Visual Materials
James E. Taylor Collection : Scrapbook Three
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James E. Taylor Collection : Scrapbook Two
Visual Materials
The second scrapbook spans 78 pages and contains nearly 380 images. Taylor dedicated the second scrapbook primarily to Union Generals, officers, and their staffs. The most frequently reoccurring image in this volume is that of General Philip Sheridan, who Taylor followed for some time as a special artist for Leslie's Illustrated Magazine. There exists no particular order in which the officers are presented, but Taylor tends to use about a page or two for each. Notably, this scrapbook also contains a set of views of Confederate soldiers drilling and at rest near Pensacola, Florida, by photographer J. D. Edwards. At the end of the volume is a folder containing several loose pencil and pen-and-ink sketches by Taylor (eph. 1-10). A couple of the sketches appear to be in a finished state, while others are possibly preparatory sketches.
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James E. Taylor Collection : Scrapbook One
Visual Materials
The first scrapbook of the Taylor collection is the largest of the three with 108 pages and some 730 images. This scrapbook also has the most diverse group of images, with no specific unifying theme running throughout. However, in general, the first scrapbook focuses on battlefield sites, carnage and destruction of war, and the notable military personnel. Taylor dedicated many pages to battles at Antietam and Gettysburg. The pages for both battles contain many images of dead soldiers by Alexander Gardner, James Gibson, Timothy O'Sullivan, and others, as well as portraits of the Generals and their staffs, and views of the land and buildings of the battlefield. Another important series in the first scrapbook are images and text related to the assassination of Abraham Lincoln and the execution of the conspirators. These pages contain five of Alexander Gardner's ten image series depicting the execution of the Lincoln conspirators in Washington, DC, on July 7, 1865.
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James E. Taylor Collection
Visual Materials
This collection consists of 3 disbound scrapbooks of American Civil War photographs, clippings, and original artwork compiled by illustrator James E. Taylor. The combined 246 pages of the three 15 x 12-inch scrapbooks hold over 1,530 items including images (often uncredited) from noted Civil War photographers such as Mathew Brady, Alexander Gardner, Timothy O'Sullivan, George N. Barnard, Andrew J. Russell, J. D. Edwards, and others. Some of the photographic prints are possibly one of a kind. The scrapbooks focus on the Eastern Theater of the war, primarily depicting locations and events in Virginia, Maryland, and Pennsylvania. Included in the scrapbooks are views of battlefields, street views of towns, buildings and ruins, military camps, field hospitals, portraits of Civil War generals and soldiers, and images of casualties and battle scenes. Along with photographs, Taylor included handwritten annotations as well as supplementary ephemera material and clippings from newspapers and magazines. Taylor compiled each page deliberately, and the photographs assembled on a page tend to relate to one another, specifically or loosely, though the pages themselves do not follow a strict chronological, geographical, or thematic progression. In some cases, Taylor grouped the images in terms of specific events, but also in categories like military prisons or feats of military engineering. Additionally, there are several loose pencil and pen-and-ink sketches by Taylor located at the end of volume 2. A couple of the sketches appear to be in a finished state, while others are possibly preparatory sketches. While most of the images are contemporary to the Civil War, the scrapbooks are undated. Annotations and clippings suggest that Taylor began collecting materials after the Civil War, but primarily compiled and annotated the scrapbooks in the early 1880s, with additions being made through the end of the 19th century.
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Scrapbooks
Visual Materials
Collection of 3 disbound scrapbooks of Civil War photographs, clippings, and some original artwork compiled by illustrator and Civil War correspondent James E. Taylor, presumably in the mid 1880s. The scrapbooks contain over 1,530 items including images from noted Civil War photographers Mathew Brady, Alexander Gardner, Timothy O'Sullivan, George N. Barnard, Andrew J. Russell, J. D. Edwards, and others, as well as handwritten annotations by Taylor and supplementary ephemera and clippings from contemporary newspapers and magazines. Some of the photographic prints are possibly one of a kind. The scrapbooks focus on the Eastern Theater of the war, primarily depicting locations and events in Virginia, Maryland, and Pennsylvania. Included in the scrapbooks are views of battlefields, street views of towns, buildings and ruins, military camps, field hospitals, portraits of Civil War generals and soldiers, and images of casualties and battle scenes. There are several loose pencil and pen-and-ink sketches by Taylor located at the end of volume 2.
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Mildred E. Baker Travel Scrapbook Collection
Visual Materials
This collection contains thirteen scrapbooks chiefly containing narratives, snapshots, and clippings documenting summer canyoneering, camping, and tourism trips to the American Southwest, the Colorado River, the Canadian Rockies, and Wyoming by Mildred E. Baker in the 1930s and early 1940s, as well as volumes related to Baker's activities and interest in bookbinding, poetry, and the Woodcraft League of America in Upstate New York with bookbinder John F. Grabau in the late 1920s and early 1930s. Most of these volumes reflect the participation of two Baker's friends from Buffalo: Florence A. Huck and Katherine Crisp, who frequently traveled with Baker and were also involved in bookbinding activities. Baker's scrapbooks follow a general pattern: they include typescript narratives describing her trips illustrated with her own snapshots and handwritten captions, as well as clippings from magazines and newspapers, occasional bits of poetry, and printed ephemera. Most of the travel volumes include lists of identified flowers, shrubs, trees, ferns, and birds seen on the trip, reflecting Baker's interests in botany and ornithology. Many of the volumes also have additional printed items laid in, with some dating through the early 1970s. All of the volumes are bound in decorative bindings stamped "Grabau," and most have marbled paper over the pasteboards. Volumes 1-2 and 4-5 reflect Baker's experiences chiefly at Sunset Hill, the summer home and artist's retreat of bookbinder John F. Grabau, near Buffalo, New York, presumably as part of the "Ojenta tribe" of the Woodcraft League of America. These volumes include poetry and photographs of the landscape, camping and other outdoor outings and group events, and bookbinding, including images of binding specimens by both Grabau and Baker. Many of the volumes document Baker's trips to the American Southwest, including her experience as one of the first women to raft the full-length of the Colorado River as part of the 1940 "Nevills Expedition" led by Norman D. Nevills. Her scrapbook of this trip (volume 11) includes photographs of Nevills and his wife, Doris Nevills, and fellow participants including mining engineer John S. Southworth of Glendale, California, botanist Hugh C. Cutler of the Missouri Botanical Gardens, and future Arizona Senator Barry Goldwater. Regular themes among the photographs include depictions of the natural landscape including rock formations, mountains, rivers, and lakes; Native Americans; trading posts; cliff dwellings; petroglyphs; lodgings; and means of transportation including by train, automobile, airplane, horse, and burro. The volumes consist of: Volume 1: [Sunset Hill "Christmas" scrapbook album]. 1927-1928 Locations referenced: Sunset Hill estate, Upstate New York Volume 2: Sunset Hill and Algonquin Park "birthday" scrapbook album]. 1927-1933 Locations referenced: Sunset Hill estate, Upstate New York, and Algonquin Park, Ontario, Canada Volume 3: Navajo Mountain, 1931 Locations referenced: Arizona, Utah, and New Mexico Volume 4: Anthology of Sunset Hill (Its Trails and Poets' Glen). 1934-approximately 1938 Locations referenced: Upstate New York Volume 5: Some poems of Sunset Hill by Mildred E. Baker, Wm. P. Alexander and others. Christmas 1936 Locations referenced: Upstate New York Volume 6: Memorable Days on Teton Trails. 1934 Locations referenced: Grand Teton National Park, Wyoming Volume 7: A Glimpse of the Old West. August 16th-September 2nd, 1935 Locations referenced: New Mexico Volume 8: Wilderness Wanderings in Jasper and Mt. Robson Parks. July 3rd to 23rd 1936 Locations referenced: Alberta, Canadian Rockies Volume 9: Trail Riding in the Canadian Rockies. July 23 to Aug. 8, 1937 Locations referenced: Alberta, Canadian Rockies Volume 10: Peace of Rainbow and Canyon. July 2nd to 25th, 1938 Locations referenced: Arizona, Utah Volume 11: Rough Water. Down the Green and Colorado Rivers from Green River, Wyoming, to Boulder Dam, Nevada. June 20th-August 22nd, 1940 Locations referenced: Wyoming, Utah, Nevada Volume 12: [Scrapbook of newspaper clippings related to the Nevills expedition]. 1940-1941 Locations referenced: Wyoming, Utah, Nevada Volume 13: Turquoise Skies and Copper Canyon. 1942 Locations referenced: Arizona, Utah
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Fannie Taylor scrapbook
Manuscripts
Scrapbook kept created by Fannie Taylor of Saint Louis, Missouri, in the 1850s. The newspaper clippings, illustrations, poetry, and other printed material glued into book, appear to be glued onto a business account book possibly belonging to John Foster, also of Saint Louis. There are other names written in the volume.
mssHM 84296