Visual Materials
James E. Taylor Collection : Scrapbook One
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James E. Taylor Collection : Scrapbook Three
Visual Materials
The third scrapbook contains around 410 images spread over 60 pages. Taylor used this scrapbook to catalog images and other material relating to the Union and Confederate Navies. This volume holds many steel engraving and woodblock prints of naval officers. Print material in this scrapbook also lists many of the sailors killed at sea and includes an exhaustive descriptive list of Union vessels. The most frequently covered event in this scrapbook is the Battle of Hampton Roads.
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James E. Taylor Collection : Scrapbook Two
Visual Materials
The second scrapbook spans 78 pages and contains nearly 380 images. Taylor dedicated the second scrapbook primarily to Union Generals, officers, and their staffs. The most frequently reoccurring image in this volume is that of General Philip Sheridan, who Taylor followed for some time as a special artist for Leslie's Illustrated Magazine. There exists no particular order in which the officers are presented, but Taylor tends to use about a page or two for each. Notably, this scrapbook also contains a set of views of Confederate soldiers drilling and at rest near Pensacola, Florida, by photographer J. D. Edwards. At the end of the volume is a folder containing several loose pencil and pen-and-ink sketches by Taylor (eph. 1-10). A couple of the sketches appear to be in a finished state, while others are possibly preparatory sketches.
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James E. Taylor Collection
Visual Materials
This collection consists of 3 disbound scrapbooks of American Civil War photographs, clippings, and original artwork compiled by illustrator James E. Taylor. The combined 246 pages of the three 15 x 12-inch scrapbooks hold over 1,530 items including images (often uncredited) from noted Civil War photographers such as Mathew Brady, Alexander Gardner, Timothy O'Sullivan, George N. Barnard, Andrew J. Russell, J. D. Edwards, and others. Some of the photographic prints are possibly one of a kind. The scrapbooks focus on the Eastern Theater of the war, primarily depicting locations and events in Virginia, Maryland, and Pennsylvania. Included in the scrapbooks are views of battlefields, street views of towns, buildings and ruins, military camps, field hospitals, portraits of Civil War generals and soldiers, and images of casualties and battle scenes. Along with photographs, Taylor included handwritten annotations as well as supplementary ephemera material and clippings from newspapers and magazines. Taylor compiled each page deliberately, and the photographs assembled on a page tend to relate to one another, specifically or loosely, though the pages themselves do not follow a strict chronological, geographical, or thematic progression. In some cases, Taylor grouped the images in terms of specific events, but also in categories like military prisons or feats of military engineering. Additionally, there are several loose pencil and pen-and-ink sketches by Taylor located at the end of volume 2. A couple of the sketches appear to be in a finished state, while others are possibly preparatory sketches. While most of the images are contemporary to the Civil War, the scrapbooks are undated. Annotations and clippings suggest that Taylor began collecting materials after the Civil War, but primarily compiled and annotated the scrapbooks in the early 1880s, with additions being made through the end of the 19th century.
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Scrapbooks
Visual Materials
Collection of 3 disbound scrapbooks of Civil War photographs, clippings, and some original artwork compiled by illustrator and Civil War correspondent James E. Taylor, presumably in the mid 1880s. The scrapbooks contain over 1,530 items including images from noted Civil War photographers Mathew Brady, Alexander Gardner, Timothy O'Sullivan, George N. Barnard, Andrew J. Russell, J. D. Edwards, and others, as well as handwritten annotations by Taylor and supplementary ephemera and clippings from contemporary newspapers and magazines. Some of the photographic prints are possibly one of a kind. The scrapbooks focus on the Eastern Theater of the war, primarily depicting locations and events in Virginia, Maryland, and Pennsylvania. Included in the scrapbooks are views of battlefields, street views of towns, buildings and ruins, military camps, field hospitals, portraits of Civil War generals and soldiers, and images of casualties and battle scenes. There are several loose pencil and pen-and-ink sketches by Taylor located at the end of volume 2.
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David E. Herold, one of the Lincoln Assassination Conspirators
Visual Materials
The Singleton Collection is organized into four discrete yet interrelated units. The first consists of 79 photographs by Mathew Brady (1823-1896) and Alexander Gardner (1821-1882) of scenes of the Civil War taken between 1861 and 1865. Included are group portraits of generals with their staffs, important wartime sites and activities, and photographs of paintings depicting various skirmishes. While the photographs were taken by Brady and Gardner during the war, the images were printed around 1885 by John Taylor and marketed by the firm of Taylor & Huntington. These photographer-entrepreneurs hoped to capitalize on twenty-fifth anniversary war reunions and commemorations by reissuing the once-familiar views. On the verso of each image is a partial list of the photographs sold by Taylor & Huntington for 75 cents a piece. The second grouping of photographs depicts two views of Abraham Lincoln and portraits of the Lincoln conspirators and their execution. These were also taken by Brady and Gardner during the war and, as with the first group, printed and issued around 1885 by Taylor & Huntington. Of particular rarity are the fourteen photographs of the Lincoln assassination conspirators including portraits of David Herold, George Atzerodt, Edward Spangler, two views of Lewis Payne, two views of Michael O'Laughlin, and an unidentified conspirator. Additionally, there is a complete set of three images depicting the execution of Mrs. Surratt and the conspirators taken by Alexander Gardner on July 7, 1865, as well as three of the five known images documenting the execution of Captain Wirz, the notorious Keeper of Andersonville Prison. Eighty-three cabinet portraits of Confederate Generals and other Southern leaders by George S. Cook (1819-1902) comprise the third section of the collection. Cook was a friend and former employee of Matthew Brady, and he provided E.& H.T. Anthony Co. with portraits from the South, including the first portrait of Colonel Robert Anderson. These portraits may come from sources other than Cook as he purchased competing photographers negatives, issuing them on his mounts. These portraits were taken in the 1860s but printed between 1880 and 1890 when Cook operated his Richmond, Virginia studio at 913 East Main Street. The last grouping of photographs contains 210 images by William H. Tipton (1850-1929), the self-described "Battlefield Photographer." The imperial-sized photographs depict the numerous monuments erected on the Gettysburg battlefield to honor the soldiers who fought and died in this decisive battle. The photographs date from the 1880s. The Singleton Collection constitutes of one of the most complete historic archives of the Gettysburg monuments.
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Caperton, Allen Taylor, 1810-1876
Visual Materials
The Singleton Collection is organized into four discrete yet interrelated units. The first consists of 79 photographs by Mathew Brady (1823-1896) and Alexander Gardner (1821-1882) of scenes of the Civil War taken between 1861 and 1865. Included are group portraits of generals with their staffs, important wartime sites and activities, and photographs of paintings depicting various skirmishes. While the photographs were taken by Brady and Gardner during the war, the images were printed around 1885 by John Taylor and marketed by the firm of Taylor & Huntington. These photographer-entrepreneurs hoped to capitalize on twenty-fifth anniversary war reunions and commemorations by reissuing the once-familiar views. On the verso of each image is a partial list of the photographs sold by Taylor & Huntington for 75 cents a piece. The second grouping of photographs depicts two views of Abraham Lincoln and portraits of the Lincoln conspirators and their execution. These were also taken by Brady and Gardner during the war and, as with the first group, printed and issued around 1885 by Taylor & Huntington. Of particular rarity are the fourteen photographs of the Lincoln assassination conspirators including portraits of David Herold, George Atzerodt, Edward Spangler, two views of Lewis Payne, two views of Michael O'Laughlin, and an unidentified conspirator. Additionally, there is a complete set of three images depicting the execution of Mrs. Surratt and the conspirators taken by Alexander Gardner on July 7, 1865, as well as three of the five known images documenting the execution of Captain Wirz, the notorious Keeper of Andersonville Prison. Eighty-three cabinet portraits of Confederate Generals and other Southern leaders by George S. Cook (1819-1902) comprise the third section of the collection. Cook was a friend and former employee of Matthew Brady, and he provided E.& H.T. Anthony Co. with portraits from the South, including the first portrait of Colonel Robert Anderson. These portraits may come from sources other than Cook as he purchased competing photographers negatives, issuing them on his mounts. These portraits were taken in the 1860s but printed between 1880 and 1890 when Cook operated his Richmond, Virginia studio at 913 East Main Street. The last grouping of photographs contains 210 images by William H. Tipton (1850-1929), the self-described "Battlefield Photographer." The imperial-sized photographs depict the numerous monuments erected on the Gettysburg battlefield to honor the soldiers who fought and died in this decisive battle. The photographs date from the 1880s. The Singleton Collection constitutes of one of the most complete historic archives of the Gettysburg monuments.
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