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People and culture


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    People and culture

    Visual Materials

    The People and culture subseries comprises sheet music published between 1900 and 1962, and focuses on scores with images of, or are about, children, death and mourning, holidays, immigrants, marriage, men, organizations, people of color, politics, religion, and women. A portion of the scores are benign in nature; however, there is a heavy concentration of derogatory imagery and language showcased throughout a range of Coon songs, jazz, minstrel scores, plantation melodies, pop, and ragtime tunes. Following a similar pattern, other scores focus on the experiences of immigrants, women, and other marginalized groups of people. This includes people of African, Asian, Hispanic, Irish, Italian, and Middle Eastern descent, as well as people of Hawaiian, Fijian, Jewish, and Native American origin. A few examples include Happy Little Coons, by J.W. Ladd, Hasta Mañana Until Tomorrow, by Egbert Van Alstyne, I'm A Yiddish Cowboy (Tough Guy Levi) by Al Pantadosi and Halsey K. Mohr, Who'll Take Care of the Harem When the Sultan Goes To War? by William J. Lewis, Chong He Come From Hong Kong by Harold Weeks, Good-Bye Red-Man Good-Bye by Ted Snyder, and Honest Injun by Harry Von Tilzer. To note is Apache Chief Gernimo's Own Medicine Song by Carlos Troyer. The latter was representative of the Indianist movement during the late 19th century, which was part of a broader interest in Native American music. There are also scores dedicated to significant fraternal orders and nonprofit organizations, including the Pullman porters, the Grand Aerie Fraternal Order of Eagles, the Kiwanis Club of Atlanta, and the Ku Klux Klan.

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    People and culture: Organizations

    Visual Materials

    The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.

    priJLC_SMUS

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    People and culture: Immigrants

    Visual Materials

    The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.

    priJLC_SMUS

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    People and culture: Native Americans

    Visual Materials

    The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.

    priJLC_SMUS

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    People and culture: Men A-M by title

    Visual Materials

    The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.

    priJLC_SMUS

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    People and culture: Religion A-F by title

    Visual Materials

    The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.

    priJLC_SMUS