Visual Materials
Jay T. Last Collection of Transportation Prints and Ephemera
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Jay T. Last Collection of Maritime Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Maritime Prints and Ephemera contains approximately 1,150 printed items that pertain to travel, shipping, and other maritime-related activities and businesses in the United States primarily dating from the second half of the 19th century. The collection consists of advertising and promotional materials, business records, and illustrations produced for or relevant to steamship companies, sailing vessels, shipping entities, passenger lines, and related businesses and publications. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (bigger than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items are fully inventoried, and all printers, artists, and publishers are indexed by name. The collection has more than 55 large-size items comprised mainly of lithographic and engraved prints of ships, certificates and contracts, and advertising materials for passenger and shipping routes. Small-size items in the collection number approximately 1,100 and are comprised mainly of advertising and promotional ephemera and business documents. The vast majority of these items are bills of lading and steamship passes, but the collection also has trade cards, timetables, booklets, directory ads, menus, passenger lists, postcards, handbills, and printed billheads and letterheads with manuscript text. Subjects addressed within the collection include commerce, advertising, technology and engineering, and tourism as related to river, lake, and ocean travel mostly in the United States. The images are primarily promotional and provide information about the history of passenger travel and commercial shipping, as well as the advertising strategies employed by these industries in the 19th and early 20th centuries. As graphic materials, the items offer evidence of visual culture and printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_MAR
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Jay T. Last Collection of Beverage Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Beverage Prints and Ephemera contains approximately 3,240 printed items advertising beverage products and related businesses in the United States from the 1840s to the 1940s, with the bulk of the items spanning from 1850 to 1915. The collection consists largely of lithographed ephemeral items produced for American businesses affiliated with the manufacture, distribution, and sale of beverages such as coffee, tea, juice, milk, carbonated beverages, and alcoholic drinks including beer, wine, whiskey, and other liquors. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and select small-size items are fully inventoried and all printers, artists, and publishers are indexed by name. The collection includes approximately 65 large-size items comprised mainly of lithographed advertising prints and product labels for tea, coffee, and spirits. Small-size items number nearly 3,200 and contain a variety of promotional materials including trade cards, calendars, die-cut scraps, booklets, and printed billheads and letterheads with manuscript text. The collection deals with beverage production, merchandising, advertising, and consumption -- including depictions of families and other groups drinking together -- and the images provide a resource for studying the history of American beer, liquor, coffee, tea, and carbonated beverage industries along with the evolution of their advertising in the 19th and early 20th centuries. Materials in the collection produced for manufacturers and distributors of alcoholic beverages also provide a perspective on their advertising strategies in the face of a growing temperance movement in the United States leading up to Prohibition. As graphic materials, the prints offer evidence of developing techniques and trends in printmaking, and of the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_BEV
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Jay T. Last Collection of Horticulture Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Horticulture Prints and Ephemera contains approximately 1,425 printed items from 1840 to 1933, with the majority of material dating from 1865 to 1920. The collection consists of advertising prints and ephemera promoting businesses whose products and services relate to growing flowers, fruits, and vegetables. This includes the tools, equipment, and supplies used for planting and cultivating gardens, orchards, and lawns for commercial and noncommercial purposes by nurseries, florists, fruit growers, and home gardeners. Seed companies are most prominently represented. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (bigger than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and selected small-size items between 8 x 10 inches and 11 x 14 inches are fully inventoried, and all printers, artists, and publishers are indexed by name. The collection has more than 50 large-size items comprised mainly of lithographs and engravings, including seed advertisements, decorative floral prints, and promotional materials related to fruit, vegetable, and floral products. Small-size items in the collection number almost 1,400 items and are comprised mainly of trade cards, stationery, handbills, and seed packets from various businesses. Approximately 285 ephemeral items featuring images of anthropomorphic fruit, vegetables, flowers, and other plants are also contained here, even though the products they promote do not always relate to horticulture. The collection's prints and ephemera are primarily promotional in nature and provide information about American fruit, vegetable, seed, and flower-related industries, as well as the evolution of advertising strategies employed by these businesses in the 19th and early 20th centuries. Materials in this collection also provide a perspective on American aesthetic sensibilities during this period, as many of these prints were offered as decorative items as well as advertisements. As graphic materials, the items offer evidence of printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_HORT
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Jay T. Last Collection of Agriculture Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Agriculture Prints and Ephemera contains roughly 2,315 items from approximately 1818 to 1924, with the majority of material dating from 1850 to 1900. The collection consists mainly of advertising prints and ephemera related to crop, hay, livestock, and dairy farming, including the tools, equipment, supplies, and structures used for cultivating soil; raising, harvesting, and storing crops; irrigating land; growing grasses for animal fodder; marking territory lines or separating fields and pastures; and boarding, breeding, feeding, rearing, tending, and selling farm animals. Agricultural machinery and implement companies dominate. Manufacturers and dealers of fertilizer, windmills, and fencing supplies are also represented, as are veterinary medicine, items used to collect or make dairy products, and items used on horses such as blankets, halters, harnesses, horseshoes, nails, saddles, and riding whips. Certificates issued by or pertaining to agricultural societies and organizations are also found here. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (bigger than 11 x 14 inches). Most small-size items are described broadly at the series level; selected small-size items and all large-size items are fully inventoried, with all printers, artists, and publishers indexed by name. The collection has 125 large-size items comprised mainly of lithographs and engravings, including advertising prints, certificates, and promotional materials. Small-size items number over 2,000 and are comprised mainly of trade cards, leaflets, handbills, stationery, calendars, price lists, and catalogs from various businesses. Materials are further divided into two subseries: Implements and Supplies, and Livestock. Implements and Supplies includes fences, fertilizers, farm machinery and implements, and windmills. Livestock includes breeding, dairying, food, and veterinary medicine for livestock, and a variety of products and services relating to horses and blacksmithing. The collection's prints and ephemera are primarily promotional in nature and provide information about American farming and agriculture-related industries, as well as the evolution of advertising strategies employed by these businesses in the 19th and early 20th centuries. Materials in this collection also provide perspectives on the role of horses in American daily life, and on membership and participation in various societies and organizations. As graphic materials, the items offer evidence of printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_AGR
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Jay T. Last Collection of Firefighting Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Firefighting Prints and Ephemera contains more than 200 printed items that relate to firefighting and the activities and organizations of firemen in the United States from approximately 1820 to 1909. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to firefighting organizations, related social or charitable events, and firefighting vehicles, equipment, and supplies. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small materials broadly at the series level; large-size items have been fully inventoried and all printers, artists, and publishers are indexed by name. The collection has 40 large-size items comprised mainly of lithographic and engraved prints that include: Fire department membership and discharge certificates Depictions of fires and firefighters working to extinguish blazes Builders prints of fire engines and similar vehicles Images and advertisements pertaining to social and charitable events involving fire departments and related organizations Small-size items in the collection number more than 160 and consist mainly of business documents and advertising and promotional ephemera such as printed booklets, trade cards, small programs, menus, tickets and invitations for charitable and social events such balls, concerts, musters, and celebrations, business cards, lapel ribbons, book and periodical illustrations, membership certificates, and stationery with printed billheads and letterheads filled out in manuscript.
priJLC_FIRE
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Jay T. Last Collection of Fashion Prints and Ephemera
Visual Materials
The Jay T. Last collection of fashion prints and ephemera contains approximately 7,500 items dating from the 1570s to the early 1900s, with the bulk of the items spanning from 1825 to 1900. This collection consists of fashion plates, advertising prints, broadsides, and promotional ephemera produced for clothiers and tailors, dry goods suppliers, garment manufacturers, fashion publications, and textile companies affiliated with the design, production, and/or sale of clothing, accessories, and dry goods. While most of the materials are American, there are also notable quantities of foreign items in the collection, including French fashion plates, fez labels in several languages, and foreign textile labels. Labels affixed to textile samples of various sizes are also included. Materials are broadly divided into two series: small-size items (11 x 14 inches or smaller) and large-size items (typically larger than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and select small-size items are fully inventoried with printers, artists, and publishers indexed by name. The collection includes 250 large-size items comprised mainly of lithographic advertising prints and fashion plates. Small-size items number approximately 7,250 and contain a variety of promotional materials including trade cards, calendars, booklets, product labels, fashion plates, periodicals, clippings, and printed billheads and letterheads with manuscript text. Each series is divided into subseries according to the kind of business, service, or trade sponsoring the advertisement. Types of businesses have been identified according to the principal type of product(s) manufactured or sold by the business. These subseries are arranged as follows: Accessories; Clothiers, Tailors, and Dry Goods; Fashion Plates And Periodicals; Footwear; Garments; Headwear; Sewing Supplies; and Textiles. This collection contains many American and European printed illustrations, commonly known as "fashion plates," that typically depict men, women, or children modeling current clothing and dress styles. Small plates (usually 14 x 10 inches or less in this collection) illustrated the pages of magazines and bound volumes that were marketed specifically for women. Larger plates, primarily intended for display, advertised the products and services of fashion designers, tailors, and pattern makers. The collection provides a resource for studying clothing and dress, sales and merchandise, textiles, and sewing, as well as changing fashion trends in the United States and Europe in the 19th century. The images are primarily promotional in nature and provide information about the history of the American fashion, clothing, dry-goods, and textile industries and the evolution of their advertising strategies in the 19th and early 20th centuries. As graphic materials, the prints offer evidence of developing techniques and trends in printmaking, and of the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_FASH