Visual Materials
Photographs of Philippine-American War
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Photographs of Philippine-American War
Visual Materials
Please note that this collection contains images of dead bodies, executions, and skeletal remains.
photCL 745
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Philippine American War photograph albums
Visual Materials
Four photograph albums containing a total of 218 images (chiefly 4.5 x 6.5 inches) of the Philippine American War, taken by an unidentified photographer most likely associated with the 19th U.S. infantry stationed in Cebu, Philippines. Primarily in Cebu with some in San Nicolas and elsewhere, the images document Filipino life and culture as well as U.S. soldiers in military activities and recreation. Three photographs depict the refueling of a hospital ship in Hong Kong, and there are also images of the recruitment of Indigenous soldiers in Puerto Rico, and rare views of the surrenders of Filipino generals Mateo Noriel Luga and Aguedo del Rosario. The photographs are captioned and numbered continuously throughout the four albums. The first album, images 1 to 54, contains mostly detailed panoramas (3.5 x 12 inches) of Cebu and its port, plaza, and bay. The second album, images 55 to 109, contains a range of subjects including the 19th Infantry band baseball team, Filipino homes and families, elaborate Holy Day celebrations in San Nicolas, and several photographs of insurgents and their surrenders. The third album, images 111 to 165, includes church interiors, street and market scenes, and a family identified as "Spaniard and Filipino Mixed Family." The fourth album, images 166 to 218, includes several scenes from the 19th Infantry's training in Michigan, prior to their arrival in the Philippines; interior shots of Colonel Edward J. McClernand's home; a church procession in the streets of Cebu; and the deportation of prisoners to Guam. Some writing in the album reflects racist views toward Filipino and Chinese people.
photCL 712
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Willis J. Raynor photograph album of the Philippine-American War
Visual Materials
An album compiled by Major Willis J. Raynor documenting his experiences in the Philippines during the Philippine-American War (1899-1902), which was waged between the United States and the First Philippine Republic after the Philippines was annexed at the conclusion of the Spanish American War in 1898. The photographs are a mixture of personal snapshots and commercially-produced images, and several have handwritten captions. The album begins with scenes of Fort Logan, Colorado, in 1899, where Raynor was stationed, showing officer's quarters and presumably his wife and small children. The remainder of the album is set in the Philippines and subjects include: Raynor and other members of the 25th Infantry; war carnage; native Filipinos at work and with families; homes; and buildings in Corregidor, Luzon, Manila and elsewhere. Other photographs include "Decoration Day" at Corregidor and a cyanotype of patients in a hospital ward in Iloilo. Of note are several portraits of significant figures of the Philippine Revolution, including Emilio Aguinaldo, Antonio Montenegro and General Francisco Macabulos. The back of the album has a few clippings related to the war, and a personal clipping about the birth of Raynor's son on October 31, 1902, days before he shipped back to the United States.
photCL 710
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Collection of Philippine hemp fiber industry photographs
Visual Materials
After the Philippines became a colony of the United States in 1898, Manila hemp became the nation's most important export item, making up 72% of the nation's total export value. The material was widely used for making rope, twine, paper, bags, shoes, hats, dresses, and other everyday commodities. The collection includes 36 loose photographs. These include images of Filipino workers cultivating, transporting, and processing fibers from hemp plants. Also included are photographs of Filipino and presumably, American workers operating and posing with hemp processing machinery. Other photographs include industrial machines for breaking and spinning fibers, ships for transporting, Henequen plants and Manila trees, Manila hemp fibers hung for drying, Manila hemp seeds, and an image of a native Philippine shelter.
photCL 693
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Collection of Philippine hemp fiber industry photographs
Visual Materials
After the Philippines became a colony of the United States in 1898, Manila hemp became the nation's most important export item, making up 72% of the nation's total export value. The material was widely used for making rope, twine, paper, bags, shoes, hats, dresses, and other everyday commodities. The collection includes 36 loose photographs. These include images of Filipino workers cultivating, transporting, and processing fibers from hemp plants. Also included are photographs of Filipino and presumably, American workers operating and posing with hemp processing machinery. Other photographs include industrial machines for breaking and spinning fibers, ships for transporting, Henequen plants and Manila trees, Manila hemp fibers hung for drying, Manila hemp seeds, and an image of a native Philippine shelter.
photCL 693
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Philippine American War letter
Manuscripts
This letter written by an American soldier, to his family, while stationed in the Philippines during the Philippine American War gives a lengthy description of the fighting. The letter is from Passi, P.I. [Philippine Islands], is on Spanish letterhead and is signed "Malcolm." At the end of the letter, he writes "This is captured paper."
mssHM 83174