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Visual Materials

Government of the talk radio listeners...[editorial cartoon]

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    Radio/TV Coverage - Transcripts

    Manuscripts

    Approx. 12 items, some duplicates. Several examples of LAT 30-second "radio continuity" (ads). Several transcripts on various subjects: the firing of Joyce Haber (Charles Champlin is mentioned) reported on KNBC-tv; a gay protest at LAT building, reported by KFWB-radio (multi-page stack, dated 10/22-- Reverend Robert Serico/Sirocco interviewed several times; 2 copies of KNBC-tv interview (12/26) of Jean Sharley Taylor, new Associate Editor of LAT; transcript of KFI "Talk Radio" from 8/1 of "caller" criticizing Dorothy Chandler and the County Supervisors--"she got the supervisors to award her $100,000 of taxpayers' money to celebrate the 10th Anniversary of the Dorothy Chandler Pavilion."

    mssLAT

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    Political cartoons about Sohio Terminal, Long Beach, California

    Manuscripts

    Two cartoons by Paul Conrad and Bob Staake responding to Standard Oil of Ohio's (Sohio) controversial proposed oil terminal and pipeline project in the port of Long Beach in the 1970s: print of "'The time has come,' the walrus said. 'To talk of many things: of crude - and spills - and tanker ships - of oil cartels - and kings." by Paul Conrad, inscribed and signed, dated October 14, 1978; original cartoon "Guess what's coming to Long Beach?" by Bob Staake, signed, approximately 1978.

    mssHM 83871-83872

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    Radio TV Reports, Inc

    Manuscripts

    10 items. Brief personal memos (typed and handwritten), transcripts from Radio TV Reports. Subjects include: Soviets missiles in Cuba; real estate sales; Pamela Mason's comment that, in Los Angeles, she was forced to read "low brow papers like the Los Angeles Times;" LAT coverage of Nixon; other examples of Mason displeasure with LAT. Mason, a talk-show host on local KABC-TV, was characterized to Williams in a note by "EJR" (another editor?) as "Bitch of the Week." Note was stapled to transcript of 7/27/1962.

    mssLAT

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    Entrée des alliés dans Pékin, le 22 Octobre 1860 : Entrance of the allyed in Pekin, the 22nd of October 1860

    Visual Materials

    A hand-colored lithograph view print depicting the capture of the Chinese Summer Palace near Peking, China. The image includes Chinese soldiers in varying military attire and queue braids while armed with swords, bows and arrows, dragon shields, and talismanic demon portraits. The French military is depicted in the center of the print dressed in blue uniforms with epaulettes, bayonets, and rifles on horseback while waving a flag with a French imperial eagle finial and flag. The right of the image depicts crowds of men in uniform fighting, and one of the men is illustrated in a red coat, likely referring to the British army. Background and foreground illustrate the Chinese soldiers as falling in defeat. The title is printed in French and English below the image. Signed by printer, "Lith: H Jannin, Paris" in the lower right corner. Signed by the publisher, "Paris chez Codoni, rue Grenier St. Lazare, 20," in the lower left corner. Signed by artist "Albert" in stone in the image's lower right corner.

    priPEF 76

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    Editorial cartoon proof sheets

    Manuscripts

    The collection consists of correspondence and literary manuscripts authored by Lute Pease and others, biographical material about the Pease family (including a scrapbook by Lute Pease), several sketches by Pease, and many samples of Pease's editorial cartoons. A number of letters in the collection describe Pease's life in the Yukon and in Alaska as well as his tenure as editor of The Pacific monthly.

    mssPease

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    Birds of America [graphic]

    Visual Materials

    A set of six giclée prints printed in 2023 of art created from 2015 to 2018 by artist John LaMacchia and illustrators Daniel (Dan) Cole and Peter David Scott. Each print includes images of birds reminiscent of John James Audubon's illustrations in Birds of America (1827) but are set in modern natural environments that have been littered by humans with garbage and plastic waste such as helium balloons, convenience store bags, prescription pill bottles, syringes, six-pack rings, and other examples of packaged goods and products. Titles include: Eastern Towhee (2015); Blue Jay (2016); Red Knot (2016); Double-Crested Cormorant (2016); Great Blue Heron (2016); and The Mourning Dove (2018). The prints are titled and labeled in cursive, and each print includes the edition number in the top-left corner, the printer's name in the bottom-left corner, and the illustrator's name in the bottom-right corner. Dan Cole is signed as the illustrator for five of the prints, and Peter David Scott is signed as the illustrator for one print, The Mourning Dove. The lower-right corner of each print also includes a chop (printer's mark) blind embossed with John LaMacchia's name and initials. This is the tenth edition out of the fifty that were printed.

    priPEF 3