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News, stories, features, videos and podcasts by The Huntington.
Beyond All Earthly Power
Tue., Aug. 30, 2022 | Olga Tsapina, Ph.D.A Gasteria by Any Other Name
Tue., Aug. 16, 2022 | Sandy MasuoThe Allure of Aroids
Tue., July 26, 2022 | Sandy MasuoFamily Archive Related to Jane Austen
Tue., July 19, 2022 | Vanessa Wilkie, Ph.D.The Medium Is the Message: Drawing in Britain, 1750-1950
Wed., July 13, 2022Ann Bermingham, professor emeritus at UC Santa Barbara, uncovers the methods used to create British drawings between the 17th and 19th centuries.
As a process of visual thinking, drawing is an art of discovery. This is true both for the artist who uses drawing to create an image and for the viewer who can see in the drawing that process of creation. For both, discovery depends on the technical manipulation of media. In drawing, the medium is the message, whether pencil, watercolor, ink, or charcoal. This talk looks at the materials and techniques of drawing and their role in the creative process.
This is the Wark Lecture in Art History.
Excursions of Imagination
Tue., July 12, 2022 | Ann BerminghamNews Release - The Huntington Acquires the Archive of Leading Early 20th-Century LA Architects John and Donald Parkinson
Tue., July 12, 2022A William Blake Hand Printed Drawing (1795)
Fri., July 8, 2022There is a unique print found in our exhibition “100 Great British Drawings” that was almost not included. Not strictly a drawing, William Blake’s Hecate or The Night of Enitharmon’s Joy was made using a complex mix of printing techniques, drawing, and watercolor to create a hand-printed work on paper. Melinda McCurdy, our curator of British art, discusses why this is one of the most important pieces in our British drawings collection.






