Visual Materials
The Rolfe collection consists of 325 photographs (the majority of which are housed in two photograph albums), 574 negatives, one book, and ephemera, created and collected by Los Angeles civil engineer and local history enthusiast Frank Rolfe between 1899 and 1959 that depict locations throughout California and the Western United States. Many of these were locations where Rolfe worked on various surveys, including the Los Angeles aqueduct survey. The majority of the photographs appear to have been taken by Rolfe, but there are a few, in the photograph album in Box 2, credited to Charles J. Prudhomme. The collection begins with Rolfe's photographs of the initial Los Angeles aqueduct survey, the majority of which are housed in an album. These photographs depict Owens Valley and Black Rock Springs. The collection also contains a published work on the aqueduct. A second album contains photographs taken primarily by Rolfe; these are photographs of Los Angeles (central Los Angeles and neighborhoods where Rolfe and his wife lived); the San Gabriel Valley and other locations in Los Angeles County (Devil's Gate Dam, the San Gabriel Mountains, the St. Francis Dam and San Francisquito Canyon); San Bernardino County (the San Bernardino Mountains, Big Bear Lake); Riverside County (the Coachella Valley, Tahquitz Canyon, the Temescal Valley, Riverside, the San Jacinto Mountains); Kern County; and commercially produced images of Yosemite. Boxes 3 and 4 contain negatives depicting street scenes in central Los Angeles, including the wrecking of the Temple Block, the Amestoy Block, the Hall of Records, and Bunker Hill. Also included are views of the West Adams neighborhood; houses where Rolfe and his wife lived in the 1920s and 30s; the snowstorm of 1932; and the 1920 Inglewood earthquake. The collection also includes images of Hollywood and vicinity (including a number of photographs of the Mulholland Dam and images of Brentwood and Bel Air); Santa Monica (including the Santa Monica Mountains and Decker Canyon); Santa Catalina Island; north Los Angeles County (including the San Fernando and Santa Clarita valleys, the ruins of the Saint Francis Dam and San Francisquito Canyon, and the "golden spike" celebration at Lang); the San Gabriel Valley (including many views of the San Gabriel Mountains); Orange County (including Modjeska's home, Santiago Canyon, San Juan Capistrano, the Puente hills, and Santa Ana Canyon); San Diego County; San Bernardino County (including a number of photographs of mining camps, including Ivanpah and Camp Roach; construction of the Ludlow and Southern Railway; and mining operations, such as the Bagdad Chase Mine and the Bagdad Mining and Milling Company); Riverside County (including the Temescal Tin Mine, Temescal and the Temescal Valley, Hog Lake, the San Jacinto River, Mount San Jacinto, and Idyllwild); Ventura County; Kern County (images of the Kern River); Inyo County; Yosemite; northern California (including Stanford University and Susie Lake); Nevada (Truckee River dam projects); Oregon; Washington; Utah; Glacier Park, Montana; people (Rolfe, his family and friends); and miscellaneous photographs (a number of desert views, mostly Southern California). The collection also contains commercial photographs of the Rolfe family, many in carte-de-visite format. These were produced by California photographers Bradley and Rulofson, Ellis and Son, Frank G. Schumacher, George Steckel, Carleton Watkins, Michael A. Wesner, and James D. Westervelt, as well as A.J. Beals and Sutterly and Company (Nevada), A.F. Burnham (Faribault, Minnesota), E. Balch (New York City), Charles C. Hartwell (Maine), and Hart's Arcade Photographic Gallery (Watertown, NY). The ephemerial materials consist of a letter written in 1862 from Sutter Creek by Rolfe's father Ovid to his brother Alfred in Dorchester, Massachusetts; biographical sketches of members of the Rolfe family; clippings compiled by Rolfe; Rolfe's high school and college diplomas; card files on Rolfe family history, covered wagons in Los Angeles, and Temescal history; and negative books. Some photographs exist in duplicate. The majority of the negatives are unprinted. Some negatives have deteriorated or are damaged. Original negatives exist for 15 of the photographs in the second album; 2 copy negatives exist of photographs in the first album.
