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A Friend to Jack London

Thu., Sept. 15, 2011 | Matt Stevens
Huntington literary manuscripts curator Sara S. "Sue" Hodson has been named Woman of the Year by the Jack London Foundation, in recognition of her long service assisting scholars with their research on Jack London
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MR. HUNTINGTON'S GARDEN | Out of the Bogs and Swamps

Tue., Sept. 13, 2011
Another post in a series about Mr. Huntington's Garden by the botanical director of The Huntington.
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Great Scott (Not!)

Fri., Sept. 9, 2011 | Gayle Richardson
"Sir, I have very ungraciously left unacknowledged your present of the Landscape Illustrations of Waverly." So begins an undated letter by Sir Walter Scott to Mr. Charles Tilt, Bookseller. Scott probably wrote it in 1830, thanking Tilt for sending him a copy
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CONFERENCES | When Every Day is Labor Day

Fri., Sept. 2, 2011 | Matt Stevens
Echoes of a conference held at The Huntington in April continue to reverberate this Labor Day weekend. "Guest Workers: Western Origin, Global Future," a two-day conference organized by historian Matthew Garcia, spun out of an exhibition
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FROM THE RANCH | Free Ranch Lecture: Growing Microgreens At Home

Thu., Aug. 25, 2011 | Scott Kleinrock
Enjoy the freshest, tastiest salad fixings and save money at the same time. Tara Kolla of Silver Lake Farms will share tips for propagating, growing, and harvesting a bounty
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Edward Hopper, Forever

Wed., Aug. 24, 2011 | Lisa Blackburn
"The Long Leg" by Edward Hopper has been a favorite painting with Huntington visitors since its debut in 1984 as one of the artworks that established the American art collection. On Aug. 24 it received the additional distinction of being issued as a postage stamp
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From the Cradle to the Cradle

Wed., Aug. 17, 2011 | Matt Stevens
Incunables (or incunabula) are books printed before 1501, in the infancy of printing. The term, from Latin, means literally "swaddling clothes." Johann Gutenberg of Germany is credited with inventing the basics of printing in the West in 1440
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EXHIBITIONS | Out of the Shadows

Fri., Aug. 12, 2011 | Thea Page
Huntington curators call the second half of the 18th century England's "golden age of mezzotint." Invented in the 1600s, the engraving technique was little used until it exploded in popularity in the mid 1700s. It employs a metal plate covered with fine dots, or a "burr," which prints as a deep velvety black.