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Why students of medicine should select the homoeopathic school
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A School for the higher education of Women : Why should such a school be established and located in Riverside
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Some Reasons Why Drawing Should be Taught in Our Common Schools
Visual Materials
One pamphlet, copyright 1877, entitled Some Reasons Why Drawing Should be Taught in Our Common Schools, by Langdon S. Thompson, published by the author, La Fayette, Indiana. This pamphlet is 24 numbered pages in length and is not illustrated. It is subtitled: "A paper: Read at the Meeting of the Ohio Teachers' Association, at Put-in-Bay, July 4, 1877; and also at the Annual Meeting of the National Education Association, at Louisville, KY, Aug. 16, 1877." The text of the essay is prefaced by 9 pages of excerpts of testimonials in its favor. Thompson's three reasons for teaching art were 'disciplinarian', 'utilitarian', and 'aesthetic'. An ink stamp of the Ohio State University Education Library is stamped on the front cover.
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School interiors and students at work
Visual Materials
The Peabody Collection consists of 672 glass plate negatives in various sizes, 1054 film negatives in various sizes, 24 photograph albums, 887 loose photographs in a variety of formats, published works, and manuscript material, created and collected by Henry G. Peabody, 1859-1993 (bulk 1890s-1900s). The materials collectively describe Peabody's long career as a commercial landscape photographer working on both the east and west coasts of the United States. The photographs and negatives depict Peabody and his family; landscape views in New England, Canada, the western United States, California, and Mexico; Native Americans; city and landscape views in Great Britain, France, and Switzerland; portraits; architectural renderings; plants and animals; unidentified landscapes; and miscellaneous images. Additional photographers and photographic firms represented in the collection include Alexander Hesler, Charles F. Lummis, and Spence Air Photos. The published works contain photographs by Peabody. The manuscript material provides information about Peabody's negatives; contains catalogs of Peabody's works for sale; describes Peabody's commercial dealings as both a photographer and seller of photographic equipment; and contains ephemeral material collected by Peabody throughout his life.
photCL 478
Image not available
School interiors and students at work
Visual Materials
The Peabody Collection consists of 672 glass plate negatives in various sizes, 1054 film negatives in various sizes, 24 photograph albums, 887 loose photographs in a variety of formats, published works, and manuscript material, created and collected by Henry G. Peabody, 1859-1993 (bulk 1890s-1900s). The materials collectively describe Peabody's long career as a commercial landscape photographer working on both the east and west coasts of the United States. The photographs and negatives depict Peabody and his family; landscape views in New England, Canada, the western United States, California, and Mexico; Native Americans; city and landscape views in Great Britain, France, and Switzerland; portraits; architectural renderings; plants and animals; unidentified landscapes; and miscellaneous images. Additional photographers and photographic firms represented in the collection include Alexander Hesler, Charles F. Lummis, and Spence Air Photos. The published works contain photographs by Peabody. The manuscript material provides information about Peabody's negatives; contains catalogs of Peabody's works for sale; describes Peabody's commercial dealings as both a photographer and seller of photographic equipment; and contains ephemeral material collected by Peabody throughout his life.
photCL 478