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Posted on Tue., Dec. 22, 2020 by

Few years in living memory have presented more challenges than this one: a worldwide pandemic and economic recession, widespread civil unrest, and a turbulent presidential election. The combined impact of these events has transformed every aspect of our lives. But, as the year draws to a close, we also feel hopeful about better days to come. Before we step into 2021, we turn back to wave goodbye to 2020 as we share our favorite Verso stories from the past year.

In January, we told you about our exhibition to mark The Huntington’s Centennial, “Nineteen Nineteen ,” the year the institution was founded. It was a portentous time—similar to our own—which included a major flu pandemic, issues of social justice and race relations, and the end of a horrific war. Every one of the 250 objects in the exhibition was made, published, edited, exhibited, or acquired in that year. Read more.

Lynette Yiadom-Boakye is among the most important artists working in Britain today. In February, we featured an exhibition at The Huntington of her recent, portrait-like studies of fictional Black characters displayed adjacent to the historic Thornton Portrait Gallery. The exhibition was curated by Pulitzer Prize–winning author Hilton Als, staff writer and theater critic for The New Yorker magazine and associate professor of writing at Columbia University. Read more.
As a global pandemic brought normal life to a halt in March and social distancing became necessary to decrease the rapid spread of COVID-19, The Huntington temporarily closed its gates to visitors. One consequence: increased interest in our digitized collections, including videos that help to tell the diverse history of California. Read more.

During the pandemic lockdown, The Huntington’s botanical collections continued to grow and blossom, tended by essential workers. In April, we told you about three men caring for the Rose Garden who suddenly found themselves very lonely as they spent their days in a paradise they were unable to share. Read more.

The year 1970 was a tumultuous one for the nation—as 2020 is today—but The Huntington remained an oasis of calm, offering intellectual engagement and spiritual renewal through nature, the humanities, and the arts. In May, we looked back at 1970 as represented in the pages of The Huntington’s bimonthly newsletter from that year. Read more.

While many Huntington staff members have been able to do their jobs remotely during the pandemic, some employees whose work was on hiatus because of diminished activities received work reassignments. In June, we asked one of them, Karina Sanchez, to tell us about her experiences working in the gardens. Read more.

With the reopening of the Botanical Gardens, following a three-month COVID-19 closure, visitors began eagerly returning to The Huntington to enjoy its well-loved landscapes once more. Physical distancing requirements remained in place to reduce the risk of infection, but there was one thing visitors were encouraged in July to get close to: nature. Read more.

In August, we told you about one of the less well-known names in The Huntington’s literary collections—that of writer and composer Harold Bruce Forsythe, whose papers were donated to The Huntington by his son following Forsythe’s death in 1976. Few today know Forsythe’s name, much less his work, but it is possible that his musical compositions will be more well known in the years to come than they were during his own lifetime. Read more.
In any “normal” year, The Huntington hosts nearly 20,000 student visits, including 15,000 children participating in free docent- or educator-led programs, but the COVID-19 pandemic turned this annual rite on its ear. And that presented educators at The Huntington with some fresh challenges as well as exciting opportunities. The result, as we shared with you in September, was an array of innovative new resources for teachers, activities for students and families, and programs for lifelong learners. Read more.

After a nearly five-month postponement caused by the COVID-19 pandemic, The Huntington opened the outdoor areas of the highly anticipated expansion of its renowned Chinese Garden, Liu Fang Yuan 流芳園, on Oct. 9. In the Verdant Microcosm 翠玲瓏, a spacious courtyard within the newly expanded garden, the venerable art of shaping trees and depicting landscapes in miniature—penjing—was on display. In October, we featured several examples of the art form, many created by one of The Huntington’s own experts. Read more.

Last year, as part of the institution’s Centennial Celebration, The Huntington awarded 100 free memberships to Los Angeles-area college students. This year? We awarded 500. With the generous support of The Rose Hills Foundation, The Huntington was able to provide memberships to students attending more than 45 different schools—ranging geographically from Whittier College to California State University, Long Beach, to California State University, Northridge. Read more.

When Kelly Fernandez, head of the Herb and Shakespeare gardens, revived The Huntington’s Fiber Arts Day program in 2013 and saw expert craftspeople dyeing, spinning, and weaving fibers into incredible textiles, she couldn’t help but be intrigued. In the years since, she’s acquired her own spinning wheel, started handcrafting textiles, and even traveled to Oaxaca to learn from textile artisans from around the region. This year, as we shared with you earlier this month, Fernandez decided to grow, process, and spin her own flax—the fiber used to make linen. Read more.
We look forward to sharing more stories about The Huntington with you in 2021.
Kevin Durkin is editor of Verso and managing editor in the Office of Communications and Marketing at The Huntington.
The Huntington’s blog takes you behind the scenes for a scholarly view of the collections.