Watch, Read, Listen

Un libro del siglo XIX sobre las orquídeas de Latinoamérica evoca una reflexión personal sobre la vulnerabilidad y la resiliencia de las plantas, el arte de la ilustración botánica y la poderosa función de los retratos como huellas perdurables de la memoria cultural.

A 19th-century book on Latin American orchids prompts a personal reflection on the vulnerability and resiliency of plants, the art of botanical illustration, and the power of portraits as markers of cultural memory.

“Don Bachardy: A Life in Portraits” will feature more than 100 works of art and archival materials spanning over 70 years.

In the 18th and 19th centuries, an obsession spread among bibliophiles for extra-illustrating or grangerizing books. Readers would supplement the pages of an already published book by inserting prints and related materials acquired from other sources. This process would often result in a huge expansion of the original volume.

When Velasco’s painting arrived at The Huntington, a few lines of printed text could be seen at the bottom of the work. Infrared reflectography, a process that can detect layers of detail not visible to the naked eye, has revealed what lies beneath the painting’s surface.

The exhibitions “Storm Cloud: Picturing the Origins of Our Climate Crisis” and “Growing and Knowing in the Gardens of China” trace the dovetailing histories of the relationship between humans and the environment and emphasize the significant role that close observation has played in art, science, and ethics.

What may be the first aerial photographs of Pasadena, captured in 1909, were the product of a risky—almost disastrous—undertaking. When photographer Harold A. Parker was on the balloon American, he took photos of the city from the air. But the journey became harrowing when the balloon flew off course.