Birds of America [graphic]

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  A century of birds from the Himalaya Mountains [graphic]

  Visual Materials

  Three hand-colored lithographs of ornithological illustrations from A Century of Birds from the Himalaya Mountains. Prints include depictions of Vanellus goensis (plate 78), Ibidorhyncha struthersii (plate 79), and Anser indica (plate 80). All illustrations present the birds from a side-profile while posed standing on grassy plains. The birds' feathers, markings, beaks, and legs are colored. All prints include their title in the lower center, with signatures on lower left reading, "Drawn from Nature & on Stone by E. Gould", and lower right reading, "Printed by C. Hullmandel." The print for Anser indica includes text below the title that reads "2/3 Nat. Size," indicating that the other illustrations are life-size depictions of the specimens.

  priPEF 54

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  Colored man is no slacker [graphic]

  Visual Materials

  A color offset lithograph poster depicting an African American man and woman in embrace. The male partner is dressed in infantry uniform, while the female partner is dressed in a blue-and-white dress and spatterdashes. They are illustrated as holding hands and parting with one another, assumably the man enlisted to join the group of African American infantrymen marching with a 42-star U.S. flag behind them. The couple is centered below a doorstep on a walkway surrounded by columns, red and yellow roses, and white and blue flowers. The background includes blue skies with green foliage and trees. The title, "Colored Man is No Slacker" is printed in blue below the couple. Signed and copyrighted on lower left corner by artist, "1918. E.G. Renesch, Chicago."

  priPEF 55

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  A free man [graphic], 1868

  Visual Materials

  A watercolor and graphite drawing depicting a formerly enslaved Black family with their animals outside their home. Illustration is centered by a Black man in the foreground chopping a log of wood to add to a pile of logs and kerosene. To his right is a small dog, and presumably his two children, a young Black girl dressed in red, and a Black boy in yellow holding a red bucket. The left side of the illustration is partially torn but depicts a horse in a fenced enclosure looking towards the family. The background includes a cabin with a smoking chimney in front of a hilly enclosure. The drawing's paper is fragile and deteriorating on all edges; a signature and date by the artist is partially visible on the lower right corner, reading, "Caleb Brown, 1868." Titled, "A Free MAN" towards the lower center of the drawing. Verso of drawing includes a partial portrait of a woman titled "Eliza," lithographed by James Baillie.

  priPEF 47

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  Compliments of Mason, Ehrman & Co. Tea importers : Portland, Oregon. Showing the process of preparing their famous Golden Crown brand, of Japan tea

  Visual Materials

  An accordion foldout print on Japanese paper advertising Mason, Ehrman & Co.'s Golden Crown Tea. The print is enclosed within two chrysanthemum-patterned cloth covered boards and inscribed "To Zaidee by a traveling man from Mason, Ehrman and Co. in Portland, Oregon," with the name "Gussie" inscribed on another panel. The item includes twelve color woodblock prints done by an unknown printer; eleven of the prints depict the process of preparing and shipping tea in Japan with captions below each scene. The twelfth print includes text by the company advertising the product, along with an image of a crown trademark. Scenery includes Japanese landscape, architecture, ships, and people in traditional dress. From left-to-right captions read: picking tea; carrying tea from the garden to be fired; first process native firing; second process native firing; native sifting; hand picking; pan firing at Yokohama; basket firing at Yokohama; packing & sifting and Yokohama; tea firing premises Yokohama; shipping tea by Empress of India.

  priPEF 16

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  Entrée des alliés dans Pékin, le 22 Octobre 1860 : Entrance of the allyed in Pekin, the 22nd of October 1860

  Visual Materials

  A hand-colored lithograph view print depicting the capture of the Chinese Summer Palace near Peking, China. The image includes Chinese soldiers in varying military attire and queue braids while armed with swords, bows and arrows, dragon shields, and talismanic demon portraits. The French military is depicted in the center of the print dressed in blue uniforms with epaulettes, bayonets, and rifles on horseback while waving a flag with a French imperial eagle finial and flag. The right of the image depicts crowds of men in uniform fighting, and one of the men is illustrated in a red coat, likely referring to the British army. Background and foreground illustrate the Chinese soldiers as falling in defeat. The title is printed in French and English below the image. Signed by printer, "Lith: H Jannin, Paris" in the lower right corner. Signed by the publisher, "Paris chez Codoni, rue Grenier St. Lazare, 20," in the lower left corner. Signed by artist "Albert" in stone in the image's lower right corner.

  priPEF 76

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  Works & wharves of Smith & Harris

  Visual Materials

  A two-color view print lithographed by Haddocks, Dunk & Longacre advertising Smith & Harris's manufacturing firm on Coates St. Wharf, Philadelphia (present-day Fairmount Ave, Philadelphia). View features an image of the Smith & Harris factory surrounded by a bustling industrial waterfront with horsecars, sailboats, and coal factories. Printed in the lower right corner of the view is the lithographer's signature, "Haddocks, Dunk & Longacre., Lith. Phila." Title is printed in the lower center of the print by text describing the various materials manufactured by the company.

  priPEF 18