Watch, Read, Listen

From handmade jewelry and a curated book selection to cool apparel, toys, and home decor, these items are in tune with The Huntington’s remarkable library, art, and botanical collections.

The renovation project includes the restoration of the front of the original 1911 building and a new pavilion opening onto the Shakespeare Garden.

From prints to cartoons, courtroom sketches to photographs, cinema to the internet, “new media” is a diverse and constantly evolving collection of cultural forms and technologies that shape, and are shaped by, the law.

In the predawn hours of May 24, 1861, the 11th Regiment of New York Infantry disembarked from steamers in Alexandria, Virginia. The men, commanded by Col. Elmer E. Ellsworth (1837–1861), who was only 24 years old, met no resistance.

Gasteria species were included in the genus Aloe until 1809, when French physician and botanist Henri August Duval proposed they be moved into the new genus Gasteria, named for the slightly bulbous, stomach-like shape of the flowers.

When you step into The Rose Hills Foundation Conservatory for Botanical Science at The Huntington, you are instantly transported to another world. Consistently warm and humid conditions create a pocket of the tropics that houses a grand display of plant adaptations.

In 1736, just four days before Christmas, 5-year-old Mary “Molly” Leigh wrote a formal letter to her father, Theophilus Leigh, Master of Balliol College, Oxford. The first page of the letter is ruled with straight lines to serve as guides for the novice hand, but the second page lacks them. Molly’s carefully shaped letters gently brush the lines in some places and float just above them in others, giving a subtle movement to her focused penmanship.

Ann Bermingham, professor emeritus at UC Santa Barbara, uncovers the methods used to create British drawings between the 17th and 19th centuries.

As a process of visual thinking, drawing is an art of discovery. This is true both for the artist who uses drawing to create an image and for the viewer who can see in the drawing that process of creation. For both, discovery depends on the technical manipulation of media. In drawing, the medium is the message, whether pencil, watercolor, ink, or charcoal. This talk looks at the materials and techniques of drawing and their role in the creative process.

This is the Wark Lecture in Art History.