Birds of America [graphic]

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  A century of birds from the Himalaya Mountains [graphic]

  Visual Materials

  Three hand-colored lithographs of ornithological illustrations from A Century of Birds from the Himalaya Mountains. Prints include depictions of Vanellus goensis (plate 78), Ibidorhyncha struthersii (plate 79), and Anser indica (plate 80). All illustrations present the birds from a side-profile while posed standing on grassy plains. The birds' feathers, markings, beaks, and legs are colored. All prints include their title in the lower center, with signatures on lower left reading, "Drawn from Nature & on Stone by E. Gould", and lower right reading, "Printed by C. Hullmandel." The print for Anser indica includes text below the title that reads "2/3 Nat. Size," indicating that the other illustrations are life-size depictions of the specimens.

  priPEF 54

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  Welbeck. Paragon un Barbe

  Visual Materials

  A hand-colored engraving depicting a view of Welbeck Estate in Nottinghamshire, the private home of William Cavendish, the Duke of Newcastle, from 1617 to 1676. The central image in the foreground depicts an African man holding the reins of a brown Barbary horse in front of the main façade and entryway of Welbeck Abbey. The background imagery includes branches, stones, trees, and flying birds. Text on top of the print reads, "Welbeck." Text on the bottom of the print reads, "Paragon un Barbe." To the right of the image, decorative text in French reads, "La Maison de Welbeck appartenant a Monseigneur le Marquis de Newcastle, le quel est dans la Province de Nottingham." Signed on lower right corner, by artist, "Abr. A Diepenbeke delineavit," and by engraver, "Petr. van Lisebelten sculpsit." Print was originally published as the sixth plate of Cavendish's "A new method, and extraordinary invention, to dress horses..." (either 1658 print or later editions), and is the source of the approximate date.

  priPEF 94

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  Audubon's Birds of America : proofs

  Rare Books

  Collection of proofs from the first two editions of Audubon's Birds of America. Includes various notes in pencil from unknown hand.

  610452

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  Birds to Paint

  Visual Materials

  One painting book entitled Birds to Paint, published by the Saalfield Publishing Co., Akron, Ohio, 1910. The front cover features a parrot with a yellow head. On the back cover is a child's writing; the name "Louise" can be read. Thirty images of various birds are included, six of which have an identical color image. These color images were meant to guide the student in the use of color. The first page describes the book as: "a paint book for boys and girls which supplies sketches ready to color." Most of the images have been filled in with crayon rather than watercolor.

  ephKAEE

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  Colored man is no slacker [graphic]

  Visual Materials

  A color offset lithograph poster depicting an African American man and woman in embrace. The male partner is dressed in infantry uniform, while the female partner is dressed in a blue-and-white dress and spatterdashes. They are illustrated as holding hands and parting with one another, assumably the man enlisted to join the group of African American infantrymen marching with a 42-star U.S. flag behind them. The couple is centered below a doorstep on a walkway surrounded by columns, red and yellow roses, and white and blue flowers. The background includes blue skies with green foliage and trees. The title, "Colored Man is No Slacker" is printed in blue below the couple. Signed and copyrighted on lower left corner by artist, "1918. E.G. Renesch, Chicago."

  priPEF 55

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  A free man [graphic], 1868

  Visual Materials

  A watercolor and graphite drawing depicting a formerly enslaved Black family with their animals outside their home. Illustration is centered by a Black man in the foreground chopping a log of wood to add to a pile of logs and kerosene. To his right is a small dog, and presumably his two children, a young Black girl dressed in red, and a Black boy in yellow holding a red bucket. The left side of the illustration is partially torn but depicts a horse in a fenced enclosure looking towards the family. The background includes a cabin with a smoking chimney in front of a hilly enclosure. The drawing's paper is fragile and deteriorating on all edges; a signature and date by the artist is partially visible on the lower right corner, reading, "Caleb Brown, 1868." Titled, "A Free MAN" towards the lower center of the drawing. Verso of drawing includes a partial portrait of a woman titled "Eliza," lithographed by James Baillie.

  priPEF 47