Visual Materials
Pearl Street, Sioux City, Iowa
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Pearl Street, Sioux City, Iowa
Visual Materials
Image looking down Pearl Street in Sioux City, Iowa, with storefronts and signs including ones for "Millinery," "Kirk," "Dry Goods," "Bogue, Davis & Co.," and "Adler, Kathrens."
photCL 555
Image not available
[Street view, Sioux City, Iowa (?)]
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555
Main Street, Los Angeles, Cal
Visual Materials
Street view looking north on Main Street in downtown Los Angeles, California, as seen presumably from about the intersection with Requena Street (later Market Street) with the three-story Italianate Temple Block building visible in the background at center left next to two buildings of decreasing height that were also part of the Temple Block, with the two-story building at closest left housing the Wells Fargo & Co. Express office. At right, storefront signs can be seen including a sculpture of a boot with the sign "Boots & Shoes" and an obscured sign including the letters "ne Haba." With a horse-drawn wagon, wooden sidewalk, and dirt road visible.
photCL 555
Image not available
[Street views of Charles City, Iowa]
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555
Junction of Main Street and Spring Street, Los Angeles
Visual Materials
Elevated view of the three-story Italianate Temple Block building with streetcar and horse-drawn carriages in front, at the intersection of Main Street and Spring Street in downtown Los Angeles, California. The clock tower of the old Los Angeles County Courthouse can be seen directly behind the Temple Block building and the four-story Nadeau Hotel building at Spring and First Street can be seen under construction at upper right. With visible signs on the Temple building for "Jacoby Bro's Clothing House" and "County Bank." A sign for "Books" can be seen on the Downey Block building at lower right of image; "California Confectionary and Candy Works" and "Restaurant" can be seen on a building on Main Street in the background at left; and signs for "H. Jevne" and "City Wholesale Dry Goods, Clothing ..." can be seen on building on Spring Street at right.
photCL 555
Presbyterian Church, Los Angeles
Visual Materials
Elevated view looking down on houses, yards, and buildings towards the First Presbyterian Church with tall spire on the southwest corner of Second Street and Fort Street (later Broadway) in downtown Los Angeles, California, with the Cathedral of St. Vibiana, located on Main Street, visible beyond.
photCL 555