Watch, Read, Listen

In this Genshitsu Sen lecture, Dr. Bruce A. Coats, professor of art history and the humanities at Scripps College, surveys the extraordinary literary and visual art traditions inspired by the 11th-century novel The Tale of Genji, written by Japanese court lady Murasaki Shikibu, with an emphasis on how the novel has been imaged and reimagined for a millennium.

Photo caption: Ebina Masao (1913–1980), The Tale of Genji: Chapter 24, Butterflies, c. 1960, woodblock print, Scripps College, 2003.1.45, photo by Jan Blair

Historic preservation consultants from Chattel, Inc. share how the Christopher Isherwood papers at The Huntington were instrumental in the designation of the Santa Monica Canyon home of writer Christopher Isherwood (1904–1986) and artist Don Bachardy as a Historic-Cultural Monument in Los Angeles. The lecture includes a pictorial tour of the residence and studio–where Bachardy still lives–and a review of the nomination process.

Speakers:
Robert Chattel, AIA
Nels Youngborg
Alvin-Christian Nuval

This is the Isherwood-Bachardy Lecture.

Join Aram Moshayedi, Robert Soros Curator at the Hammer, for this short and insightful discussion about artist Hedi El Kholti, as part of the Lunchtime Art Talk series on the exhibition “Made in L.A. 2020: a version.”

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Key scholars come together at this two-day conference to assess developments in the study of Restoration women writers such as Aphra Behn and Margaret Cavendish (the Duchess of Newcastle), their reception in their own period, and increasing popularity today. Behn and Cavendish have international societies devoted to the study of their works, and both they and others such as Katherine Philips (“Orinda”) and Anne Finch (the Countess of Winchilsea) now regularly appear on the undergraduate curriculum. Major publishers, including Cambridge University Press and Oxford University Press, have recently commissioned scholarly editions of the works of Lucy Hutchinson, Anne Finch, Aphra Behn, and others.

Speakers:

Session 1: Publication and Its Perils

Welcome: Steve Hindle, The Huntington
Introduction: Elaine Hobby, Loughborough University (Convener)

David Norbrook, Emeritus Fellow, Merton College, Oxford
“Lucy Hutchinson and the Perils of Publication”

Jennifer Keith, University of North Carolina at Greensboro
“Anne Finch’s Early Readers in Manuscript and Print”

Session 2: Machines, Networks, and Book Catalogues

Marie-Louise Coolahan, National University of Ireland Galway
“Late Seventeenth-Century Book Owners and Women’s Writing”

Julia Flanders, Northeastern University
“Reading Models, Modelling Reading: Digital Texts and Human Readers”

Closing Discussion: Elaine Hobby

Session 3: Plays on Stage

Elizabeth H. Hageman, Professor Emerita, University of New Hampshire
“Katherine Philips’s Plays on Stage, in Manuscript, and in Print”

Elaine Hobby, Loughborough University
“Staging Reading in Aphra Behn”

Joyce MacDonald, University of Kentucky
“ ‘Dazeling white’: Erasing Blackness in Mary Pix’s Ibrahim, the Thirteenth Emperor of the Turks”

Session 4: Reading Margaret Cavendish, Duchess of Newcastle: Past, Present and Future

Lisa Sarasohn, Professor Emerita, Oregon State University
“ ‘But to cut off tedious and unnecessary disputes, I return to the expressing of my own opinion…’ (Philosophical Letters, 1664, 81.) Margaret Cavendish’s Gripers and Groupies”

Shawn W. Moore, Florida Southwestern State College
“Reading Margaret Cavendish in the Twenty-First Century”

Closing Discussion: All participants, chaired by Elaine Hobby

Funding provided by The USC-Huntington Early Modern Studies Institute

Join Connie Butler, chief curator at the Hammer, for this short and insightful discussion about artist Aria Dean, as part of the Lunchtime Art Talk series on the exhibition “Made in L.A. 2020: a version.”

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