In this lecture video, Peter Mancall, distinguished professor of history at USC, discusses the increasing scale of violence between Native Americans and newcomers in eastern North America during the formative era of colonization in North America.
Photographer William Camargo has a talent for transporting the viewer to a precise moment in time, often delivering a jarring history lesson in the process. His series Origins and Displacements amplifies issues of gentrification and the invisible labor in his hometown of Anaheim, California.
There are more than 70 daguerreotypes in The Huntington’s collection, each with stories as unique as the daguerreotype process itself. These miniature portals into 19th-century life preserve vital histories and allow viewers to engage in their own contact with the past.
The academic conference “Maritime History from Below: Rethinking Societies and the Sea” (Nov. 3–4) offers new stories of humankind’s relationship to the sea, including the experiences of sailors, transported prisoners, enslaved people, and Indigenous Americans.
In this lecture video, Gabriela Soto Laveaga, professor of history at Harvard University and Dibner Distinguished Fellow, examines Mexico's pivotal role in addressing global hunger in the mid-20th century, revealing the significant but often overlooked consequences that continue to haunt us today.
Watch this highlight reel of the Sept. 28 “Why It Matters” event, where Hilton Als joined Huntington President Karen R. Lawrence for a lively conversation about his career, the relationship between visual and textual forms, and the endless inspiration found in The Huntington’s collections.
For the Sept. 28 “Why It Matters” event, Hilton Als joined Huntington President Karen R. Lawrence for a lively conversation about his career, the relationship between visual and textual forms, and the endless inspiration found in The Huntington’s collections.
Hilton Als joined Huntington President Karen R. Lawrence in a conversation about his career as a critic and curator, the relationship between visual and textual forms, and the endless inspiration found in The Huntington’s collections.
