Matted photographs (oversize boxes) | Collections | The Huntington

Matted photographs (oversize boxes) | Collections | The Huntington

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Huntington Mausoleum, San Marino, Ca
Visual Materials
A series of three ambrotypes made by photographer Barret Oliver (b. 1973) using the wet plate collodion process. The photographs were made in conjunction with the 2012 Huntington exhibition "A Strange and Fearful Interest: Death, Mourning, and Memory in the American Civil War." Title from photographer.
(photDAG 169-171)
Huntington Mausoleum, San Marino, Ca
Visual Materials
Three ambrotypes of the mausoleum of Henry E. Huntington and his wife, Arabella Huntington, on the grounds of the Huntington Library in San Marino, California, made by artist Barret Oliver in 2012 using the wet collodion process. The ambrotypes were created in conjunction with the 2012 Huntington Library exhibition, "A Strange and Fearful Interest: Death, Mourning, and Memory in the American Civil War."
photDAG 169-171
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Photographs (not matted)
Visual Materials
The Singleton Collection is organized into four discrete yet interrelated units. The first consists of 79 photographs by Mathew Brady (1823-1896) and Alexander Gardner (1821-1882) of scenes of the Civil War taken between 1861 and 1865. Included are group portraits of generals with their staffs, important wartime sites and activities, and photographs of paintings depicting various skirmishes. While the photographs were taken by Brady and Gardner during the war, the images were printed around 1885 by John Taylor and marketed by the firm of Taylor & Huntington. These photographer-entrepreneurs hoped to capitalize on twenty-fifth anniversary war reunions and commemorations by reissuing the once-familiar views. On the verso of each image is a partial list of the photographs sold by Taylor & Huntington for 75 cents a piece. The second grouping of photographs depicts two views of Abraham Lincoln and portraits of the Lincoln conspirators and their execution. These were also taken by Brady and Gardner during the war and, as with the first group, printed and issued around 1885 by Taylor & Huntington. Of particular rarity are the fourteen photographs of the Lincoln assassination conspirators including portraits of David Herold, George Atzerodt, Edward Spangler, two views of Lewis Payne, two views of Michael O'Laughlin, and an unidentified conspirator. Additionally, there is a complete set of three images depicting the execution of Mrs. Surratt and the conspirators taken by Alexander Gardner on July 7, 1865, as well as three of the five known images documenting the execution of Captain Wirz, the notorious Keeper of Andersonville Prison. Eighty-three cabinet portraits of Confederate Generals and other Southern leaders by George S. Cook (1819-1902) comprise the third section of the collection. Cook was a friend and former employee of Matthew Brady, and he provided E.& H.T. Anthony Co. with portraits from the South, including the first portrait of Colonel Robert Anderson. These portraits may come from sources other than Cook as he purchased competing photographers negatives, issuing them on his mounts. These portraits were taken in the 1860s but printed between 1880 and 1890 when Cook operated his Richmond, Virginia studio at 913 East Main Street. The last grouping of photographs contains 210 images by William H. Tipton (1850-1929), the self-described "Battlefield Photographer." The imperial-sized photographs depict the numerous monuments erected on the Gettysburg battlefield to honor the soldiers who fought and died in this decisive battle. The photographs date from the 1880s. The Singleton Collection constitutes of one of the most complete historic archives of the Gettysburg monuments.
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Matted portrait and performance photographs
Manuscripts
Contains loose matted photographs from plays and many portraits of actors and actresses, some in performance; most are from the Midsummer Drama Festival of 1937. Photographs by Jerry Eaton include: Nude with Pineapple (seven photos); Juarez and Maximilian (five photographs and one posterboard with cutouts); Night over Taos (four photos); Montezuma (two photos); and one photo of Morris Ankrum as Pablo Montoya in an unidentified play. Photographs by Peter Piper include: Mlle. Richert in Rose of the Rancho (one photo); Girl of the Golden West (two photos by Piper and two by unidentified photographers); a photo of Charlie Prickett and unidentified man, captioned Nose! Nose! Nose! (A Million Times Nose!) (1938); and Miracle of the Swallows (two photos). Photographs by C. K. Eaton include: Ethan Frome (five photos). Also includes several unidentified photographs and several depictions of set and costume design.
mssPlayhouse
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Oversize photographs
Visual Materials
Collection of photographs taken mainly between December 1890 and September 1891 by naturalist Theodore S. Palmer and fellow United States Department of Agriculture scientists, collecting flora and fauna in California. Areas covered include the Antelope, Owens, and San Joaquin valleys and Death Valley. The Death Valley photographs are by Palmer, San Francisco chronicle reporter William C. Burnett, and New York correspondent John R. Spears (the latter, on a second expedition in December 1891).
photCL 416
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[SEE OVERSIZE BOX 14] [Monument of Arnold's Battery]
Visual Materials
The Singleton Collection is organized into four discrete yet interrelated units. The first consists of 79 photographs by Mathew Brady (1823-1896) and Alexander Gardner (1821-1882) of scenes of the Civil War taken between 1861 and 1865. Included are group portraits of generals with their staffs, important wartime sites and activities, and photographs of paintings depicting various skirmishes. While the photographs were taken by Brady and Gardner during the war, the images were printed around 1885 by John Taylor and marketed by the firm of Taylor & Huntington. These photographer-entrepreneurs hoped to capitalize on twenty-fifth anniversary war reunions and commemorations by reissuing the once-familiar views. On the verso of each image is a partial list of the photographs sold by Taylor & Huntington for 75 cents a piece. The second grouping of photographs depicts two views of Abraham Lincoln and portraits of the Lincoln conspirators and their execution. These were also taken by Brady and Gardner during the war and, as with the first group, printed and issued around 1885 by Taylor & Huntington. Of particular rarity are the fourteen photographs of the Lincoln assassination conspirators including portraits of David Herold, George Atzerodt, Edward Spangler, two views of Lewis Payne, two views of Michael O'Laughlin, and an unidentified conspirator. Additionally, there is a complete set of three images depicting the execution of Mrs. Surratt and the conspirators taken by Alexander Gardner on July 7, 1865, as well as three of the five known images documenting the execution of Captain Wirz, the notorious Keeper of Andersonville Prison. Eighty-three cabinet portraits of Confederate Generals and other Southern leaders by George S. Cook (1819-1902) comprise the third section of the collection. Cook was a friend and former employee of Matthew Brady, and he provided E.& H.T. Anthony Co. with portraits from the South, including the first portrait of Colonel Robert Anderson. These portraits may come from sources other than Cook as he purchased competing photographers negatives, issuing them on his mounts. These portraits were taken in the 1860s but printed between 1880 and 1890 when Cook operated his Richmond, Virginia studio at 913 East Main Street. The last grouping of photographs contains 210 images by William H. Tipton (1850-1929), the self-described "Battlefield Photographer." The imperial-sized photographs depict the numerous monuments erected on the Gettysburg battlefield to honor the soldiers who fought and died in this decisive battle. The photographs date from the 1880s. The Singleton Collection constitutes of one of the most complete historic archives of the Gettysburg monuments.