A free man [graphic], 1868

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  Kindred [graphic]

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  A watercolor and pencil sketch for the book jacket of Octavia E. Butler's novel, Kindred (1979). The illustration depicts two profiles of Black women with their backs parallel to one another, centered by an image of a flowing hourglass. The woman on the left is accessorized and in modern attire, while the woman on the right is in lace-collared clothing. Signed in pencil on the lower right by the artist, "L. Schwinger."

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  "Come, fellow Americans, let us worship!" [graphic] / Interlandi

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  An ink drawing by Frank Interlandi for the Los Angeles Times. The drawing is a paste-up which included a glued clipping of a revolver (now loose), originally placed on top of a drawn column labeled "God." Additional loose clippings include a typed paper slip of the title, and another typed slip reading, "Below Olympus... By Interlandi." The cartoon is signed and dated by Interlandi on the left corner of the image. Signed text towards the lower right of the image also reads, "With best wishes, from Frank Interlandi." The title, "Come, fellow Americans, let us worship!" is written in blue pencil below the image. Verso of drawing includes a blue note from the Los Angeles Times with information regarding the original order request.

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  Los dos pajaros de una especie. Se llaman tucanos, son de tamaño casi de una gallina aunque no tienen mas carne que una paloma, les hai de pico verde pero los del negro son mas hermosos ... [graphic]

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  A pencil and watercolor drawing illustrating two "tucanos," likely the Channel-billed toucan, and a "picapau," possibly the Red-necked woodpecker, perched on a tree in Santa Catalina, Brazil (now Florianópolis in Santa Catarina). The drawing is accompanied by handwritten text in black ink above and below the illustration describing observations of the birds' diets, habits, behaviors, and physical characteristics. Signed by the artist, Bernardo de Velasco, in brown ink on the bottom of the drawing reading, "Dibujados de los originales en la Ysla de Sta, Catalina por Dn. Bernardo Velasco Teniente del Regimento de Ynfanteria de Murcia." Illustrated by Bernardo de Velasco in Brazil likely while on voyage to Paraguay.

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  Colored man is no slacker [graphic]

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  A color offset lithograph poster depicting an African American man and woman in embrace. The male partner is dressed in infantry uniform, while the female partner is dressed in a blue-and-white dress and spatterdashes. They are illustrated as holding hands and parting with one another, assumably the man enlisted to join the group of African American infantrymen marching with a 42-star U.S. flag behind them. The couple is centered below a doorstep on a walkway surrounded by columns, red and yellow roses, and white and blue flowers. The background includes blue skies with green foliage and trees. The title, "Colored Man is No Slacker" is printed in blue below the couple. Signed and copyrighted on lower left corner by artist, "1918. E.G. Renesch, Chicago."

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  A Course of Free-Hand, Model, and Object Drawing: Designed for Primary, Grammar, and High Schools

  Visual Materials

  One booklet entitled A Course of Free-Hand, Model, and Object Drawing: Designed for Primary, Grammar, and High Schools, by Professor Walter Smith, published by Noyes, Holmes, and Company, Boston, 1872. At the bottom of the cover is printed, "J.W.C. Gilman, Agent." This booklet consists of 16 unnumbered pages, including the front and back covers. It appears to be a publisher's advertisement for the Smith drawing system and its products. The first few pages are advertisements for drawing slates, drawing-cards and drawing books. The next few pages are an overview of the general method of the system, and "Specimen Pages from 'The Teachers' Companion'", with white-on-black illustrations. The back cover (also the last page) are listed "Reasons for Adopting the American Drawing Series", signed by J.W.C. Gilman, Agent for Introduction. The front cover of this advertisement features an illustration of a drawing slate and drawing cards.

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  [Breaking up of the Blue Stocking Club]

  Visual Materials

  A watercolor and ink drawing satirizing a Blue Stockings Club meeting turned violent with five pairs of women fighting while dressed in blue stockings and torn attire. The scene depicts women attacking each other with scalding water, a brass trivet, and pulling each other's hair while raising their fists. The women wrestling in the foreground are illustrated with exaggerated facial features and are partially nude as their garments and hair are disheveled during their fight. Details include three frightened cats leaping in reaction to the brawl while surrounded by falling furniture, spilling tea sets, and overturned chamber pots. Two bottles of alcohol are illustrated spilling on the floor, one is labeled "French Cream" and the other "Ratafia." In March 1815, the watercolor drawing was slightly altered and printed by publisher Thomas Tegg as hand-colored etchings titled Breaking up of the Blue Stocking Club.

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