Visual Materials
Collection of lantern slides of T. J. Cobden-Sanderson bindings
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Charles Victor Hall Lantern Slide Collection of California Views
Visual Materials
This collection of 166 lantern slides depicting urban, agricultural, and nature scenes of California in the 1870s were created by real estate developer Charles Victor Hall as a visual accompaniment to his traveling lecture promoting California's resources and benefits. The lecture aimed to encourage New Englanders and Europeans to relocate to California. The majority of the lantern slides depict scenes from northern California, including Yosemite National Park and San Francisco. Some southern California views are also shown, including San Diego and Los Angeles County. Other slides of interest are views of the California ranches of F.P.F. Temple, Ellwood Cooper, F.D. Bacon, Maria Sepulveda, L.J. Rose Jr. (and family), and H.H. Moore. Portraits of General John C. Fremont and actress Maude Granger are also featured in the collection. This collection is significant in its images of Native Americans in California, mainly in the Yosemite area; see slides (56), (60), (64), (66), (67), (68), and (74). Many of the images were possibly photographed by Bradley & Rulofson, as stated in newspaper clippings from 1874-75, found in Hall's scrapbooks. In addition, Hall said that he purchased his "views and instruments" from Houseworth & Co. (The Morning Call, Sept. 23, 1874, p. 14). The images were most likely taken by several different photographers, including Carleton Watkins and Eadweard Muybridge. In addition to the lantern slides, three copy negatives depicting the logging industry are also included (Items 219-221). There is also a printing plate portrait of Charles Victor Hall(item 222), and a few photographs: portraits of Charles Victor Hall and his wife Josephine Dalton, and views of his residence in Los Angeles (items 223 - 227)..
photCL 521
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Lantern slides
Visual Materials
The Charles Francis Saunders and Mira Culin Saunders Collection of Photographs and Negatives consists of 5826 black and white photographs, 68 glass plate negatives, 3832 film negatives, 10 photographs albums, 261 lantern slides, and related ephemera, ca. 1871-1965 (bulk 1910s-1920s), collected and created by Charles Francis Saunders, Elisabeth Hallowell Saunders, and Mira Culin Saunders. The collection provides a comprehensive overview of Charles Saunders' activities as a naturalist and travel writer.
photCL 276
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Lantern slides
Manuscripts
There are lantern slides (3.25 x 4 inches) for twelve of the prints.
mssDolley; photCL 123
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Lantern slides
Visual Materials
This collection contains lantern slides with both photographs and illustrations of the 1873-1873 Modoc War, a conflict fought in the lava beds at Tule Lake on the California-Oregon border between a small band of Modoc Indians and the United States Army. The lantern slides include images of Indian scouts for the U.S. Army; U.S. Army soldiers and camps, Modoc leaders and prisoners of war, and the lava beds that served as the Modocs' stronghold. Notable images include portraits of Modoc leaders Captain Jack and Winema (Toby) Riddle, shaman Curly-headed Doctor, and Indian scout Donald McKy. Within the collection, 26 photographs can be attributed to Eadweard Muybridge, 13 to Louis Heller, and 2 to Putnam & Valentine.
photCL 515
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Lantern slides and autochromes
Visual Materials
The Harold A. Parker Studio Collection of Lantern Slides and Transparencies consists of 96 hand-colored lantern slides and autochrome lantern slides, and 52 color transparencies, ca. 1900-1930, depicting houses, landscapes, plants and gardens in and around Pasadena; the Huntington Hotel in Pasadena; aerial views, presumably of Pasadena; mountain lakes and landscapes; desert landscapes and flora; the Grand Canyon, Pueblo ruins, and the Petrified Forest; unidentified landscapes; and the aftermath of the 1906 San Francisco earthquake.
photLS 402
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Lantern slides
Visual Materials
These lantern slides date from approximately 1900-1920s, and are mostly duplicates of negatives or photographs elsewhere in the collection. The slides are in 73 boxes in an arbitrary sequence, and have not been arranged or identified. A few of the slides have original paper labels with handwritten caption information.
Series 7