Photograph album of individuals and groups in the Philippines

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  Dorothy O'Dell Philippines photograph album

  Visual Materials

  This album contains photographs compiled by Dorothy O'Dell, who resided in the Cavite province of the Philippines during her husband's service in the U.S. Navy. The images depict the couple's travel in England, India, Jerusalem, Panama, the Philippines, Sri Lanka, and Vietnam, capturing specific sites such as Mount Ebal, the "Gateway to Ancient Shechem," Sebastia (Palestine), the "Ancient Castle Thunton" (Taunton Castle, England), Windsor Castle (England), Edinburgh Castle (Scotland), Heidelberg Castle (Germany), the "Hindu Temple" (Meenakshi Amman Temple) and the "Lake Temple" (Vandiyur Mariamman Temple) in Madurai, India. The photographs also document their residence in O'ahu, Hawai'i and Dorothy's evacuation from the Philippines and return to the United States via the S.S. Washington to San Francisco, California. However, many of the images capture Philippine landmarks in Manila, some of which were later damaged or destroyed by the Japanese in World War II. These landmarks include the Jai Alai Building, Puerta de Parián, and Nuestra Señora de la Paz y Buen Viaje cathedral in Antipolo. There are also photographs of the Chinese Yu Tan and Paco cemeteries in Manila, the Taal Volcano, images of Igorot dancers in ceremonial dress performing for Navy personnel, an Igorot person in traditional clothing in Northern Luzon, Filipino funeral processions, street scenes capturing Filipino citizens in their daily activities, livestock, and the O'Dell home on "Radio Road" or Salamanca Drive.The depictions of daily life in pre-war Philippines in and around the naval base are described through written notes by Dorothy on the album pages. Two cabinet card portraits produced by the B.D. Garduno Studio are also included in the album along with photographs of American naval ships and military personnel. The leather album cover is embossed with two Chinese dragons with an emblazoned sphere between them and a Chinese Junk ship below. A few of the album pages appear to have missing photographs.

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  Willis J. Raynor photograph album of the Philippine-American War

  Visual Materials

  An album compiled by Major Willis J. Raynor documenting his experiences in the Philippines during the Philippine-American War (1899-1902), which was waged between the United States and the First Philippine Republic after the Philippines was annexed at the conclusion of the Spanish American War in 1898. The photographs are a mixture of personal snapshots and commercially-produced images, and several have handwritten captions. The album begins with scenes of Fort Logan, Colorado, in 1899, where Raynor was stationed, showing officer's quarters and presumably his wife and small children. The remainder of the album is set in the Philippines and subjects include: Raynor and other members of the 25th Infantry; war carnage; native Filipinos at work and with families; homes; and buildings in Corregidor, Luzon, Manila and elsewhere. Other photographs include "Decoration Day" at Corregidor and a cyanotype of patients in a hospital ward in Iloilo. Of note are several portraits of significant figures of the Philippine Revolution, including Emilio Aguinaldo, Antonio Montenegro and General Francisco Macabulos. The back of the album has a few clippings related to the war, and a personal clipping about the birth of Raynor's son on October 31, 1902, days before he shipped back to the United States.

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  Photographic postcards of individuals and groups in the Philippines

  Visual Materials

  A group of 29 photographic postcards and snapshots of people and activities in the Philippines prior to World War II. There are also images of indigenous Igorot peoples at the Alaska-Yukon-Pacific Exposition of 1909 in Seattle, Washington, and a few photographs of Filipinos in San Francisco, including a group at the Filipino Community Methodist Church. Photographs taken in the Philippines include studio portraits (some with inscriptions in Tagalog), family groups, children, sports teams, and cock fighting. A 1945 image shows an overview of the Santo Tomas internment camp where Japanese authorities interned civilians during WWII. Some postcards have correspondence in English and were mailed to the United States. Please note that this collection contains historical images and language that library users may find harmful, offensive, or inappropriate.

  photCL 739

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  Photographic postcards of individuals and groups in the Philippines

  Visual Materials

  A group of 29 photographic postcards and snapshots of people and activities in the Philippines prior to World War II. There are also images of indigenous Igorot peoples at the Alaska-Yukon-Pacific Exposition of 1909 in Seattle, Washington, and a few photographs of Filipinos in San Francisco, including a group at the Filipino Community Methodist Church. Photographs in the Philippines include studio portraits (some with inscriptions in Tagalog), family groups, children, sports teams, and cock fighting. One 1945 image shows an overview of the Santo Tomas internment camp where Japanese authorities interned civilians during WWII. Some postcards have correspondence in English and were mailed to the United States. Please note that this collection contains historical images and language that library users may find harmful, offensive, or inappropriate.

  photCL 739

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  Philippine American War photograph albums

  Visual Materials

  Four photograph albums containing a total of 218 images (chiefly 4.5 x 6.5 inches) of the Philippine American War, taken by an unidentified photographer most likely associated with the 19th U.S. infantry stationed in Cebu, Philippines. Primarily in Cebu with some in San Nicolas and elsewhere, the images document Filipino life and culture as well as U.S. soldiers in military activities and recreation. Three photographs depict the refueling of a hospital ship in Hong Kong, and there are also images of the recruitment of Indigenous soldiers in Puerto Rico, and rare views of the surrenders of Filipino generals Mateo Noriel Luga and Aguedo del Rosario. The photographs are captioned and numbered continuously throughout the four albums. The first album, images 1 to 54, contains mostly detailed panoramas (3.5 x 12 inches) of Cebu and its port, plaza, and bay. The second album, images 55 to 109, contains a range of subjects including the 19th Infantry band baseball team, Filipino homes and families, elaborate Holy Day celebrations in San Nicolas, and several photographs of insurgents and their surrenders. The third album, images 111 to 165, includes church interiors, street and market scenes, and a family identified as "Spaniard and Filipino Mixed Family." The fourth album, images 166 to 218, includes several scenes from the 19th Infantry's training in Michigan, prior to their arrival in the Philippines; interior shots of Colonel Edward J. McClernand's home; a church procession in the streets of Cebu; and the deportation of prisoners to Guam. Some writing in the album reflects racist views toward Filipino and Chinese people.

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  Photograph album of U.S. Asiatic Fleet serviceman stationed in the Philippines

  Visual Materials

  A photograph album chronicling the travels of an unidentified U.S. Navy Reserve officer while serving with the Asiatic Fleet and the Pacific Reserve Fleet, from 1912 to 1920, while stationed in the Philippines. The photographs also incude Shanghai, China and San Diego, San Pedro, and San Francisco, California, with a visit to the Panama Pacific International Exposition. There are also images of the USS Maumee launching in California, the USS South Dakota, and several other Navy vessels and facilities in and around Manila, Subic Bay, and the naval base at Olangapo, Philippines. The mostly snapshot images also depict Philippine residents in everyday activities, a 1920 Fourth of July parade, indigenous Philippine inhabitants in an archery contest, street scenes, and a funeral. Handwritten captions appear throughout the album, and some images have captions in the negative.

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