This year, The Huntington acquired a striking portrait of Moanahonga (Great Walker), an Ioway chief, painted around 1824 by the American artist Charles Bird King.
With a new painting that responds to Thomas Gainsborough’s The Blue Boy, Kehinde Wiley again revises a “masterpiece,” adding Black youth to the repertoire of English grand manner portraiture, redirecting the genre’s aggrandizing powers, and challenging its exclusivity.
In an ongoing partnership with Ghetto Film School, The Huntington Library, Art Museum, and Botanical Gardens is serving as a training ground for student filmmakers exploring careers in the film industry.
Exhibition explores a more expansive and contextualized view of American art history; features new works and new acquisitions by Enrique Martínez Celaya, Thomas Cole, Mercedes Dorame, Sandy Rodriguez, and Cara Romero, among others.
The 50-plus works span more than 100 years and are by a diverse group of artists from North America, including Mary Lee Bendolph, Lola Álvarez Bravo and Manuel Álvarez Bravo, Thomas Cole, Mercedes Dorame, Lockwood de Forest, Herter Brothers, Charles Bird King, Enrique Martínez Celaya, Cara Romero, and Kehinde Wiley.
The Huntington celebrated American artist Kehinde Wiley with a reception in honor of his painting A Portrait of a Young Gentleman, commissioned by The Huntington as a contemporary response to Thomas
Wang Shixiang 王世襄 was 93 years old when he created the inscription “Love for the Lotus Pavilion” for The Huntington. The original handscroll is currently on view as part of the exhibition “A Garden of Words: The Calligraphy of Liu Fang Yuan.”
The Huntington Library, Art Museum, and Botanical Gardens has acquired the archives of legendary Arts and Crafts architects Greene & Greene. The trove of approximately 6,000 items includes design drawings and photographs, business correspondence, family papers, notebooks, scrapbooks, artifacts, and reference books
