Philippine American War photograph albums | Collections | The Huntington

Philippine American War photograph albums | Collections | The Huntington

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Album 1
Visual Materials
Four photograph albums containing a total of 218 images (chiefly 4.5 x 6.5 inches) of the Philippine American War in Cebu, Philippines, taken by an unidentified photographer most likely associated with the 19th U.S. infantry stationed in Cebu. Primarily in Cebu with some in San Nicolas and elsewhere, the images document Filipino life and culture as well as U.S. soldiers in military activities and recreation. Three photographs depict the refueling of a hospital ship in Hong Kong, and there are also images of the recruitment of Indigenous soldiers in Puerto Rico, and rare views of the surrenders of Filipino generals Mateo Noriel Luga and Aguedo del Rosario. The photographs are captioned and numbered continuously throughout the four albums. The first album, images 1 to 54, contains mostly detailed panoramas (3.5 x 12 inches) of Cebu and its port, plaza, and bay. The second album, images 55 to 109, contains a range of subjects including the 19th Infantry band baseball team, Filipino homes and families, elaborate Holy Day celebrations in San Nicolas, and several photographs of insurgents and their surrenders. The third album, images 111 to 165, includes church interiors, street and market scenes, and a family identified as "Spaniard and Filipino Mixed Family." The fourth album, images 166 to 218, includes several scenes from the 19th Infantry's training in Michigan, prior to their arrival in the Philippines; interior shots of Colonel Edward J. McClernand's home; a church procession in the streets of Cebu; and the deportation of prisoners to Guam. Some writing in the album reflects racist views toward Filipino and Chinese people.
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Albums 2-4
Visual Materials
Four photograph albums containing a total of 218 images (chiefly 4.5 x 6.5 inches) of the Philippine American War in Cebu, Philippines, taken by an unidentified photographer most likely associated with the 19th U.S. infantry stationed in Cebu. Primarily in Cebu with some in San Nicolas and elsewhere, the images document Filipino life and culture as well as U.S. soldiers in military activities and recreation. Three photographs depict the refueling of a hospital ship in Hong Kong, and there are also images of the recruitment of Indigenous soldiers in Puerto Rico, and rare views of the surrenders of Filipino generals Mateo Noriel Luga and Aguedo del Rosario. The photographs are captioned and numbered continuously throughout the four albums. The first album, images 1 to 54, contains mostly detailed panoramas (3.5 x 12 inches) of Cebu and its port, plaza, and bay. The second album, images 55 to 109, contains a range of subjects including the 19th Infantry band baseball team, Filipino homes and families, elaborate Holy Day celebrations in San Nicolas, and several photographs of insurgents and their surrenders. The third album, images 111 to 165, includes church interiors, street and market scenes, and a family identified as "Spaniard and Filipino Mixed Family." The fourth album, images 166 to 218, includes several scenes from the 19th Infantry's training in Michigan, prior to their arrival in the Philippines; interior shots of Colonel Edward J. McClernand's home; a church procession in the streets of Cebu; and the deportation of prisoners to Guam. Some writing in the album reflects racist views toward Filipino and Chinese people.
photCL 712
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Photographs of Philippine-American War
Visual Materials
This collection contains 15 photographs documenting the Philippine-American War. The images depict Filipino women, a portrait of General Juan Cailles (commanding officer of the Philippine Revolutionary Army), the hanging of the "Pardo Ladrones," the hanging of Private George A. Raymond, Philippine police in Pangasinan, a graveyard, and American prisoners of war related to the Lieutenant James C. Gillmore party. Each of the photographs has a caption written on the verso. Please note that this collection contains images of dead bodies, executions, and skeletal remains.
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Photograph album of the Philippines during the Spanish American War
Visual Materials
An album with 114 professional photographs, with handwritten captions, taken during the Spanish American War, mostly in the Philippines, including graphic scenes of trench warfare, battlefield dead and wounded, prisoners, and the burning of towns and dwellings. Among the locations in the Philippines shown are Manila, Caloocan, Pasig River, and the Pasay road. Photographs taken outside of the Philippines show Japan; Honolulu, Hawaii; and the Golden Gate, California. Other photographs show troop encampments, scenes of village or town life, and war ruins. There are views of officers' and enlisted men's quarters, and facilities for support staff such as cooks, the Signal Corps, and the Red Cross. There are a few street scenes with Filipino men in Western clothing, women, and children. Photographs of people include Admiral George Dewey, captioned "Admiral Dewey's last day in Manila, paying the coachman"; General Frederick Funston; and Brigadier General Harrison Gray Otis. Many of the photographs have the imprint of Perley Fremont Rockett, the official photographer of the 20th Kansas Regiment. There are also 11 (5 x 9 cm) photographs of American and Spanish ships, which seem to have been cut out from an unknown source.
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Dorothy O'Dell Philippines photograph album
Visual Materials
This album contains photographs compiled by Dorothy O'Dell, who resided in the Cavite province of the Philippines during her husband's service in the U.S. Navy. The images depict the couple's travel in England, India, Jerusalem, Panama, the Philippines, Sri Lanka, and Vietnam, capturing specific sites such as Mount Ebal, the "Gateway to Ancient Shechem," Sebastia (Palestine), the "Ancient Castle Thunton" (Taunton Castle, England), Windsor Castle (England), Edinburgh Castle (Scotland), Heidelberg Castle (Germany), the "Hindu Temple" (Meenakshi Amman Temple) and the "Lake Temple" (Vandiyur Mariamman Temple) in Madurai, India. The photographs also document their residence in O'ahu, Hawai'i and Dorothy's evacuation from the Philippines and return to the United States via the S.S. Washington to San Francisco, California. However, many of the images capture Philippine landmarks in Manila, some of which were later damaged or destroyed by the Japanese in World War II. These landmarks include the Jai Alai Building, Puerta de Parián, and Nuestra Señora de la Paz y Buen Viaje cathedral in Antipolo. There are also photographs of the Chinese Yu Tan and Paco cemeteries in Manila, the Taal Volcano, images of Igorot dancers in ceremonial dress performing for Navy personnel, an Igorot person in traditional clothing in Northern Luzon, Filipino funeral processions, street scenes capturing Filipino citizens in their daily activities, livestock, and the O'Dell home on "Radio Road" or Salamanca Drive.The depictions of daily life in pre-war Philippines in and around the naval base are described through written notes by Dorothy on the album pages. Two cabinet card portraits produced by the B.D. Garduno Studio are also included in the album along with photographs of American naval ships and military personnel. The leather album cover is embossed with two Chinese dragons with an emblazoned sphere between them and a Chinese Junk ship below. A few of the album pages appear to have missing photographs.
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Willis J. Raynor photograph album of the Philippine-American War
Visual Materials
An album compiled by Major Willis J. Raynor documenting his experiences in the Philippines during the Philippine-American War (1899-1902), which was waged between the United States and the First Philippine Republic after the Philippines was annexed at the conclusion of the Spanish American War in 1898. The photographs are a mixture of personal snapshots and commercially-produced images, and several have handwritten captions. The album begins with scenes of Fort Logan, Colorado, in 1899, where Raynor was stationed, showing officer's quarters and presumably his wife and small children. The remainder of the album is set in the Philippines and subjects include: Raynor and other members of the 25th Infantry; war carnage; native Filipinos at work and with families; homes; and buildings in Corregidor, Luzon, Manila and elsewhere. Other photographs include "Decoration Day" at Corregidor and a cyanotype of patients in a hospital ward in Iloilo. Of note are several portraits of significant figures of the Philippine Revolution, including Emilio Aguinaldo, Antonio Montenegro and General Francisco Macabulos. The back of the album has a few clippings related to the war, and a personal clipping about the birth of Raynor's son on October 31, 1902, days before he shipped back to the United States.
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