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Jay T. Last collection of artist posters


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    Jay T. Last Collection of Transportation Prints and Ephemera

    Visual Materials

    The Jay T. Last Collection of Transportation Prints and Ephemera contains more than 730 printed items that relate to land-based modes of transportation primarily in the United States from the 1820s to the early 1900s. The bulk of the collection dates from 1840 to 1905 and consists largely of advertising and promotional materials, business records, and illustrations produced for or pertaining to the bicycle, carriage and wagon, railroad, and freight and passenger transport industries. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items are fully inventoried, and all printers, artists, and publishers are indexed by name. The collection has 167 large-size items consisting of advertising cards, posters, broadsides, system maps, timetables, views, and other visual materials primarily produced for railroad companies, with additional items concerning vehicle and part manufacturers such as wheel works, carriage builders, bicycle manufacturers, and locomotive machine shops. Small-size items in the collection number more than 570 and are comprised mainly of advertising and promotional ephemera and business documents such as printed booklets, business cards, calendars, catalogs, envelopes, handbills, labels, leaflets, postcards, trade cards, and separated book and periodical illustrations, as well as stationery with printed billheads and letterheads filled out with manuscript or typewritten correspondence. The collection touches on topics of transportation, commerce and manufacturing, technology and engineering, travel and tourism, and geography. The images are primarily promotional in nature and provide information about the history of the American railroad, bicycle, and horse-drawn vehicle industries and the evolution of their advertising strategies in the 19th and early 20th centuries. As graphic materials, the prints offer evidence of the development of printmaking techniques and trends, and of the artists, engravers, lithographers, printers, and publishers involved in the creation of these prints.

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    Jay T. Last Collection of Maritime Prints and Ephemera

    Visual Materials

    The Jay T. Last Collection of Maritime Prints and Ephemera contains approximately 1,150 printed items that pertain to travel, shipping, and other maritime-related activities and businesses in the United States primarily dating from the second half of the 19th century. The collection consists of advertising and promotional materials, business records, and illustrations produced for or relevant to steamship companies, sailing vessels, shipping entities, passenger lines, and related businesses and publications. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (bigger than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items are fully inventoried, and all printers, artists, and publishers are indexed by name. The collection has more than 55 large-size items comprised mainly of lithographic and engraved prints of ships, certificates and contracts, and advertising materials for passenger and shipping routes. Small-size items in the collection number approximately 1,100 and are comprised mainly of advertising and promotional ephemera and business documents. The vast majority of these items are bills of lading and steamship passes, but the collection also has trade cards, timetables, booklets, directory ads, menus, passenger lists, postcards, handbills, and printed billheads and letterheads with manuscript text. Subjects addressed within the collection include commerce, advertising, technology and engineering, and tourism as related to river, lake, and ocean travel mostly in the United States. The images are primarily promotional and provide information about the history of passenger travel and commercial shipping, as well as the advertising strategies employed by these industries in the 19th and early 20th centuries. As graphic materials, the items offer evidence of visual culture and printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.

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    Artist posters collection

    Visual Materials

    The Artist posters collection at the Huntington Library contains over 180 printed posters from the late 19th and early 20th centuries. The bulk of the materials date from 1890 to 1900 and advertise American literary books and periodicals. Bicycles, household goods, and other products are also advertised. Materials are fully inventoried, and all printers, artists, and publishers are indexed by name. Notable illustrators represented in the collection include William L. Carqueville, Charles Dana Gibson, J. J. Gould, William Sergeant Kendall, J. C. Leyendecker, Maxfield Parrish, and Edward Penfield. Subjects addressed within the collection include international art styles, fashion, graphic design, publishing, product advertising and the intersections between them, especially during the last decade of the 19th century. The designs encompass the popularization of Art Nouveau in the United States, as well as the advertising strategies employed by various industries in the 19th and early 20th centuries. As graphic materials, the items offer evidence of visual culture and printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.

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    Jay T. Last Collection of Entertainment: Performing Arts Prints and Ephemera

    Visual Materials

    The Jay T. Last Collection of Entertainment: Performing Arts Prints and Ephemera contains more than 2,300 printed items primarily advertising theatrical and musical entertainment and related performers in the United States from 1839 to the 1940s, with the majority of items dating from the 1870s to the 1890s. The collection consists of advertising and promotional materials, business records, and illustrations pertaining to a wide variety of performance genres that have been grouped broadly as music and theater (including theater, music, dance, burlesque, comedy, pantomime, and variety); minstrel (including minstrel shows, blackface entertainers, and female minstrels); and magic and miscellaneous (including magicians, motion pictures, and Wild West shows). Materials are arranged into two series: small-size items (11 x 14 inches or less) and large-size items (bigger than 11 x 14 inches). Small size items are described broadly at the series level; large-size items are fully inventoried and all printers, artists, and publishers are indexed by name. The collection has 450 large-size items comprised mainly of lithographic theatrical and minstrel posters that were intended to advertise specific shows or performers. Small-size items in the collection number approximately 1,850 and are comprised mainly of promotional ephemera and business documents such as trade cards, programs and playbills, souvenir booklets, tickets, die-cut cards, and printed billheads and letterheads with manuscript text. The collection provides a resource for studying the history of the American theater and the evolution of advertising strategies for the performing arts in the United States in the late 19th century. As graphic materials, the items offer evidence of developing techniques and trends in printmaking, and of the artists, engravers, lithographers, printers, and publishers involved in the creation of these prints.

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    Jay T. Last Collection of Education Prints and Ephemera

    Visual Materials

    The Jay T. Last Collection of Education Prints and Ephemera contains over 2,200 printed items related to education in the United States from 1788 to approximately 1930, with the bulk of the items dating from 1850 to 1910. Most of these items are lithographs, but engravings and woodcuts are also included. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and select small-size items are fully inventoried with printers, artists, and publishers indexed by name. The collection includes over 75 large-size items comprised mainly of lithographed views of colleges and universities, diplomas and other certificates, penmanship examples, and uncut sheets of rewards of merit. Small-size items number approximately 2,150 and contain a variety of materials, including copy and writing books (composition books), arithmetic and ciphering books, tuition bills, programs and tickets to graduations and other school events, certificates, trade cards, student identification cards, postcards, ribbons, and printed billheads and letterheads (with and without manuscript text). The collection highlights institutions, products, and services relating to personal knowledge, understanding, character building, and moral and social qualities including the tools, equipment, supplies, and structures used for learning and teaching these disciplines in the United States in the 19th and early 20th centuries. This includes items associated with academic achievement, exhibits, lectures, and institutions of learning. The images provide a rich visual resource for studying the history of American educational institutions, methods, and materials, as well as a perspective on student life and activities during the 19th and early 20th centuries. As graphic materials, the prints and ephemera offer evidence of developing techniques and trends in printmaking, and of the artists, engravers, lithographers, printers, and publishers involved in the creative process.

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    Jay T. Last Collection of Horticulture Prints and Ephemera

    Visual Materials

    The Jay T. Last Collection of Horticulture Prints and Ephemera contains approximately 1,425 printed items from 1840 to 1933, with the majority of material dating from 1865 to 1920. The collection consists of advertising prints and ephemera promoting businesses whose products and services relate to growing flowers, fruits, and vegetables. This includes the tools, equipment, and supplies used for planting and cultivating gardens, orchards, and lawns for commercial and noncommercial purposes by nurseries, florists, fruit growers, and home gardeners. Seed companies are most prominently represented. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (bigger than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and selected small-size items between 8 x 10 inches and 11 x 14 inches are fully inventoried, and all printers, artists, and publishers are indexed by name. The collection has more than 50 large-size items comprised mainly of lithographs and engravings, including seed advertisements, decorative floral prints, and promotional materials related to fruit, vegetable, and floral products. Small-size items in the collection number almost 1,400 items and are comprised mainly of trade cards, stationery, handbills, and seed packets from various businesses. Approximately 285 ephemeral items featuring images of anthropomorphic fruit, vegetables, flowers, and other plants are also contained here, even though the products they promote do not always relate to horticulture. The collection's prints and ephemera are primarily promotional in nature and provide information about American fruit, vegetable, seed, and flower-related industries, as well as the evolution of advertising strategies employed by these businesses in the 19th and early 20th centuries. Materials in this collection also provide a perspective on American aesthetic sensibilities during this period, as many of these prints were offered as decorative items as well as advertisements. As graphic materials, the items offer evidence of printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.

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