Visual Materials
City Hall courtyard, 100 North Garfield, Pasadena. 1930
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Pasadena City Hall, 100 North Garfield, Pasadena. 1934
Visual Materials
View of the Pasadena City Hall from the courtyard. The courtyard has shrubs and small trees planted between paths, and a fountain in front of the arched arcade.
photCL 402 (33988)

Three Essex automobiles in front of City Hall, 100 North Garfield Avenue, Pasadena. 1929
Visual Materials
Street view of three Essex automobiles parked in front of Pasadena City Hall at 100 North Garfield Avenue. Each of the automobiles is a different color and has a woman dressed in a matching driving outfit standing next to it. "Essex "The Challenger"" is painted on the side of each vehicle as well as a rooster. The middle vehicle also has "$885. Here" painted on the side.
photCL 402 (32093)
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Pasadena. City Hall. 100 North Garfield. City Hall from the courtyard
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402
Image not available
Pasadena. City Hall. 100 North Garfield. City Hall from the courtyard
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402
Image not available
Pasadena. City Hall. 100 North Garfield. City Hall from the courtyard
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402

Ives and Warren Company, 100 North Hill, Pasadena. 1930
Visual Materials
Street view of the Ives and Warren Company morticians at 100 North Hill. It is built in a U-shape with the open courtyard facing the street. There is a memorial chapel on the left, and the mortician's area on the right.
photCL 402 (32857)