Map of Los Angeles vicinity showing Los Angeles Pacific Railway, Los Angles Interurban Ry, Los Angeles Railway, Los Angeles and Redondo Ry.; S.P.R.R., A.T. & S.F

You might also be interested in

• 

  Map of Los Angeles vicinity showing Los Angeles Pacific Railway, Los Angles Interurban Ry, Los Angeles Railway, Los Angeles and Redondo Ry.; S.P.R.R., A.T. & S.F. [and 6 additional lines and proposed franchise routes]

  Rare Books

  Shows rail lines of the railways with service in the Los Angeles to Redondo area, including Southern Pacific Railway and the Atchison Topeka & Santa Fe. Shows Hill St. Tunnel, Temple St. Line, Fourth St. Tunnel, Sixth St. Line, Bimini Baths line and Pico St. Line as well as proposed franchise lines in red. This appears to be a later state of a map without the additional lines and proposed franchises. Covers the city of Los Angeles with Hollywood and the Santa Monica Mountains to the north; Santa Monica and the coast, including Playa del Rey, Manhattan, Hermosa and Redondo and Gardena to the southeast. Main Street, Los Angeles, serves as the eastern border of the map. Scale not given. Coordinates not present on map, approximated from Google maps. Relief given in hachures. Produced in the period 1903 to 1910 when all of the railways listed were in operation. Provenance unknown, in library as of 2017. Appears to have come from the office of one of Henry E. Huntington's railway companies.

  646650

• Image not available

  Photographs of Los Angeles and Vicinity by W.H. Fletcher

  Visual Materials

  This collection of William H. Fletcher commercial card photographs focus mainly on Los Angeles, California, during a period of industrial expansion and population growth in the late 1800s. The images depict various views around Los Angeles, which include Los Angeles Street and some of its intersections, the Main and Spring Streets junction, Old Chinatown, the College of Medicine at University of Southern California (in its second incarnation on Buena Vista Street, now North Broadway), Llewellyn Iron Works, Elysian Park, the Hollenbeck Home for retirees, and what may be William H. Fletcher's residence (see item 6). Also included are photographs of Colorado Boulevard, Fair Oaks Avenue, and Devil's Gate in Pasadena; the Los Angeles River; the Hotel Arcadia in Santa Monica; the Point Fermin Lighthouse in San Pedro; Ventura; Redondo Beach; and the California missions San Luis Rey, San Juan Capistrano, and San Fernando Rey.

  photCL 435

• Image not available

  Los Angeles – Streetcars and Cable Railway

  Visual Materials

  This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.

  photCL 555

• Image not available

  Los Angeles – Pacific Electric Railway

  Visual Materials

  This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.

  photCL 555

• Image not available

  George W. Hazard negatives of Los Angeles and vicinity

  Visual Materials

  This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.

  photCL 555

• Image not available

  Views of Los Angeles and vicinity

  Visual Materials

  This is a group of stereographs by unnamed or unidentified photographers. Includes views of: corner of Fort & 2nd Streets, Los Angeles, ca. 1880s [no. 1]; West 3rd Street, Los Angeles, ca. 1884-1886 [no. 2]; West Lake Park, Los Angeles [no. 3]; woman standing on steps of a house [no. 4]; Bee ranch, Rustic Canyon [nos. 5, 6]; San Pedro harbor, early 1900s [no. 7]; view of hotel and beach from pier, Redondo Beach, 1891 [no. 8]; Marengo Avenue, Pasadena, ca 1880s [no. 9]; General store, San Gabriel[no. 10]; Santa Anita [Hollister] Ranch and orange groves, Arcadia, 1880s [no. 11]; Santa Anita [Hollister] Ranch building and grounds, Arcadia, 1880s [no. 12]; Carterhia, N.C. Carter's house in Sierra Madre, 1882 [no. 13]; Orange tree, Sierra Madre Villa [no. 14]; Avalon Bay and Sugar Loaf with a steamer coming in, Santa Catalina Island, 1900s [no. 15]; Mission San Luis Rey [no. 16].

  photST Anon