Andersonville Prison : Georgia

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  Andersonville Prison

  Visual Materials

  Image of an elevated view of the Andersonville prison, a Confederate prisoner-of-war-camp in Georgia, with prisoners clustered in groups around tents in the central image; surrounded by twenty-two vignettes including a portrait of Sergeant Leroy Key, Captain Henri Wirz, scenes of prison life, prisoner escapes, and sick and dying prisoners; vignettes are numbered with key in bottom margin.

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  Bird’s-eye view of Andersonville Prison from the south-east

  Visual Materials

  Image of an aerial view of Andersonville Prison, a Confederate prisoner-of-war-camp in Georgia; soldiers visible among densely packed tents surrounded by stockade walls and barricades guarded by gun towers and cannons.

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  American goldfinch

  Visual Materials

  An uncolored print from a copperplate engraving of a male and female American goldfinch perched on branches of thistle. The top left is labeled "No. 7.," and the top right is labeled "Plate XXXIII [33]." The title in the center reads "American goldfinch. Fringilla tristis, Linn. Male, 1. Female, 2. Common thistle. Cnicus lanceolatus." Signed John J. Audubon on the lower left, and R. Havell on the lower right.

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  Welbeck. Paragon un Barbe

  Visual Materials

  A hand-colored engraving depicting a view of Welbeck Estate in Nottinghamshire, the private home of William Cavendish, the Duke of Newcastle, from 1617 to 1676. The central image in the foreground depicts an African man holding the reins of a brown Barbary horse in front of the main façade and entryway of Welbeck Abbey. The background imagery includes branches, stones, trees, and flying birds. Text on top of the print reads, "Welbeck." Text on the bottom of the print reads, "Paragon un Barbe." To the right of the image, decorative text in French reads, "La Maison de Welbeck appartenant a Monseigneur le Marquis de Newcastle, le quel est dans la Province de Nottingham." Signed on lower right corner, by artist, "Abr. A Diepenbeke delineavit," and by engraver, "Petr. van Lisebelten sculpsit." Print was originally published as the sixth plate of Cavendish's "A new method, and extraordinary invention, to dress horses..." (either 1658 print or later editions), and is the source of the approximate date.

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  San Francisco. From California Street. Drawn from a daguerrotype [sic], the property of Eug. Delessert Esq.re

  Visual Materials

  A black-and-white panoramic lithograph view of San Francisco, California. The print was drawn from a daguerreotype by photographer Eugène Delessert, printed by Parisian lithograph firm Imprimerie Lemercier, and published by M. [Michele] Knoedler. The print shows San Francisco's California St. with Yerba Buena Harbor and Island in the center, and Telegraph Hill and Alcatraz Island on the left. Scenery includes sailboats, building structures, horses, and figures in a variety of dress. Text below center of image reads, "Entered according to Act of Congress in the year 1855, by M. Knoedler, in the clerk's office of the District Court of the United States for the Southern District of New York." Printer signature reads "Imp. Lemercier, Paris" in lower right corner. Title is printed in the lower center in a cursive font.

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  Exposition Internationale d'Électricité, Marseille : Avril-Octobre 1908, 1908

  Visual Materials

  An announcement poster for the International Electricity Exposition taking place in Marseille, France in 1908. The print features an allegorical image of a woman or "Electricity Fairy" flying over and illuminating the Marseille exposition. Sparks of electricity are shown as a halo centering her as she looks down onto the exposition site, with rays of light emanating from her hands onto the illuminated structures below. The figure is nude and painted in varying shades of green, with hair flowing against a dark blue and red sky. Text towards the lower right of the figure reads, "Exposition Internationale d'Electricite Marseille, Avril-Octobre 1908." Below the title, the print is signed by the artist, "D. Dellepiane" on the bottom right. The print is signed by the printer twice, with one in the left margin reading, "Imp. Moullot Fils Ainé, Marseille," and again in the top left with a decorative printer's mark of an image of a printing press wheel and text reading "Affiches Moullot Marseille - Paris."

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