Videos and Recorded Programs

Priya Satia, professor of history at Stanford University, explores the ways in which Victorian thinkers drew on a historical sensibility to understand and justify British rule in India. By deferring ethical judgment to the future, historical thinking enabled well-meaning Britons to engage in imperial activities, including the brutal repression of colonial resistance, with mostly clear consciences. The role of historical thinking in Victorian imperialism keeps...

Join Nika Chilewich, curatorial assistant at the Hammer Museum, for this short and insightful discussion about artist Ann Greene Kelly, as part of the Lunchtime Art Talk series on the exhibition “Made in L.A. 2020: a version.”

WATCH

Join writer Jack Skelley and “Made in L.A. 2020” artist Sabrina Tarasoff for a virtual screening and conversation on Gail Kaszynski’s 1983 documentary Fear of Poetry. Kaszynski’s film is an improvisatory 40-minute foray into a fervent, formative period in the lives of poets such as Dennis Cooper, Benjamin Weissman, Amy Gerstler, and Bob Flanagan, who took part in Cooper’s famed Wednesday Night Poetry readings. Drawing...

Karlos K. Hill, Associate Professor and Chair of the Clara Luper Department of African and African American Studies at the University of Oklahoma, discusses his new book The 1921 Tulsa Race Massacre: A Photographic History. 

Professor Kathleen Belew in Conversation with Distinguished Professor and MacArthur Fellow Natalia Molina

Historian Kathleen Belew, CNN contributor and author of Bring the War Home, gives us the history of the white power movement in America, which consolidated decades ago around a potent sense of betrayal after the Vietnam War. She considers how the movement’s soldiers are not lone wolves but highly organized cadres motivated by...

Join Lauren Mackler, co-curator of “Made in L.A. 2020: a version,” for this short and insightful discussion about artist Jeffrey Stuker, as part of the Lunchtime Art Talk series on the exhibition.

WATCH

Roslyn Lee Hammers, associate professor of art history at the University of Hong Kong, discusses depictions of rural life produced for an 18th-century Chinese emperor’s residence. The Qianlong emperor (1711–1799) had stone stele carved with scenes of men and women producing rice and silk, and he situated them in a reconstruction of a village in his Garden of Clear Ripples (Qing Yi Yuan, now known...

Join Ikechukwu Onyewuenyi, Made in L.A. 2020 assistant curator of performance, for this short and insightful discussion about artist SON. (Justen LeRoy), as part of the Lunchtime Art Talk series on the exhibition “Made in L.A. 2020: a version.”

WATCH