Photograph album of U.S. Asiatic Fleet serviceman stationed in the Philippines | Collections | The Huntington

Photograph album of U.S. Asiatic Fleet serviceman stationed in the Philippines | Collections | The Huntington

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Photograph album of United States naval activities in Hong Kong, Japan, Philippines, and United States
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This photo album was compiled by a member of the United States Navy who was aboard the USS Wisconsin between 1902 and 1904. The 48 black-and-white photographs are accompanied by extensive handwritten descriptions. The photos depict American, British, and Japanese military ships. The U.S. Naval ships include the USS Adams, the USS Kentucky, the USS Oregon, and the USS Wisconsin. The locations represented in the photographs include San Diego, California; Yokosuka, Japan; Yokohama, Japan; Hong Kong; Honolulu, Hawaii; and Manila, Philippines. The photographs depict views of military boats and crew, shipping docks, a few views of churches and street scenes, and the Queen's Palace in Honolulu.
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Dorothy O'Dell Philippines photograph album
Visual Materials
This album contains photographs compiled by Dorothy O'Dell, who resided in the Cavite province of the Philippines during her husband's service in the U.S. Navy. The images depict the couple's travel in England, India, Jerusalem, Panama, the Philippines, Sri Lanka, and Vietnam, capturing specific sites such as Mount Ebal, the "Gateway to Ancient Shechem," Sebastia (Palestine), the "Ancient Castle Thunton" (Taunton Castle, England), Windsor Castle (England), Edinburgh Castle (Scotland), Heidelberg Castle (Germany), the "Hindu Temple" (Meenakshi Amman Temple) and the "Lake Temple" (Vandiyur Mariamman Temple) in Madurai, India. The photographs also document their residence in O'ahu, Hawai'i and Dorothy's evacuation from the Philippines and return to the United States via the S.S. Washington to San Francisco, California. However, many of the images capture Philippine landmarks in Manila, some of which were later damaged or destroyed by the Japanese in World War II. These landmarks include the Jai Alai Building, Puerta de Parián, and Nuestra Señora de la Paz y Buen Viaje cathedral in Antipolo. There are also photographs of the Chinese Yu Tan and Paco cemeteries in Manila, the Taal Volcano, images of Igorot dancers in ceremonial dress performing for Navy personnel, an Igorot person in traditional clothing in Northern Luzon, Filipino funeral processions, street scenes capturing Filipino citizens in their daily activities, livestock, and the O'Dell home on "Radio Road" or Salamanca Drive.The depictions of daily life in pre-war Philippines in and around the naval base are described through written notes by Dorothy on the album pages. Two cabinet card portraits produced by the B.D. Garduno Studio are also included in the album along with photographs of American naval ships and military personnel. The leather album cover is embossed with two Chinese dragons with an emblazoned sphere between them and a Chinese Junk ship below. A few of the album pages appear to have missing photographs.
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Photograph albums and travel diary of the Philippines by sailor aboard the USS Pocomoke (AV-9)
Visual Materials
Two photograph albums, one containing a 60-page travel diary, by U.S. Navy crew member W. A. (William Arthur) Isaminger, documenting his experiences in the Philippines during and after World War II. His travel log titled "Navy Life" begins in March 1944 when he joined the navy, then describes his time stationed in the Philippines through February 1946, when he returns home to Seattle, Washington. He was aboard the USS Pocomoke (AV-9), an aircraft carrier that operated primarily in the Pacific theatre during the war and serviced military seaplanes. Along with the diary are handwritten entries on mileage between various locations on his travels from Seattle to the Philippines and back, addresses of acquaintances and family, and a few pieces of ephemera. There are 173 photographs in the two albums, all with handwritten captions. The images include sailors and local residents, village scenes, churches and civic buildings, the statue of Philippine national hero Jose Rizal, a sunken Japanese ship in Manila harbor, and a Japanese internment camp and prisoners. There are also several images of partially nude native women and children, two scenes of cockfighting, a man with elephantitus, and a man holding the decapitated head of a Japanese man. The album also features images of activities on board the ship, various seaplanes, and a series of photographs documenting examples of "nose art": female pinups painted on airplane fuselage. Also includes a printed menu in honor of Victory Day, dated August 15, 1945. Locations include Zamboanga, Mindanao, Luzon, Puerto Princesa, Calicoan Island, Samar Island, Taclogan, and Tawitawi Island.
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Japanese occupation of Philippines photograph album
Visual Materials
A photographic regimental history of the Japanese Imperial Army, Watari Philippine Occupation Expeditionary Force, 14th Army unit assigned to the Philippines during World War II. The halftone photographs with captions in Japanese are printed on the album pages, along with a few maps. Written in Japanese inside the front cover: "Suzuki Unit / Matsushima Group / Matsumoto Division." Images include: Military posts throughout the Philippines; broken American and Filipino tanks in Tarlac; destroyed bridges and buildings; Nitsuba house near Antimonan; the Suzuki Division headquarters in San Miguel; Amato jin'ya, or "Confection Barracks/Fort Sweet-Tooth" hung with Japanese flags; group photographs of Japanese Army forces, and others. Also featured is a unit memorial service with a eulogy given by Army Commander Honma Masaharu, who led the Japanese invasion of the Philippines.
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Photograph album of U.S. Army Air Service aerial photographs of the Philippines, South China Sea and California
Visual Materials
An album of mostly aerial photographs taken during the 1920s by the U.S. Army Air Service, 15th Photographic Section above the Philippines and South China Sea, as well as Northern California, and some in New York. In addition to aerial views, there are images of planes flying in formation, airfields, dirigibles, and ships. Some Philippines locations photographed include Cagayan Valley, Magat River, Nueva Vizcaya, and Jolo, as well as images of U.S. Navy ships and aircraft stationed at the islands. Northern California aerial images include Yosemite, San Francisco, and Lake Tahoe. The 15th Photographic Section soldiers and personnel are seen in three group photographs listing their names, 1929 and 1930.
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Philippine American War photograph albums
Visual Materials
Four photograph albums containing a total of 218 images (chiefly 4.5 x 6.5 inches) of the Philippine American War, taken by an unidentified photographer most likely associated with the 19th U.S. infantry stationed in Cebu, Philippines. Primarily in Cebu with some in San Nicolas and elsewhere, the images document Filipino life and culture as well as U.S. soldiers in military activities and recreation. Three photographs depict the refueling of a hospital ship in Hong Kong, and there are also images of the recruitment of Indigenous soldiers in Puerto Rico, and rare views of the surrenders of Filipino generals Mateo Noriel Luga and Aguedo del Rosario. The photographs are captioned and numbered continuously throughout the four albums. The first album, images 1 to 54, contains mostly detailed panoramas (3.5 x 12 inches) of Cebu and its port, plaza, and bay. The second album, images 55 to 109, contains a range of subjects including the 19th Infantry band baseball team, Filipino homes and families, elaborate Holy Day celebrations in San Nicolas, and several photographs of insurgents and their surrenders. The third album, images 111 to 165, includes church interiors, street and market scenes, and a family identified as "Spaniard and Filipino Mixed Family." The fourth album, images 166 to 218, includes several scenes from the 19th Infantry's training in Michigan, prior to their arrival in the Philippines; interior shots of Colonel Edward J. McClernand's home; a church procession in the streets of Cebu; and the deportation of prisoners to Guam. Some writing in the album reflects racist views toward Filipino and Chinese people.
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