Transportation

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  Series II. Transportation Prints and Ephemera (large size)

  Visual Materials

  This series consists of over 160 large-size printed items related to land-based modes of transportation primarily in the United States. The items date from the 1830s to the 1910s and consists largely of materials pertaining to railroads, with additional items concerning the bicycle and carriage, coach, and wagon industries. The series features lithographs produced by American artists, printers, and publishers, as well as engravings, letterpress, and woodblock prints. The items consist of advertising cards, posters, broadsides, system maps, timetables, views, and other visual materials primarily produced by transportation-affiliated entities including railroad companies and vehicle and part manufacturers such as wheel works, carriage builders, bicycle manufacturers, and locomotive machine shops. The series contains color-printed, hand-colored, and uncolored images and ranges in size from approximately 11 x 14 inches to 26 x 40 inches.

  priJLC_TRAN

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  Series I. Transportation Prints and Ephemera (small size)

  Visual Materials

  This series contains more than 570 small-size printed items pertaining to land-based modes of transportation primarily in the United States in the late 19th and early 20th century. The series consists of miscellaneous business records and advertising and promotional materials produced for or related to the bicycle, carriage and wagon, railroad, and freight and passenger transport industries. While most of the pieces date from the late 1870s through 1905, among the earliest items in the collection is an 1826 pamphlet printed for the American Tract Society entitled "All Right." A dialogue between a coach guard and a passenger. Items range in size from approximately 1 x 3 inches to 11 x 9 inches and though many of images depict transportation vehicles and related equipment, there is a wide variety of imagery including views of factories, buildings, and storefronts, images of children, young women, birds, animals, flowers, trees, and cartoons and caricatures. The transportation-affiliated entities represented in this series include vehicle, part, equipment, and accessory manufacturers, dealers, and retailers such as wheel works, carriage, sleigh, and wagon builders, bicycle manufacturers, and locomotive and car machine shops. Item types include printed booklets, business cards, calendars, catalogs, envelopes, handbills, labels, leaflets, postcards, trade cards, and separated book and periodical illustrations, as well as stationery with printed billheads and letterheads filled out with manuscript or typewritten correspondence.

  priJLC_TRAN

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  Transportation: Automobiles A-Z by title

  Visual Materials

  The Jay T. Last sheet music collection consists of approximately 37,419 scores dating from 1794 to the 1960s. It includes a wide range of American popular music styles, as well as some British and European popular music. The collection encompasses ballads, comic songs, minstrel scores, military scores, patriotic melodies, ragtime compositions, Broadway tunes, rhythm and blues hits, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which have ornately lithographed covers and bear the signatures of composers, performers, and artists, as well as sellers' marks. It's important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate. The Jay T. Last collection is an archive of printed paper artifacts that documents American lithographic, social, and business history. The collection began in the early 1970s when physicist and Silicon Valley pioneer, Jay T. Last moved to Southern California and started collecting citrus box labels he found at local flea markets and rummage sales. As his collection grew, Last realized that these labels conveyed important information about commercial printing, graphic design, and social history, and he expanded his collection to include other forms of American visual culture. Today this collection contains more than 250,000 prints, posters, and ephemera of nineteenth and twentieth century American origin and represents works by more than five hundred lithographic companies.

  priJLC_SMUS

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  Jay T. Last Collection of Transportation Prints and Ephemera

  Visual Materials

  The Jay T. Last Collection of Transportation Prints and Ephemera contains more than 730 printed items that relate to land-based modes of transportation primarily in the United States from the 1820s to the early 1900s. The bulk of the collection dates from 1840 to 1905 and consists largely of advertising and promotional materials, business records, and illustrations produced for or pertaining to the bicycle, carriage and wagon, railroad, and freight and passenger transport industries. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items are fully inventoried, and all printers, artists, and publishers are indexed by name. The collection has 167 large-size items consisting of advertising cards, posters, broadsides, system maps, timetables, views, and other visual materials primarily produced for railroad companies, with additional items concerning vehicle and part manufacturers such as wheel works, carriage builders, bicycle manufacturers, and locomotive machine shops. Small-size items in the collection number more than 570 and are comprised mainly of advertising and promotional ephemera and business documents such as printed booklets, business cards, calendars, catalogs, envelopes, handbills, labels, leaflets, postcards, trade cards, and separated book and periodical illustrations, as well as stationery with printed billheads and letterheads filled out with manuscript or typewritten correspondence. The collection touches on topics of transportation, commerce and manufacturing, technology and engineering, travel and tourism, and geography. The images are primarily promotional in nature and provide information about the history of the American railroad, bicycle, and horse-drawn vehicle industries and the evolution of their advertising strategies in the 19th and early 20th centuries. As graphic materials, the prints offer evidence of the development of printmaking techniques and trends, and of the artists, engravers, lithographers, printers, and publishers involved in the creation of these prints.

  priJLC_TRAN

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  I.W. Baird's Famous Minstrels : perfect in every detail - strong and solid

  Visual Materials

  Image of a street scene with a man in a suit, presumably minstrel show proprietor I.W. Baird, holding a bunch of balloons with fourteen of the balloons showing a different minstrel show scene including dancing, acrobatics, singing, drama, and musical performances by costumed performers, female impersonators, and performers in blackface; an older African American man lies on the street touching the balloons, with two dogs and spectators looking on.

  priJLC_ENT_001336

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  Transportation: Railroads, streetcars, jitneys, taxis, motorcycles, rolling chairs and wagons

  Visual Materials

  The Jay T. Last sheet music collection consists of approximately 37,419 scores dating from 1794 to the 1960s. It includes a wide range of American popular music styles, as well as some British and European popular music. The collection encompasses ballads, comic songs, minstrel scores, military scores, patriotic melodies, ragtime compositions, Broadway tunes, rhythm and blues hits, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which have ornately lithographed covers and bear the signatures of composers, performers, and artists, as well as sellers' marks. It's important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate. The Jay T. Last collection is an archive of printed paper artifacts that documents American lithographic, social, and business history. The collection began in the early 1970s when physicist and Silicon Valley pioneer, Jay T. Last moved to Southern California and started collecting citrus box labels he found at local flea markets and rummage sales. As his collection grew, Last realized that these labels conveyed important information about commercial printing, graphic design, and social history, and he expanded his collection to include other forms of American visual culture. Today this collection contains more than 250,000 prints, posters, and ephemera of nineteenth and twentieth century American origin and represents works by more than five hundred lithographic companies.

  priJLC_SMUS