Visual Materials
French field hospital, locating bullet with X-ray machine
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Keystone View Company Tour of the World stereographs
Visual Materials
Approximately 500 stereograph photographs of various places and people around the world, published by Keystone View Company. The photographs have captions and date from the 1900s to 1920s. Also included is an accompanying index book: A trip around the world through the telebinocular, edited by Burton Holmes and published by Keystone View Company. Locations of the stereographs include: United States; South America; Asia; Russia; Europe; Philippines; Palestine; Egypt; and others.
photST Keystone
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Stereographs of 13th Amendment congressional signers
Visual Materials
Two stereographs on card mounts that are composite photographs produced by George May Powell of Powell & Co. featuring politicians who secured the passage of the 13th Amendment to the U.S. Constitution, which permanently abolished slavery. The stereograph featuring 159 individuals is composed of portraits of Vice President Hannibal Hamlin at the top, Speaker of the House Schuyler Colfax at the center, President Abraham Lincoln at the bottom, 38 Senators on the outer edges, and 117 Congressmen in the inner area. The second stereograph features portraits of only the 38 Senators with Abraham Lincoln's portrait in the middle. To construct these composite photographs, George Powell probably borrowed from Mathew Brady's library of photographic portraits, and Lincoln's face is likely cropped from a picture taken by Brady's cameraman, Anthony Berger, on February 9, 1864. This photograph was produced by George May Powell in various sizes, on different mounts, and later under different imprints. A separate key that identified each person was also produced and sold separately.
photPF 26050
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Stereographic photographs of the moon and two observatories
Manuscripts
A group of 12 stereoscopic photographs of the moon, and two stereoscopic photographs of observatories. The stereographs are on card mounts containing two images, which, when viewed through a stereoscope, produce a 3D image. The stereographs were produced by various photographers and publishers, including: "Anthony's Stereoscopic Views," made by E. & H. T. Anthony and Co.; John P. Soule; Joseph Ward; C. Bierstadt (from negatives taken by Prof. H. Draper); Bierstadt Bros. (from negatives by L. M. Rutherford. Taken 1864.); Joseph L. Bates; and H. C. Smith. There is an image of an observatory in Cambridge, Massachusetts, and another showing two men with telescopes outside an observatory in Northfield, Minnesota.
mssHM 84497
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Maritime -- various locations and vessels
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555
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Charles P. Steinmetz, electrical engineer, with machines
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555
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Modoc Indian War Lantern Slides
Visual Materials
This collection contains lantern slides with both photographs and illustrations of the 1873-1873 Modoc War, a conflict fought in the lava beds at Tule Lake on the California-Oregon border by a small band of Modoc Indians and the United States Army. The lantern slides include images of Indian scouts for the U.S. Army; U.S. Army soldiers and camps, Modoc leaders and prisoners of war, and the lava beds that served as the Modocs' stronghold. Notable images include portraits of Modoc leaders Captain Jack and Winema (Toby) Riddle, shaman Curly-headed Doctor, and Indian scout Donald McKy. Within the collection, 26 photographs can be attributed to Eadweard Muybridge, 13 to Louis Heller, and 2 to Putnam & Valentine. Additional images include a Warm Spring Indian camp; San Francisco Bulletin correspondent William McKay; Captain Jack's family; Modocs Scar-Faced Charley, and Boston Charley; the grave sites of Boston Charley, Black Jim, Schonchin John; Modoc women; illustrations of what is possibly the Modoc attack on the 1873 Peace Commission; illustrations of Indians; ruins of buildings; and a wounded U.S. soldier. Item titles in square brackets devised by cataloger. Other titles are transcribed from slide labels and some are supplied from the titles of the original stereographs by Muybridge and Heller. Within the collection, there are also some unidentified images that may have been part of a lantern slide presentation but not related to the war, including a still-life image of California poppies (Item 51) and an unidentified scene of buildings on a rocky outpost (Item 52).
photCL 515