Prudential Building, Los Angeles, CA

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  Maynard L. Parker negatives, photographs, and other material consists of 57,893 black-and-white negatives, color transparencies, black-and-white prints, and color prints; 39 presentation albums; and 17 boxes of office records, 1930-1974. Created primarily by Maynard Parker, the archive documents the residential and non-residential work of architects, interior designers, landscape architects, artists, builders, real estate developers, and clients associated with these fields, foremost among them the magazine House Beautiful. Also included in the collection are photographs taken by other individuals, such as architect Cliff May and Parker's assistant, Charles Yerkes.

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  Maynard L. Parker negatives, photographs, and other material consists of 57,893 black-and-white negatives, color transparencies, black-and-white prints, and color prints; 39 presentation albums; and 17 boxes of office records, 1930-1974. Created primarily by Maynard Parker, the archive documents the residential and non-residential work of architects, interior designers, landscape architects, artists, builders, real estate developers, and clients associated with these fields, foremost among them the magazine House Beautiful. Also included in the collection are photographs taken by other individuals, such as architect Cliff May and Parker's assistant, Charles Yerkes.

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  [Office building], Los Angeles, CA

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  Maynard L. Parker negatives, photographs, and other material consists of 57,893 black-and-white negatives, color transparencies, black-and-white prints, and color prints; 39 presentation albums; and 17 boxes of office records, 1930-1974. Created primarily by Maynard Parker, the archive documents the residential and non-residential work of architects, interior designers, landscape architects, artists, builders, real estate developers, and clients associated with these fields, foremost among them the magazine House Beautiful. Also included in the collection are photographs taken by other individuals, such as architect Cliff May and Parker's assistant, Charles Yerkes.

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  [Commercial buildings], Los Angeles, CA

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  Maynard L. Parker negatives, photographs, and other material consists of 57,893 black-and-white negatives, color transparencies, black-and-white prints, and color prints; 39 presentation albums; and 17 boxes of office records, 1930-1974. Created primarily by Maynard Parker, the archive documents the residential and non-residential work of architects, interior designers, landscape architects, artists, builders, real estate developers, and clients associated with these fields, foremost among them the magazine House Beautiful. Also included in the collection are photographs taken by other individuals, such as architect Cliff May and Parker's assistant, Charles Yerkes.

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  Maynard L. Parker negatives, photographs, and other material consists of 57,893 black-and-white negatives, color transparencies, black-and-white prints, and color prints; 39 presentation albums; and 17 boxes of office records, 1930-1974. Created primarily by Maynard Parker, the archive documents the residential and non-residential work of architects, interior designers, landscape architects, artists, builders, real estate developers, and clients associated with these fields, foremost among them the magazine House Beautiful. Also included in the collection are photographs taken by other individuals, such as architect Cliff May and Parker's assistant, Charles Yerkes.

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  Tidewater Oil Building, Los Angeles, CA

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  Maynard L. Parker negatives, photographs, and other material consists of 57,893 black-and-white negatives, color transparencies, black-and-white prints, and color prints; 39 presentation albums; and 17 boxes of office records, 1930-1974. Created primarily by Maynard Parker, the archive documents the residential and non-residential work of architects, interior designers, landscape architects, artists, builders, real estate developers, and clients associated with these fields, foremost among them the magazine House Beautiful. Also included in the collection are photographs taken by other individuals, such as architect Cliff May and Parker's assistant, Charles Yerkes.

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