Visual Materials
Jay T. Last Collection of Education Prints and Ephemera
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Jay T. Last Collection of Science Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Science Prints and Ephemera contains approximately 40 printed items related to science and natural history in the United States from 1840 to approximately 1921, with the bulk of the content dating from 1880 to 1900. Most items are lithographs, but engravings and woodcuts are also included. The collection deals with products, services, activities, and imagery relating to the pursuit of knowledge by observation and/or experimentation in the fields of physical science: astronomy, chemistry, earth science, ecology, oceanography, and physics; life science: biology, botany, and zoology; and pseudoscience: astrology, alchemy, occult beliefs, and phrenology. Scientific illustrations, equipment, lectures, and expeditions of discovery can be found here. As graphic materials, the collection highlights developing techniques and trends in printmaking while documenting the artists, engravers, lithographers, printers, and publishers involved in the creative process. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and select small-size items are fully inventoried with printers, artists, and publishers indexed by name. The collection includes 26 large-size items comprised mainly of astronomy and natural history prints. Small-size items number approximately 15 and contain a variety of materials, including trade cards, leaflets, documentary prints, and printed billheads and letterheads (with manuscript text). Notable items include a complete set of 15 astronomical drawing prints by E. L. Trouvelot published by Charles Scribner's Sons in 1882 (Series II).
priJLC_SCI
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Jay T. Last Collection of Beverage Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Beverage Prints and Ephemera contains approximately 3,240 printed items advertising beverage products and related businesses in the United States from the 1840s to the 1940s, with the bulk of the items spanning from 1850 to 1915. The collection consists largely of lithographed ephemeral items produced for American businesses affiliated with the manufacture, distribution, and sale of beverages such as coffee, tea, juice, milk, carbonated beverages, and alcoholic drinks including beer, wine, whiskey, and other liquors. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and select small-size items are fully inventoried and all printers, artists, and publishers are indexed by name. The collection includes approximately 65 large-size items comprised mainly of lithographed advertising prints and product labels for tea, coffee, and spirits. Small-size items number nearly 3,200 and contain a variety of promotional materials including trade cards, calendars, die-cut scraps, booklets, and printed billheads and letterheads with manuscript text. The collection deals with beverage production, merchandising, advertising, and consumption -- including depictions of families and other groups drinking together -- and the images provide a resource for studying the history of American beer, liquor, coffee, tea, and carbonated beverage industries along with the evolution of their advertising in the 19th and early 20th centuries. Materials in the collection produced for manufacturers and distributors of alcoholic beverages also provide a perspective on their advertising strategies in the face of a growing temperance movement in the United States leading up to Prohibition. As graphic materials, the prints offer evidence of developing techniques and trends in printmaking, and of the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_BEV
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Jay T. Last Collection of Horticulture Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Horticulture Prints and Ephemera contains approximately 1,425 printed items from 1840 to 1933, with the majority of material dating from 1865 to 1920. The collection consists of advertising prints and ephemera promoting businesses whose products and services relate to growing flowers, fruits, and vegetables. This includes the tools, equipment, and supplies used for planting and cultivating gardens, orchards, and lawns for commercial and noncommercial purposes by nurseries, florists, fruit growers, and home gardeners. Seed companies are most prominently represented. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (bigger than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and selected small-size items between 8 x 10 inches and 11 x 14 inches are fully inventoried, and all printers, artists, and publishers are indexed by name. The collection has more than 50 large-size items comprised mainly of lithographs and engravings, including seed advertisements, decorative floral prints, and promotional materials related to fruit, vegetable, and floral products. Small-size items in the collection number almost 1,400 items and are comprised mainly of trade cards, stationery, handbills, and seed packets from various businesses. Approximately 285 ephemeral items featuring images of anthropomorphic fruit, vegetables, flowers, and other plants are also contained here, even though the products they promote do not always relate to horticulture. The collection's prints and ephemera are primarily promotional in nature and provide information about American fruit, vegetable, seed, and flower-related industries, as well as the evolution of advertising strategies employed by these businesses in the 19th and early 20th centuries. Materials in this collection also provide a perspective on American aesthetic sensibilities during this period, as many of these prints were offered as decorative items as well as advertisements. As graphic materials, the items offer evidence of printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_HORT
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Jay T. Last Collection of Firefighting Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Firefighting Prints and Ephemera contains more than 200 printed items that relate to firefighting and the activities and organizations of firemen in the United States from approximately 1820 to 1909. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to firefighting organizations, related social or charitable events, and firefighting vehicles, equipment, and supplies. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small materials broadly at the series level; large-size items have been fully inventoried and all printers, artists, and publishers are indexed by name. The collection has 40 large-size items comprised mainly of lithographic and engraved prints that include: Fire department membership and discharge certificates Depictions of fires and firefighters working to extinguish blazes Builders prints of fire engines and similar vehicles Images and advertisements pertaining to social and charitable events involving fire departments and related organizations Small-size items in the collection number more than 160 and consist mainly of business documents and advertising and promotional ephemera such as printed booklets, trade cards, small programs, menus, tickets and invitations for charitable and social events such balls, concerts, musters, and celebrations, business cards, lapel ribbons, book and periodical illustrations, membership certificates, and stationery with printed billheads and letterheads filled out in manuscript.
priJLC_FIRE
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Jay T. Last Collection of Maritime Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Maritime Prints and Ephemera contains approximately 1,150 printed items that pertain to travel, shipping, and other maritime-related activities and businesses in the United States primarily dating from the second half of the 19th century. The collection consists of advertising and promotional materials, business records, and illustrations produced for or relevant to steamship companies, sailing vessels, shipping entities, passenger lines, and related businesses and publications. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (bigger than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items are fully inventoried, and all printers, artists, and publishers are indexed by name. The collection has more than 55 large-size items comprised mainly of lithographic and engraved prints of ships, certificates and contracts, and advertising materials for passenger and shipping routes. Small-size items in the collection number approximately 1,100 and are comprised mainly of advertising and promotional ephemera and business documents. The vast majority of these items are bills of lading and steamship passes, but the collection also has trade cards, timetables, booklets, directory ads, menus, passenger lists, postcards, handbills, and printed billheads and letterheads with manuscript text. Subjects addressed within the collection include commerce, advertising, technology and engineering, and tourism as related to river, lake, and ocean travel mostly in the United States. The images are primarily promotional and provide information about the history of passenger travel and commercial shipping, as well as the advertising strategies employed by these industries in the 19th and early 20th centuries. As graphic materials, the items offer evidence of visual culture and printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_MAR
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Jay T. Last Collection of Religion Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Religion Prints and Ephemera contains approximately 60 printed items related to beliefs and practices usually involving devotional and ritual observances concerning God, creation of the universe, spirituality, and the moral conduct of human affairs. The materials were made and used in the United States from approximately 1828 to 1921, with the bulk of the content dating from 1850 to 1900. Certificates pertaining to biblical societies and other theological organizations are represented, as are items relating to baptism and other formal or ceremonial religious rites and initiations. Images of sacred scenes, verses, and parables; portraits of saints or spiritual leaders; and views of houses of worship are also found here. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and select small-size items are fully inventoried with printers, artists, and publishers indexed by name. The collection includes 29 large-size items comprised mainly of baptismal certificates and lithographs of Christian scenes and imagery. Especially noteworthy are eight woodcut and hand-colored Pennsylvania-German certificates of birth and baptism dating from 1837-1853 (priJLC_002917-002923 and priJLC_004970), mostly printed and/or handwritten in German. They relate to illuminated Fraktur drawings popular in Pennsylvania-German culture during the late 18th and early 19th centuries. Small-size items number approximately 30 and contain a variety of materials, including tickets, leaflets, certificates, and printed letterheads (with manuscript text). The collection supports various fields of research related to religion and Christianity in the United States in the 19th and early 20th centuries. This includes regional baptism records, places and patterns of worship, and Christian iconography. The images also provide a rich visual resource for studying American interpretations of Bible stories and figures common during this period. As graphic materials, the collection highlights developing techniques and trends in printmaking while documenting the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_REL