820s to the early 1900s. The bulk of the collection dates from 1840 to 1905 and consists largely of advertising and promotional materials, business records, and illustrations produced for or pertaining to the bicycle, carriage and wagon, railroad, and freight and passenger transport industries. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items are fully inventoried, and all printers, artists, and publishers are indexed by name. The collection has 167 large-size items consisting of advertising cards, posters, broadsides, system maps, timetables, views, and other visual materials primarily produced for railroad companies, with additional items concerning vehicle and part manufacturers such as wheel works, carriage builders, bicycle manufacturers, and locomotive machine shops. Small-size items in the collection number more than 570 and are comprised mainly of advertising and promotional ephemera and business documents such as printed booklets, business cards, calendars, catalogs, envelopes, handbills, labels, leaflets, postcards, trade cards, and separated book and periodical illustrations, as well as stationery with printed billheads and letterheads filled out with manuscript or typewritten correspondence. The collection touches on topics of transportation, commerce and manufacturing, technology and engineering, travel and tourism, and geography. The images are primarily promotional in nature and provide information about the history of the American railroad, bicycle, and horse-drawn vehicle industries and the evolution of their advertising strategies in the 19th and early 20th centuries. As graphic materials, the prints offer evidence of the development of printmaking techniques and trends, and of the artists, engravers, lithographers, printers, and publishers involved in the creation of these prints.
priJLC_TRAN
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Jay T. Last Collection of Horticulture Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Horticulture Prints and Ephemera contains approximately 1,425 printed items from 1840 to 1933, with the majority of material dating from 1865 to 1920. The collection consists of advertising prints and ephemera promoting businesses whose products and services relate to growing flowers, fruits, and vegetables. This includes the tools, equipment, and supplies used for planting and cultivating gardens, orchards, and lawns for commercial and noncommercial purposes by nurseries, florists, fruit growers, and home gardeners. Seed companies are most prominently represented. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (bigger than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and selected small-size items between 8 x 10 inches and 11 x 14 inches are fully inventoried, and all printers, artists, and publishers are indexed by name. The collection has more than 50 large-size items comprised mainly of lithographs and engravings, including seed advertisements, decorative floral prints, and promotional materials related to fruit, vegetable, and floral products. Small-size items in the collection number almost 1,400 items and are comprised mainly of trade cards, stationery, handbills, and seed packets from various businesses. Approximately 285 ephemeral items featuring images of anthropomorphic fruit, vegetables, flowers, and other plants are also contained here, even though the products they promote do not always relate to horticulture. The collection's prints and ephemera are primarily promotional in nature and provide information about American fruit, vegetable, seed, and flower-related industries, as well as the evolution of advertising strategies employed by these businesses in the 19th and early 20th centuries. Materials in this collection also provide a perspective on American aesthetic sensibilities during this period, as many of these prints were offered as decorative items as well as advertisements. As graphic materials, the items offer evidence of printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_HORT
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Jay T. Last Collection of Maritime Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Maritime Prints and Ephemera contains approximately 1,150 printed items that pertain to travel, shipping, and other maritime-related activities and businesses in the United States primarily dating from the second half of the 19th century. The collection consists of advertising and promotional materials, business records, and illustrations produced for or relevant to steamship companies, sailing vessels, shipping entities, passenger lines, and related businesses and publications. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (bigger than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items are fully inventoried, and all printers, artists, and publishers are indexed by name. The collection has more than 55 large-size items comprised mainly of lithographic and engraved prints of ships, certificates and contracts, and advertising materials for passenger and shipping routes. Small-size items in the collection number approximately 1,100 and are comprised mainly of advertising and promotional ephemera and business documents. The vast majority of these items are bills of lading and steamship passes, but the collection also has trade cards, timetables, booklets, directory ads, menus, passenger lists, postcards, handbills, and printed billheads and letterheads with manuscript text. Subjects addressed within the collection include commerce, advertising, technology and engineering, and tourism as related to river, lake, and ocean travel mostly in the United States. The images are primarily promotional and provide information about the history of passenger travel and commercial shipping, as well as the advertising strategies employed by these industries in the 19th and early 20th centuries. As graphic materials, the items offer evidence of visual culture and printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_MAR
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Jay T. Last Collection of Entertainment: Performing Arts Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Entertainment: Performing Arts Prints and Ephemera contains more than 2,300 printed items primarily advertising theatrical and musical entertainment and related performers in the United States from 1839 to the 1940s, with the majority of items dating from the 1870s to the 1890s. The collection consists of advertising and promotional materials, business records, and illustrations pertaining to a wide variety of performance genres that have been grouped broadly as music and theater (including theater, music, dance, burlesque, comedy, pantomime, and variety); minstrel (including minstrel shows, blackface entertainers, and female minstrels); and magic and miscellaneous (including magicians, motion pictures, and Wild West shows). Materials are arranged into two series: small-size items (11 x 14 inches or less) and large-size items (bigger than 11 x 14 inches). Small size items are described broadly at the series level; large-size items are fully inventoried and all printers, artists, and publishers are indexed by name. The collection has 450 large-size items comprised mainly of lithographic theatrical and minstrel posters that were intended to advertise specific shows or performers. Small-size items in the collection number approximately 1,850 and are comprised mainly of promotional ephemera and business documents such as trade cards, programs and playbills, souvenir booklets, tickets, die-cut cards, and printed billheads and letterheads with manuscript text. The collection provides a resource for studying the history of the American theater and the evolution of advertising strategies for the performing arts in the United States in the late 19th century. As graphic materials, the items offer evidence of developing techniques and trends in printmaking, and of the artists, engravers, lithographers, printers, and publishers involved in the creation of these prints.
priJLC_ENT
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Jay T. Last Collection of Agriculture Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Agriculture Prints and Ephemera contains roughly 2,315 items from approximately 1818 to 1924, with the majority of material dating from 1850 to 1900. The collection consists mainly of advertising prints and ephemera related to crop, hay, livestock, and dairy farming, including the tools, equipment, supplies, and structures used for cultivating soil; raising, harvesting, and storing crops; irrigating land; growing grasses for animal fodder; marking territory lines or separating fields and pastures; and boarding, breeding, feeding, rearing, tending, and selling farm animals. Agricultural machinery and implement companies dominate. Manufacturers and dealers of fertilizer, windmills, and fencing supplies are also represented, as are veterinary medicine, items used to collect or make dairy products, and items used on horses such as blankets, halters, harnesses, horseshoes, nails, saddles, and riding whips. Certificates issued by or pertaining to agricultural societies and organizations are also found here. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (bigger than 11 x 14 inches). Most small-size items are described broadly at the series level; selected small-size items and all large-size items are fully inventoried, with all printers, artists, and publishers indexed by name. The collection has 125 large-size items comprised mainly of lithographs and engravings, including advertising prints, certificates, and promotional materials. Small-size items number over 2,000 and are comprised mainly of trade cards, leaflets, handbills, stationery, calendars, price lists, and catalogs from various businesses. Materials are further divided into two subseries: Implements and Supplies, and Livestock. Implements and Supplies includes fences, fertilizers, farm machinery and implements, and windmills. Livestock includes breeding, dairying, food, and veterinary medicine for livestock, and a variety of products and services relating to horses and blacksmithing. The collection's prints and ephemera are primarily promotional in nature and provide information about American farming and agriculture-related industries, as well as the evolution of advertising strategies employed by these businesses in the 19th and early 20th centuries. Materials in this collection also provide perspectives on the role of horses in American daily life, and on membership and participation in various societies and organizations. As graphic materials, the items offer evidence of printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_AGR
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New York Circus
Visual Materials
This collection contains more than 650 printed items that relate to circuses in the United States from the 1850s to the 1990s. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to circuses, their tours and shows, staff and performers, acts and exhibits, and animals. Materials are arranged in three series: small-size prints and ephemera (11 x 14 inches or less); large-size prints and ephemera (more than 11 x 14 inches); and broadsides and handbills. The collection has 206 large-size items comprised mainly of lithographic posters containing brightly colored images of featured circus acts, performers, and animals that were typically posted outdoors in advance of the circus coming to town. Small-size items in the collection number more than 320 and are comprised mainly of advertising and promotion ephemera and business documents such as trade cards, programs and souvenir books, route cards, envelopes, tickets, songsters, and printed billheads and letterheads. The 130 broadsides, handbills, and related advertisements consist primarily of long, narrow broadsides printed on newspaper paper in black ink using letterpress type that advertised upcoming circus shows and were intended to be distributed by hand, left in stacks in public places, or posted on walls, fences, or in windows in advance of the circus's arrival in a town. This collection provides a resource for studying the history of the American circus and its impact on popular entertainment and advertising in the 19th and 20th centuries. As graphic materials, the items offer evidence of the development of printmaking techniques and trends, and of the artists, engraves, lithographers, printers, and publishers involved in the creation of these prints.
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