Manuscripts
M. P. [or] The Blue Stocking
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M. P.; [or,] The Blue Stocking. Opera, 3 acts. Thomas Moore
Manuscripts
The collection consists of official copies of plays submitted for licensing between 1737 and 1824. Most of copies were written by professional copyists. Approximately 95 of the plays submitted were printed texts, either whole or partial. These have been cataloged individually and may be searched in the online catalog.
LA 1688
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Porter, Jane, 1776-1850. 1 letter (1823, July 12) to Sir Robert Ker Porter, 1777-1842, A.L.S. (4 p.); 41 cm., Long Ditton (Surrey, England)
Manuscripts
Note: the bulk of this letter is made up of the correspondence between Sir Gore and Mirza, a Persian official, which Jane has copied out for her brother to read.
POR 2064
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W.P. (William P.) Reynolds letters to Edward J. Reynolds
Manuscripts
W.P. Reynolds advises Edward Reynolds to stay in Boston to continue his studies, but Edward is welcome to join him in Mexico later in the year. W.P., who appears to be Edward's elder brother, also offers advice on other topics (i.e. "Urbanity and politeness are weapons in the hands of a man of tact"). HM 4210 is dated July 3, and HM 4211 is dated August 4. Both letters were written in San Francisco, California, and both are addressed "Dear Eddie."
mssHM 4210-4211
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The blue hammer : a Lew Archer novel
Rare Books
"The theft of a valuable painting. The long-ago disappearance of a famous artist. A murder as deceptive as magicians' illusion. A horrendous--but not buried--explosion of family hatred. These are the nerve centres of Ross Macdonald's new Lew Archer novel, the richest we have had from the author of 'the best detective novels ever written by an American' (New York Times)--a fusion of unfaltering suspense with dramatic revelation of the way lives are shaped and misshaped in the flow of time, in the hidden and dangerous emotional currents beneath the surface of family history. The time is now; the place, Southern California. The stolen canvas that Archer has been hired to retrieve is reputed to be the work of the celebrated Richard Chantry, who vanished in 1950 from his home in Santa Teresa. It is the portrait of an unknown woman--and on its trail Archer moves with edgy competence among the intrigues of dealers and collectors. Until suddenly he is drawn into a web of family complications and masked brutalities stretching back fifty years through a world where money talks or buys silence, where social prominence is a murderous weapon, where behind the plausible façades of homes not quite broken but badly bent, a heritage of lies and evasions pushes troubled men and woman deeper into trouble. And as he pursues the Chantry portrait--and the larger mystery of Richard Chantry--Archer himself is shaken as never before: Archer himself is shaken as never before: Archer, the solitary traveller, the loner who has through the years deliberately addressed himself to the deciphering of other people's lives, is thrust into an inescapable encounter with a woman who will complicate his own..."--Page [1].
636046
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Ben E. (Benjamin Erastus) Rich letter to Sarah D. Pea
Manuscripts
Letter from Benjamin Rich to his mother Sarah Pea, written from Ogden City, Utah. Rich writes that he likes Ogden "better and better every day" and that Brother Watson's family has been very kind to him. He also assures his mother that he has not had anything "stronger than coffee" to drink and that he has been staying out of trouble. Written on Zion's Co-operative Mercantile Institution letterhead.
mssHM 72834
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William P. Reynolds letter to Edward J. Reynolds
Manuscripts
In this letter to his brother, W.P. Reynolds writes of his experiences driving cattle between San Francisco and Los Angeles. He says "the cattle market has never in my experience been so depressed in California as this year." He also comments on an "instrument" that Edward has apparently invented, and advises him to apply for a patent. He also writes of relatives and mutual acquaintances.
mssHM 4221