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Three Essex automobiles in front of City Hall, 100 North Garfield Avenue, Pasadena. 1929



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    Police cars in front of Pasadena City Hall, 100 North Garfield, Pasadena. 1958

    Visual Materials

    A panoramic view of 28 police automobiles parked in a broad arc in front of Pasadena City Hall. The black and dark colored automobiles are on the left, and most of them have lights attached to the roof. The white and light-colored automobiles, parked on the right, do not have lights on them. A man in a suit stands between the dark and light vehicles.

    photCL 402 (40117)

  • Three Essex automobiles in front of Warner's Egyptian Theatre, 2316 East Colorado, Pasadena. 1929

    Three Essex automobiles in front of Warner's Egyptian Theatre, 2316 East Colorado, Pasadena. 1929

    Visual Materials

    Three Essex automobiles parked at an angle in front of Warner's Egyptian Theatre at 2316 East Colorado. A woman and three men stand next to the vehicles. The theater marquee reads "Belle Baker the female Al Jolson and Ralph Graves in "The song of love"."

    photCL 402 (32487)

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    Pasadena. Three Essex automobiles in front of City Hall

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402

  • Pasadena City Hall, 100 North Garfield, Pasadena. 1934

    Pasadena City Hall, 100 North Garfield, Pasadena. 1934

    Visual Materials

    View of the Pasadena City Hall from the courtyard. The courtyard has shrubs and small trees planted between paths, and a fountain in front of the arched arcade.

    photCL 402 (33988)

  • Image not available

    Pasadena. City Hall. 100 North Garfield. City Hall from the courtyard

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402

  • Image not available

    Pasadena. City Hall. 100 North Garfield. City Hall from the courtyard

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402