Visual Materials
Matted photographs removed from album
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Matted photographs from album
Visual Materials
Image numbers: 45-46 (double-sided board with two photographs); 50, 51.
photCL 306
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Matted photographs from album
Visual Materials
13. Wheatfield in which General Reynolds was shot, Gettysburg, July 1863. Photographer: Attributed to Egbert Guy Fowx, for Mathew B. Brady studio. 15. View of Mathew B. Brady at the Gettysburg battlefield, July 1863. Photographer: Attributed to Egbert Guy Fowx, for Mathew B. Brady studio. 51.Battle-Field of Gettysburg. View on the Field after Fight of First Day, July 4, 1863. Photographer: Timothy H. O'Sullivan
photCL 307
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Photograph album (disbound)
Visual Materials
A collection of 97 photographs, chiefly of Civil War veterans, monuments, and other views at Gettysburg National Memorial Park, taken approximately 1890 to 1910. The photographs were compiled into an album (now disbound) by John P. Nicholson, Civil War veteran and collector. There are a few wartime photographs dating to the 1860s, but the majority were taken in the years after the Gettysburg battlefield was designated a national park in 1893. The albumen photographs are various sizes and are mounted on boards. Many depict veterans gathered in groups at Gettysburg, sometimes in front of a monument for a specific army division. Women and children appear in some images, posing with monuments, and there are portraits of individuals in uniforms, mostly unidentified. Other subjects are: landscape views of former battlefields (with annotations identifying landmarks), graves, gun carriages outside a barn, cannons, visitors in horse and buggy, and the Old Soldiers Home (Washington, D.C.?). Six small images on page 47 date to much earlier; there are two wartime images of Ulysses S. Grant and officers seated outside a tent; a group of soldiers standing by cabins; and single images of three of Grant's horses, "Jeff. Davis, Cincinnati, and Egypt," at City Point, Virginia, 1865. Some images are by William Tipton and one is credited to F. Gutekunst. The album is disbound, and two photographs have been matted and housed in Box 2.
photCL 308
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Photograph album of veterans reunions and monuments at Gettysburg, with some Civil War images
Visual Materials
A collection of 97 photographs, chiefly of Civil War veterans, monuments, and other views at Gettysburg National Memorial Park, taken approximately 1890 to 1910. The photographs were compiled into an album (now disbound) by John P. Nicholson, Civil War veteran and collector. There are a few wartime photographs dating to the 1860s, but the majority were taken in the years after the Gettysburg battlefield was designated a national park in 1893. The albumen photographs are various sizes and are mounted on boards. Many depict veterans gathered in groups at Gettysburg, sometimes in front of a monument for a specific army division. Women and children appear in some images, posing with monuments, and there are portraits of individuals in uniforms, mostly unidentified. Other subjects are: landscape views of former battlefields (with annotations identifying landmarks), graves, gun carriages outside a barn, cannons, visitors in horse and buggy, and the Old Soldiers Home (Washington, D.C.). Six small images on page 47 date to much earlier; there are two wartime images of Ulysses S. Grant and officers seated outside a tent; a group of soldiers standing by cabins; and single images of three of Grant's horses, "Jeff. Davis, Cincinnati, and Egypt," at City Point, Virginia, 1865. Some images are by William Tipton and one is credited to F. Gutekunst. The album is disbound, and two photographs have been matted and housed in Box 2.
photCL 308
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Photographs (not matted)
Visual Materials
The Singleton Collection is organized into four discrete yet interrelated units. The first consists of 79 photographs by Mathew Brady (1823-1896) and Alexander Gardner (1821-1882) of scenes of the Civil War taken between 1861 and 1865. Included are group portraits of generals with their staffs, important wartime sites and activities, and photographs of paintings depicting various skirmishes. While the photographs were taken by Brady and Gardner during the war, the images were printed around 1885 by John Taylor and marketed by the firm of Taylor & Huntington. These photographer-entrepreneurs hoped to capitalize on twenty-fifth anniversary war reunions and commemorations by reissuing the once-familiar views. On the verso of each image is a partial list of the photographs sold by Taylor & Huntington for 75 cents a piece. The second grouping of photographs depicts two views of Abraham Lincoln and portraits of the Lincoln conspirators and their execution. These were also taken by Brady and Gardner during the war and, as with the first group, printed and issued around 1885 by Taylor & Huntington. Of particular rarity are the fourteen photographs of the Lincoln assassination conspirators including portraits of David Herold, George Atzerodt, Edward Spangler, two views of Lewis Payne, two views of Michael O'Laughlin, and an unidentified conspirator. Additionally, there is a complete set of three images depicting the execution of Mrs. Surratt and the conspirators taken by Alexander Gardner on July 7, 1865, as well as three of the five known images documenting the execution of Captain Wirz, the notorious Keeper of Andersonville Prison. Eighty-three cabinet portraits of Confederate Generals and other Southern leaders by George S. Cook (1819-1902) comprise the third section of the collection. Cook was a friend and former employee of Matthew Brady, and he provided E.& H.T. Anthony Co. with portraits from the South, including the first portrait of Colonel Robert Anderson. These portraits may come from sources other than Cook as he purchased competing photographers negatives, issuing them on his mounts. These portraits were taken in the 1860s but printed between 1880 and 1890 when Cook operated his Richmond, Virginia studio at 913 East Main Street. The last grouping of photographs contains 210 images by William H. Tipton (1850-1929), the self-described "Battlefield Photographer." The imperial-sized photographs depict the numerous monuments erected on the Gettysburg battlefield to honor the soldiers who fought and died in this decisive battle. The photographs date from the 1880s. The Singleton Collection constitutes of one of the most complete historic archives of the Gettysburg monuments.
photCL 445
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Matted portrait and performance photographs
Manuscripts
Contains loose matted photographs from plays and many portraits of actors and actresses, some in performance; most are from the Midsummer Drama Festival of 1937. Photographs by Jerry Eaton include: Nude with Pineapple (seven photos); Juarez and Maximilian (five photographs and one posterboard with cutouts); Night over Taos (four photos); Montezuma (two photos); and one photo of Morris Ankrum as Pablo Montoya in an unidentified play. Photographs by Peter Piper include: Mlle. Richert in Rose of the Rancho (one photo); Girl of the Golden West (two photos by Piper and two by unidentified photographers); a photo of Charlie Prickett and unidentified man, captioned Nose! Nose! Nose! (A Million Times Nose!) (1938); and Miracle of the Swallows (two photos). Photographs by C. K. Eaton include: Ethan Frome (five photos). Also includes several unidentified photographs and several depictions of set and costume design.
mssPlayhouse