Skip to content

OPEN TODAY: 10 A.M.–5 P.M.

Tickets

Visual Materials

People and culture


You might also be interested in

  • Image not available

    People and culture

    Visual Materials

    The People and culture subseries consists of sheet music published between 1817 and 1899, covering diverse topics such as African Americans, children, couples, groups, immigrants, death and mourning, holidays, marriage, men, Native Americans, organizations, religion, and women. Please note that this subseries contains language and stereotypical imagery that some library users may find harmful or offensive. The section about African Americans contains comic songs, "Coon" songs, minstrel scores, plantation melodies, and ragtime tunes, depicting aspects of African American life in the 19th century, including plantation life, contraband life, and the Jim Crow era. This section includes scores by African American composers and performers such as Blind Tom, James Allen Bland, Brewer and Suttle's Ragtime Four, Bob Cole, Gussie Lord Davis, Peter Devonear, Billy Johnson, Irving Jones, Sam Lucas, and Bert A. Williams. Additionally, it includes scores by European American composers and performers including E. P. Christy, Press Eldridge, George "Honey Boy" Evans, Charles Kunkel, the Virginia Serenaders, Lew Dockstader, Lotta Crabtree, Flo Irwin, May Irwin, and John Philip Sousa. Notably, "A Trip To Coontown" by Bert A. Williams, Bob Cole, and Billy Johnson, the first musical in New York written, produced, and performed by African Americans, is part of this collection. Additional scores to note focus on the experiences of immigrants to the United States (such as the Chinese, English, Irish, Italian, Japanese, Jewish, and Scottish) and Native American characters and tribes including Chief Keokuk of the Sauk Nation, the mythical figure Minnehaha, "Old Bets," Chief Osceola of the Seminole, Chief Ossahinta of the Onondaga, Chief Paxinosa of the Shawnee, Pocahontas, as well as the Dakota, Narragansett, Nez Perce, and the Sioux nations. To note is the rare score "Wakona Waltz" published in 1837 by Fred Munson, Jr. There are also scores dedicated to significant fraternal orders and nonprofit organizations including the Freemasons, the Knights Templar, and the American Red Cross.

    priJLC_SMUS

  • Image not available

    People and culture: Organizations

    Visual Materials

    The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.

    priJLC_SMUS

  • Image not available

    People and culture: Immigrants

    Visual Materials

    The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.

    priJLC_SMUS

  • Image not available

    People and culture: Native Americans

    Visual Materials

    The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.

    priJLC_SMUS

  • Image not available

    People and culture: Men A-M by title

    Visual Materials

    The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.

    priJLC_SMUS

  • Image not available

    People and culture: Religion A-F by title

    Visual Materials

    The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.

    priJLC_SMUS