Albums of European views | Collections | The Huntington

Albums of European views | Collections | The Huntington

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Portraits of notable European persons
Visual Materials
Collection of 46 carte-de-visite portraits of notable Victorian-era figures, chiefly British magistrates and peers, which appear to have been published by the London Stereoscopic Company. Later additions to the album include portraits of Queen Victoria, Victor Emmanuel II of Italy, Benjamin Disraeli, Alexander Dumas, Victor Hugo, and Otto von Bismark.
photCL 4
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European Views
Visual Materials
The collection consists of 167 photographs produced by the Langenheim brothers between 1850 and 1874. These include: 161 stereographs (including variants and copies of the same image), 3 lantern slides, 2 salt prints in glass stereograph format, and 1 microphotograph, along with 5 stereograph image mats. The bulk of the collection contains depictions of natural landscapes, landmarks, and architecture of Niagara Falls, Kaaterskill Falls, New York City, the Minehill Gap, Philadelphia, and New Hampshire; and various railroads, bridges, statues and monuments throughout the Northeast region of the United States. There are a few portraits of prominent figures from the region, including Washington Irving (1783-1859). There are also a few stereographs from France and Italy; these photographs were most likely not taken by the Langenheim Brothers but were offered and sold under their name. Additionally, there are two salt prints of Niagara Falls in glass stereograph format. The three lantern slides are mounted in wooden frames and depict Niagara Falls, Girard College, and the Jas Dundas Mansion in Philadelphia. There is one microphotograph of the printed text of the Ten Commandments verse from the Bible. A few of the stereographs and the three lantern slides are hand colored. Photographs are glass stereographs unless otherwise noted. Titles are transcribed from image mats; titles enclosed in square brackets were devised by the archivist.
photCL 756
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Album of Western views
Visual Materials
A collection of 45 photographs depicting the Western United States compiled by Samuel S. Durfee, showing both natural and man-made attractions in California, Oregon, Utah, Arizona, and Colorado. Photographs include Mt. Shasta in California, the Grand Canyon in Arizona, and Pike's Peak and Garden of the Gods in Colorado. City scenes include Chinatown and other areas in San Francisco and the interior of the Tabernacle and Joseph Smith's grave in Salt Lake City. Some of the photographers are identified, including I.W. Taber, C.R. Savage, and William Henry Jackson (W.H. Jackson & Co.).
photCL 92
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Photograph album
Visual Materials
An album of photographs of monuments on Gettysburg Battlefield, Pennsylvania. The photographs date from approximately 1883 to 1890 and most have the imprint of photographers J. L. Rile & Co. or W. H. Tipton. The majority are detail views of the stone monuments, with a few showing surroundings. Six of the mounted photographs were removed from the album and are housed in a separate box (Box 2).
photCL 304
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Collection of photographic portraits of Charles Dickens, Dickens's family and friends, and his residences
Visual Materials
A collection of 201 photographs consisting primarily of photographic portraits of Charles Dickens and photographs of family members and residences associated with him and his works. The portraits (no. 1-95) are arranged chronologically and most are later reproductions. The group includes a signed portrait by Herbert Watkins (no. 15), as well as several portraits with the London Stereoscopic & Photographic Co. stamp (no. 30-33). Items 96 through 111 are photographic reproductions of painted, sketched, and lithographed portraits of Dickens. Photographs of Dickens and his family and friends include his children Kate Perugini, Mamie Dickens, Charles Dickens, Jr., Walter Savage Landor Dickens, Alfred Tennyson Dickens, Sydney Smith Haldimand Dickens, Henry Fielding Dickens, and Edward Bulmer Lytton Dickens (known as "Plorn"). There are several photographs of Georgina Hogarth. Items 141 through 201 are photographs of residences that Dickens occupied, sometimes very briefly, throughout his lifetime. There is also a London Stereoscopic Company photograph of Dickens's stuffed raven "Grip," which that firm purchased at auction in 1870. Some of the photographers include Henri Claudet, C. Watkins, Herbert Watkins, J. & C. Watkins, John Watkins, Octavius Watkins, Alphonse Maze-Sencier, Mason & Co., and J. Gurney & Son.
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Photograph album of China, Korea, and Japan
Visual Materials
A photograph album containing 263 photographs of China, Korea, and Japan, dating from the time of the Boxer Uprising in China to the Russo-Japanese War, 1901 to 1905. The photographs are primarily unique images, along with some commercial photographs and foldout panoramas, and many have handwritten captions. The album's inside cover is inscribed: "John Rory Macey / H.M.S. Blenheim / China Station / Vol. II / Jan 1st 1901 - July 18th, 1905"; Macey was a naval engineer in the British Admiralty and most likely took some of the photographs, particularly naval-related scenes, and images of British servicemen. Photographic subjects in China include navy ships in the port of Weihaiwei, street scenes in Peking (Beijing) and other cities, Chinese residents, monuments (including the Forbidden Palace under foreign occupation), palaces, gardens, and temples. A number of photographs focus on the aftermath of the Boxer Uprising, including ruined buildings. The second portion of the album depicts scenes in Korea during the Russo-Japanese War; these include Korean people in daily activities, street scenes, commercial images of Chemulpo, and the palace grounds in Seoul. The third portion of the album contains amateur and commercial photographs of Japan, including the port cities of Maizuru and Yokohama, Japanese residents, tea ceremonies, the hot spring resort of Tonosawa, and panoramic images of the Osaka Exhibition of 1903. At the back of the album are 17 large, hand-colored photographs of Japan, including images of landscapes, street vendors, and Japanese women in genre scenes.
photCL 632