Carl Hagenbeck-Wallace Circus | Collections | The Huntington

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Visual Materials

Carl Hagenbeck-Wallace Circus

Description: This collection contains more than 650 printed items that relate to circuses in the United States from the 1850s to the 1990s. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to circuses, their tours and shows, staff and performers, acts and exhibits, and animals. Materials are arranged in three series: small-size prints and ephemera (11 x 14 inches or less); large-size prints and ephemera (more than 11 x 14 inches); and broadsides and handbills. The collection has 206 large-size items comprised mainly of lithographic posters containing brightly colored images of featured circus acts, performers, and animals that were typically posted outdoors in advance of the circus coming to town. Small-size items in the collection number more than 320 and are comprised mainly of advertising and promotion ephemera and business documents such as trade cards, programs and souvenir books, route cards, envelopes, tickets, songsters, and printed billheads and letterheads. The 130 broadsides, handbills, and related advertisements consist primarily of long, narrow broadsides printed on newspaper paper in black ink using letterpress type that advertised upcoming circus shows and were intended to be distributed by hand, left in stacks in public places, or posted on walls, fences, or in windows in advance of the circus's arrival in a town. This collection provides a resource for studying the history of the American circus and its impact on popular entertainment and advertising in the 19th and 20th centuries. As graphic materials, the items offer evidence of the development of printmaking techniques and trends, and of the artists, engraves, lithographers, printers, and publishers involved in the creation of these prints.

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This collection contains more than 650 printed items that relate to circuses in the United States from the 1850s to the 1990s. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to circuses, their tours and shows, staff and performers, acts and exhibits, and animals. Materials are arranged in three series: small-size prints and ephemera (11 x 14 inches or less); large-size prints and ephemera (more than 11 x 14 inches); and broadsides and handbills. The collection has 206 large-size items comprised mainly of lithographic posters containing brightly colored images of featured circus acts, performers, and animals that were typically posted outdoors in advance of the circus coming to town. Small-size items in the collection number more than 320 and are comprised mainly of advertising and promotion ephemera and business documents such as trade cards, programs and souvenir books, route cards, envelopes, tickets, songsters, and printed billheads and letterheads. The 130 broadsides, handbills, and related advertisements consist primarily of long, narrow broadsides printed on newspaper paper in black ink using letterpress type that advertised upcoming circus shows and were intended to be distributed by hand, left in stacks in public places, or posted on walls, fences, or in windows in advance of the circus's arrival in a town. This collection provides a resource for studying the history of the American circus and its impact on popular entertainment and advertising in the 19th and 20th centuries. As graphic materials, the items offer evidence of the development of printmaking techniques and trends, and of the artists, engraves, lithographers, printers, and publishers involved in the creation of these prints.
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Schell Bros. Circus Presents Jack Hoxie …
Visual Materials
This collection contains more than 650 printed items that relate to circuses in the United States from the 1850s to the 1990s. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to circuses, their tours and shows, staff and performers, acts and exhibits, and animals. Materials are arranged in three series: small-size prints and ephemera (11 x 14 inches or less); large-size prints and ephemera (more than 11 x 14 inches); and broadsides and handbills. The collection has 206 large-size items comprised mainly of lithographic posters containing brightly colored images of featured circus acts, performers, and animals that were typically posted outdoors in advance of the circus coming to town. Small-size items in the collection number more than 320 and are comprised mainly of advertising and promotion ephemera and business documents such as trade cards, programs and souvenir books, route cards, envelopes, tickets, songsters, and printed billheads and letterheads. The 130 broadsides, handbills, and related advertisements consist primarily of long, narrow broadsides printed on newspaper paper in black ink using letterpress type that advertised upcoming circus shows and were intended to be distributed by hand, left in stacks in public places, or posted on walls, fences, or in windows in advance of the circus's arrival in a town. This collection provides a resource for studying the history of the American circus and its impact on popular entertainment and advertising in the 19th and 20th centuries. As graphic materials, the items offer evidence of the development of printmaking techniques and trends, and of the artists, engraves, lithographers, printers, and publishers involved in the creation of these prints.
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Christy Bros. Big 5 Ring Wild Animal Circus
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This collection contains more than 650 printed items that relate to circuses in the United States from the 1850s to the 1990s. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to circuses, their tours and shows, staff and performers, acts and exhibits, and animals. Materials are arranged in three series: small-size prints and ephemera (11 x 14 inches or less); large-size prints and ephemera (more than 11 x 14 inches); and broadsides and handbills. The collection has 206 large-size items comprised mainly of lithographic posters containing brightly colored images of featured circus acts, performers, and animals that were typically posted outdoors in advance of the circus coming to town. Small-size items in the collection number more than 320 and are comprised mainly of advertising and promotion ephemera and business documents such as trade cards, programs and souvenir books, route cards, envelopes, tickets, songsters, and printed billheads and letterheads. The 130 broadsides, handbills, and related advertisements consist primarily of long, narrow broadsides printed on newspaper paper in black ink using letterpress type that advertised upcoming circus shows and were intended to be distributed by hand, left in stacks in public places, or posted on walls, fences, or in windows in advance of the circus's arrival in a town. This collection provides a resource for studying the history of the American circus and its impact on popular entertainment and advertising in the 19th and 20th centuries. As graphic materials, the items offer evidence of the development of printmaking techniques and trends, and of the artists, engraves, lithographers, printers, and publishers involved in the creation of these prints.
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Circus, A-B by company (8 x 10 inches or smaller in size)
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This collection contains more than 650 printed items that relate to circuses in the United States from the 1850s to the 1990s. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to circuses, their tours and shows, staff and performers, acts and exhibits, and animals. Materials are arranged in three series: small-size prints and ephemera (11 x 14 inches or less); large-size prints and ephemera (more than 11 x 14 inches); and broadsides and handbills. The collection has 206 large-size items comprised mainly of lithographic posters containing brightly colored images of featured circus acts, performers, and animals that were typically posted outdoors in advance of the circus coming to town. Small-size items in the collection number more than 320 and are comprised mainly of advertising and promotion ephemera and business documents such as trade cards, programs and souvenir books, route cards, envelopes, tickets, songsters, and printed billheads and letterheads. The 130 broadsides, handbills, and related advertisements consist primarily of long, narrow broadsides printed on newspaper paper in black ink using letterpress type that advertised upcoming circus shows and were intended to be distributed by hand, left in stacks in public places, or posted on walls, fences, or in windows in advance of the circus's arrival in a town. This collection provides a resource for studying the history of the American circus and its impact on popular entertainment and advertising in the 19th and 20th centuries. As graphic materials, the items offer evidence of the development of printmaking techniques and trends, and of the artists, engraves, lithographers, printers, and publishers involved in the creation of these prints.
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Circus, C-G by company (8 x 10 inches or smaller in size)
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Circus (between 8 x 10 inches and 11 x 14 inches in size)
Visual Materials
This collection contains more than 650 printed items that relate to circuses in the United States from the 1850s to the 1990s. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to circuses, their tours and shows, staff and performers, acts and exhibits, and animals. Materials are arranged in three series: small-size prints and ephemera (11 x 14 inches or less); large-size prints and ephemera (more than 11 x 14 inches); and broadsides and handbills. The collection has 206 large-size items comprised mainly of lithographic posters containing brightly colored images of featured circus acts, performers, and animals that were typically posted outdoors in advance of the circus coming to town. Small-size items in the collection number more than 320 and are comprised mainly of advertising and promotion ephemera and business documents such as trade cards, programs and souvenir books, route cards, envelopes, tickets, songsters, and printed billheads and letterheads. The 130 broadsides, handbills, and related advertisements consist primarily of long, narrow broadsides printed on newspaper paper in black ink using letterpress type that advertised upcoming circus shows and were intended to be distributed by hand, left in stacks in public places, or posted on walls, fences, or in windows in advance of the circus's arrival in a town. This collection provides a resource for studying the history of the American circus and its impact on popular entertainment and advertising in the 19th and 20th centuries. As graphic materials, the items offer evidence of the development of printmaking techniques and trends, and of the artists, engraves, lithographers, printers, and publishers involved in the creation of these prints.
priJLC_ENT_Circus