Circus (between 8 x 10 inches and 11 x 14 inches in size)

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  Circus, A-B by company (8 x 10 inches or smaller in size)

  Visual Materials

  This collection contains more than 650 printed items that relate to circuses in the United States from the 1850s to the 1990s. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to circuses, their tours and shows, staff and performers, acts and exhibits, and animals. Materials are arranged in three series: small-size prints and ephemera (11 x 14 inches or less); large-size prints and ephemera (more than 11 x 14 inches); and broadsides and handbills. The collection has 206 large-size items comprised mainly of lithographic posters containing brightly colored images of featured circus acts, performers, and animals that were typically posted outdoors in advance of the circus coming to town. Small-size items in the collection number more than 320 and are comprised mainly of advertising and promotion ephemera and business documents such as trade cards, programs and souvenir books, route cards, envelopes, tickets, songsters, and printed billheads and letterheads. The 130 broadsides, handbills, and related advertisements consist primarily of long, narrow broadsides printed on newspaper paper in black ink using letterpress type that advertised upcoming circus shows and were intended to be distributed by hand, left in stacks in public places, or posted on walls, fences, or in windows in advance of the circus's arrival in a town. This collection provides a resource for studying the history of the American circus and its impact on popular entertainment and advertising in the 19th and 20th centuries. As graphic materials, the items offer evidence of the development of printmaking techniques and trends, and of the artists, engraves, lithographers, printers, and publishers involved in the creation of these prints.

  priJLC_ENT_Circus

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  Circus, C-G by company (8 x 10 inches or smaller in size)

  Visual Materials

  This collection contains more than 650 printed items that relate to circuses in the United States from the 1850s to the 1990s. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to circuses, their tours and shows, staff and performers, acts and exhibits, and animals. Materials are arranged in three series: small-size prints and ephemera (11 x 14 inches or less); large-size prints and ephemera (more than 11 x 14 inches); and broadsides and handbills. The collection has 206 large-size items comprised mainly of lithographic posters containing brightly colored images of featured circus acts, performers, and animals that were typically posted outdoors in advance of the circus coming to town. Small-size items in the collection number more than 320 and are comprised mainly of advertising and promotion ephemera and business documents such as trade cards, programs and souvenir books, route cards, envelopes, tickets, songsters, and printed billheads and letterheads. The 130 broadsides, handbills, and related advertisements consist primarily of long, narrow broadsides printed on newspaper paper in black ink using letterpress type that advertised upcoming circus shows and were intended to be distributed by hand, left in stacks in public places, or posted on walls, fences, or in windows in advance of the circus's arrival in a town. This collection provides a resource for studying the history of the American circus and its impact on popular entertainment and advertising in the 19th and 20th centuries. As graphic materials, the items offer evidence of the development of printmaking techniques and trends, and of the artists, engraves, lithographers, printers, and publishers involved in the creation of these prints.

  priJLC_ENT_Circus

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  Circus, R-Z by company, also performers (8 x 10 inches or smaller in size)

  Visual Materials

  This collection contains more than 650 printed items that relate to circuses in the United States from the 1850s to the 1990s. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to circuses, their tours and shows, staff and performers, acts and exhibits, and animals. Materials are arranged in three series: small-size prints and ephemera (11 x 14 inches or less); large-size prints and ephemera (more than 11 x 14 inches); and broadsides and handbills. The collection has 206 large-size items comprised mainly of lithographic posters containing brightly colored images of featured circus acts, performers, and animals that were typically posted outdoors in advance of the circus coming to town. Small-size items in the collection number more than 320 and are comprised mainly of advertising and promotion ephemera and business documents such as trade cards, programs and souvenir books, route cards, envelopes, tickets, songsters, and printed billheads and letterheads. The 130 broadsides, handbills, and related advertisements consist primarily of long, narrow broadsides printed on newspaper paper in black ink using letterpress type that advertised upcoming circus shows and were intended to be distributed by hand, left in stacks in public places, or posted on walls, fences, or in windows in advance of the circus's arrival in a town. This collection provides a resource for studying the history of the American circus and its impact on popular entertainment and advertising in the 19th and 20th centuries. As graphic materials, the items offer evidence of the development of printmaking techniques and trends, and of the artists, engraves, lithographers, printers, and publishers involved in the creation of these prints.

  priJLC_ENT_Circus

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  Circus, H-Q by company, also performers (8 x 10 inches or smaller in size)

  Visual Materials

  This collection contains more than 650 printed items that relate to circuses in the United States from the 1850s to the 1990s. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to circuses, their tours and shows, staff and performers, acts and exhibits, and animals. Materials are arranged in three series: small-size prints and ephemera (11 x 14 inches or less); large-size prints and ephemera (more than 11 x 14 inches); and broadsides and handbills. The collection has 206 large-size items comprised mainly of lithographic posters containing brightly colored images of featured circus acts, performers, and animals that were typically posted outdoors in advance of the circus coming to town. Small-size items in the collection number more than 320 and are comprised mainly of advertising and promotion ephemera and business documents such as trade cards, programs and souvenir books, route cards, envelopes, tickets, songsters, and printed billheads and letterheads. The 130 broadsides, handbills, and related advertisements consist primarily of long, narrow broadsides printed on newspaper paper in black ink using letterpress type that advertised upcoming circus shows and were intended to be distributed by hand, left in stacks in public places, or posted on walls, fences, or in windows in advance of the circus's arrival in a town. This collection provides a resource for studying the history of the American circus and its impact on popular entertainment and advertising in the 19th and 20th centuries. As graphic materials, the items offer evidence of the development of printmaking techniques and trends, and of the artists, engraves, lithographers, printers, and publishers involved in the creation of these prints.

  priJLC_ENT_Circus

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  New York Circus

  Visual Materials

  This collection contains more than 650 printed items that relate to circuses in the United States from the 1850s to the 1990s. The collection consists of advertising and promotional materials, business records, and illustrations produced for or pertaining to circuses, their tours and shows, staff and performers, acts and exhibits, and animals. Materials are arranged in three series: small-size prints and ephemera (11 x 14 inches or less); large-size prints and ephemera (more than 11 x 14 inches); and broadsides and handbills. The collection has 206 large-size items comprised mainly of lithographic posters containing brightly colored images of featured circus acts, performers, and animals that were typically posted outdoors in advance of the circus coming to town. Small-size items in the collection number more than 320 and are comprised mainly of advertising and promotion ephemera and business documents such as trade cards, programs and souvenir books, route cards, envelopes, tickets, songsters, and printed billheads and letterheads. The 130 broadsides, handbills, and related advertisements consist primarily of long, narrow broadsides printed on newspaper paper in black ink using letterpress type that advertised upcoming circus shows and were intended to be distributed by hand, left in stacks in public places, or posted on walls, fences, or in windows in advance of the circus's arrival in a town. This collection provides a resource for studying the history of the American circus and its impact on popular entertainment and advertising in the 19th and 20th centuries. As graphic materials, the items offer evidence of the development of printmaking techniques and trends, and of the artists, engraves, lithographers, printers, and publishers involved in the creation of these prints.

  priJLC_ENT_Circus

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  Footwear (between 8 x 10 inches and 11 x 14 inches in size)

  Visual Materials

  The Jay T. Last collection of fashion prints and ephemera contains approximately 7,500 items dating from the 1570s to the early 1900s, with the bulk of the items spanning from 1825 to 1900. This collection consists of fashion plates, advertising prints, broadsides, and promotional ephemera produced for clothiers and tailors, dry goods suppliers, garment manufacturers, fashion publications, and textile companies affiliated with the design, production, and/or sale of clothing, accessories, and dry goods. While most of the materials are American, there are also notable quantities of foreign items in the collection, including French fashion plates, fez labels in several languages, and foreign textile labels. Labels affixed to textile samples of various sizes are also included. Materials are broadly divided into two series: small-size items (11 x 14 inches or smaller) and large-size items (typically larger than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and select small-size items are fully inventoried with printers, artists, and publishers indexed by name. The collection includes 250 large-size items comprised mainly of lithographic advertising prints and fashion plates. Small-size items number approximately 7,250 and contain a variety of promotional materials including trade cards, calendars, booklets, product labels, fashion plates, periodicals, clippings, and printed billheads and letterheads with manuscript text. Each series is divided into subseries according to the kind of business, service, or trade sponsoring the advertisement. Types of businesses have been identified according to the principal type of product(s) manufactured or sold by the business. These subseries are arranged as follows: Accessories; Clothiers, Tailors, and Dry Goods; Fashion Plates And Periodicals; Footwear; Garments; Headwear; Sewing Supplies; and Textiles. This collection contains many American and European printed illustrations, commonly known as "fashion plates," that typically depict men, women, or children modeling current clothing and dress styles. Small plates (usually 14 x 10 inches or less in this collection) illustrated the pages of magazines and bound volumes that were marketed specifically for women. Larger plates, primarily intended for display, advertised the products and services of fashion designers, tailors, and pattern makers. The collection provides a resource for studying clothing and dress, sales and merchandise, textiles, and sewing, as well as changing fashion trends in the United States and Europe in the 19th century. The images are primarily promotional in nature and provide information about the history of the American fashion, clothing, dry-goods, and textile industries and the evolution of their advertising strategies in the 19th and early 20th centuries. As graphic materials, the prints offer evidence of developing techniques and trends in printmaking, and of the artists, engravers, lithographers, printers, and publishers involved in the creative process.

  priJLC_FASH