Visual Materials
Detail of porch 239 S. Bunker Hill Avenue, showing "basket weave" railing
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Detail of old house at 315 S. Bunker Hill Avenue, 1957
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Built by William and Anna Foss in the mid to late 1880s. Noted mystic Max Heindel became a lodger at the Foss house and marries Augusta Foss in 1910, and thereafter 315 becomes commonly known as the Foss-Heindel house.
Book 1, pg. 54 / Neg.?
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256 S. Bunker Hill Avenue
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The Arthur Nugent McBurney home, 1887.
Neg. 13406
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From Apartment building on S. Olive Avenue showing, at right, original Hill on 1st Street
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Looking down Olive to the intersection at Second, shot from the Cumberland Hotel. At corner, the backside of the Claridge Hotel. The Mansard roof structure at Second and Olive is the Hotel Argyle (architect: Robert Brown Young, 1887). See also Photobook Volume 3, pages 38 and 39.
Book 1, pg. 58 / Neg. 7903
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107 S. Bunker Hill Avenue
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This collection contains approximately 9,000 negatives (2 1/4 x 2 1/4 inches), 7 binders of contact prints of a large portion of the negatives, and 3 photobooks (11 x 14 inches). The photographs were taken by Theodore Hall, an avid amateur photographer and resident of Bunker Hill, Los Angeles from 1938 to 1963. Photographs depict the historic structures and streets of the neighborhood before and during the urban renewal of the 1950s, when buildings were razed and much of the hill was lopped off and graded. Hall photographed houses, storefronts, signs, architectural details, cars, and often the residents: shopkeepers, newsstand vendors, local children, and people on their front porches. A diverse population including African American, Asian American, Latin American, and white residents are pictured in everyday activities in the neighborhood. Grand Central Market, the downtown food and grocery emporium, is featured extensively in detailed images of vendors, customers, neon signs, and food stalls. Also seen on Bunker Hill are hotels and apartment buildings, the Angels Flight funicular railway, Victorian mansions turned into rooming houses, liquor stores, and construction crews grading land and pouring cement. Many historic buildings are seen in disrepair, and some are pictured in the midst of being torn down. Other Los Angeles sites depicted are: Union Station, City Hall, Olvera Street and the Plaza, churches, freeways, and automotive tunnels. The contact print binders also contain Hall's photographs of friends, social gatherings, camera club members, practice portrait sessions, annual visits to family in the San Francisco Bay Area, and a few day trips in Southern California. Some of the Los Angeles architects whose buildings are represented are: John C. W. Austin, Austin and Brown, Welton Becket, Dodd and Richards, Frederick R. Dorn, Edelman & Barnett, Theodore A. Eisen, Charles O. Ellis, Arthur L. Haley, Marsh and Russell, T. J. McCarthy, William H. Mohr, Joseph C. Newsom, John Parkinson, John Cotter Pelton Jr., James M. Shields, Lewis A. Smith, Train and Williams, George Herbert Wyman, and Robert Brown Young.
Book 3, pg. 23 / Neg. 10037
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Alta Vista Apartments, 3rd and S. Bunker Hill Avenue
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255 South Bunker Hill Avenue (architect: James M. Shields, 1902). The large front porches were a 1914 addition.
Book 3, pg. 6 / Neg. 9945
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325 Bunker Hill Avenue
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"The Castle," built in 1887 by developer Reuben M. Baker.
Neg. 13385