"Come, fellow Americans, let us worship!" [graphic] / Interlandi

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  Colored man is no slacker [graphic]

  Visual Materials

  A color offset lithograph poster depicting an African American man and woman in embrace. The male partner is dressed in infantry uniform, while the female partner is dressed in a blue-and-white dress and spatterdashes. They are illustrated as holding hands and parting with one another, assumably the man enlisted to join the group of African American infantrymen marching with a 42-star U.S. flag behind them. The couple is centered below a doorstep on a walkway surrounded by columns, red and yellow roses, and white and blue flowers. The background includes blue skies with green foliage and trees. The title, "Colored Man is No Slacker" is printed in blue below the couple. Signed and copyrighted on lower left corner by artist, "1918. E.G. Renesch, Chicago."

  priPEF 55

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  Chinese Buddhistic Worship in San Francisco

  Rare Books

  Image is of an ornate Chinese chapel with a table holding urns and candles in the foreground. In the background there is a statue of Buddha and several Chinese people worshipping. Below the image is a printed account of the celebrations in early April at the Sze Yap Asylum (headquarters for the sick and poor of an association of about 9,000 Chinese in California) on Pine near Kearny. The printed text also describes the hall and the chapel. "C.Nahl. Armstrong."--text in block lettering, bottom portion of the image. "Published by W.W. Kurtz & Co., Wide West Office, No. 162 Washington Street, San Francisco."--text, below image. Paper color: blue.

  48052:069

• Image not available

  A free man [graphic], 1868

  Visual Materials

  A watercolor and graphite drawing depicting a formerly enslaved Black family with their animals outside their home. Illustration is centered by a Black man in the foreground chopping a log of wood to add to a pile of logs and kerosene. To his right is a small dog, and presumably his two children, a young Black girl dressed in red, and a Black boy in yellow holding a red bucket. The left side of the illustration is partially torn but depicts a horse in a fenced enclosure looking towards the family. The background includes a cabin with a smoking chimney in front of a hilly enclosure. The drawing's paper is fragile and deteriorating on all edges; a signature and date by the artist is partially visible on the lower right corner, reading, "Caleb Brown, 1868." Titled, "A Free MAN" towards the lower center of the drawing. Verso of drawing includes a partial portrait of a woman titled "Eliza," lithographed by James Baillie.

  priPEF 47

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  Los dos pajaros de una especie. Se llaman tucanos, son de tamaño casi de una gallina aunque no tienen mas carne que una paloma, les hai de pico verde pero los del negro son mas hermosos ... [graphic]

  Visual Materials

  A pencil and watercolor drawing illustrating two "tucanos," likely the Channel-billed toucan, and a "picapau," possibly the Red-necked woodpecker, perched on a tree in Santa Catalina, Brazil (now Florianópolis in Santa Catarina). The drawing is accompanied by handwritten text in black ink above and below the illustration describing observations of the birds' diets, habits, behaviors, and physical characteristics. Signed by the artist, Bernardo de Velasco, in brown ink on the bottom of the drawing reading, "Dibujados de los originales en la Ysla de Sta, Catalina por Dn. Bernardo Velasco Teniente del Regimento de Ynfanteria de Murcia." Illustrated by Bernardo de Velasco in Brazil likely while on voyage to Paraguay.

  priPEF 72

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  View of Hoboken, on the American River

  Rare Books

  Image is a view of main street teeming with people, horses, and wagons. There are signs on many of the tents and buildings along the street, and there is a flag for Hoboken Hotel flying from one of the buildings. "Published at the Union Office."--text, below image. Paper color: blue.

  48052:181

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  Birds of America [graphic]

  Visual Materials

  A set of six giclée prints printed in 2023 of art created from 2015 to 2018 by artist John LaMacchia and illustrators Daniel (Dan) Cole and Peter David Scott. Each print includes images of birds reminiscent of John James Audubon's illustrations in Birds of America (1827) but are set in modern natural environments that have been littered by humans with garbage and plastic waste such as helium balloons, convenience store bags, prescription pill bottles, syringes, six-pack rings, and other examples of packaged goods and products. Titles include: Eastern Towhee (2015); Blue Jay (2016); Red Knot (2016); Double-Crested Cormorant (2016); Great Blue Heron (2016); and The Mourning Dove (2018). The prints are titled and labeled in cursive, and each print includes the edition number in the top-left corner, the printer's name in the bottom-left corner, and the illustrator's name in the bottom-right corner. Dan Cole is signed as the illustrator for five of the prints, and Peter David Scott is signed as the illustrator for one print, The Mourning Dove. The lower-right corner of each print also includes a chop (printer's mark) blind embossed with John LaMacchia's name and initials. This is the tenth edition out of the fifty that were printed.

  priPEF 3