Visual Materials
Bagro Sumago, John Concha, and Joe Amcordova in Taos
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Bagro Sumago (left) and John Concha in Taos
Visual Materials
The men are standing outside Bert Phillips' studio.
photCL 56 (1136)
John Mirabal ("Gold Tooth") and Grace Nicholson, Taos
Visual Materials
They are standing outside Bert Phillips' studio.
photCL 56 (1138)
John Mirabal ("Gold Tooth"), Taos
Visual Materials
He is standing outside Bert Phillips' studio.
photCL 56 (1139)
John Concha at his ranch house, Taos
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John Concha, with rifle, in front of his ranch house, Taos.
photCL 56 (1129)
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Esther Mullowney Wood illustrated manuscript for "Penny Paths to Taos,"
Manuscripts
An account of traveling overland by car and trailer to Taos, New Mexico, by four women in 1939 (Esther, Mary Ellen, Bev, and Pat). They left Philadelphia mid-July and the journalistic account continues until their departure from Taos on August 30. Their trailer (named "Tuck") was "6' x 12' built of plywood and covered with duck canvas." Quite a bit of the account in Taos relates their experiences with Taos artists Dorothy Brett, Bert Geer Phillips, and Red Dancer (Juan Mirabal).This draft was submitted to Coronet Magazine in 1940, but was not published. The illustrations, done by Mahan, include drawings of the women's car and trailer, Pike's Peak, interior scenes, Taos Plaza, women in Taos, the pueblos and ranches.
mssHM 82518
