Jay T. Last Collection of Transportation Prints and Ephemera

The Jay T. Last Collection of Transportation Prints and Ephemera contains more than 730 printed items that relate to land-based modes of transportation primarily in the United States from the 1820s to the early 1900s. The bulk of the collection dates from 1840 to 1905 and consists largely of advertising and promotional materials, business records, and illustrations produced for or pertaining to the bicycle, carriage and wagon, railroad, and freight and passenger transport industries.

Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items are fully inventoried, and all printers, artists, and publishers are indexed by name.

The collection has 167 large-size items consisting of advertising cards, posters, broadsides, system maps, timetables, views, and other visual materials primarily produced for railroad companies, with additional items concerning vehicle and part manufacturers such as wheel works, carriage builders, bicycle manufacturers, and locomotive machine shops.

Small-size items in the collection number more than 570 and are comprised mainly of advertising and promotional ephemera and business documents such as printed booklets, business cards, calendars, catalogs, envelopes, handbills, labels, leaflets, postcards, trade cards, and separated book and periodical illustrations, as well as stationery with printed billheads and letterheads filled out with manuscript or typewritten correspondence.

The collection touches on topics of transportation, commerce and manufacturing, technology and engineering, travel and tourism, and geography. The images are primarily promotional in nature and provide information about the history of the American railroad, bicycle, and horse-drawn vehicle industries and the evolution of their advertising strategies in the 19th and early 20th centuries. As graphic materials, the prints offer evidence of the development of printmaking techniques and trends, and of the artists, engravers, lithographers, printers, and publishers involved in the creation of these prints.