Contains photographs from productions including The Wedding (1922); Polly with a Past (1922); The Wolves (1928); Julius Caesar (1929); Mary, Mary, Quite Contrary (1929); The Armored Train (1930, undated); Marco Millions (1930); The Blue Bird (Muncie set, 1930; 1937); and Yes is for a Very Young Man (circa 1946). Also contains performance photographs and clippings from The Follies of Pasadena, possibly the Playhouse's first comedy caper (1923-1924, undated) and around 40 unidentified performance and cast photographs, possibly from Mainstage and North Fair Oaks theater, from circa 1927-1936.
Includes a sketch of Guy Bates Post, from The Play's the Thing, by John W. Haynes; drawings and sketches of the Mad Hatter and unidentified characters; two sketches of Shylock by [Donald?] Finlayson, one for a production of The Lady of Belmont and one for The Merchant of Venice; annotated magazine pages featuring costume and set designs, 1929 and undated; a blueprint of a stage design for Dancing Days by Corliss McGee, 1930; and drawings and photographs depicting stage settings and designs for plays including Skidding, On the Spot, The Armored Train, The Watched Pot, and Marco Millions. Also includes photographs dated circa 1920-1969 depicting costume and wardrobe fabrication, and photographs dated circa 1922-1937 depicting stage sets and design for productions including The Sunken Bell, Hassan, The Pirates of Penzance, King Lear, The Makropoulos Secret, and an unidentified Shakespeare set, as well as for unidentified productions, circa 1937-1960. Also contains one photograph depicting stagehands surrounding a Pasadena Community Playhouse truck, circa 1918-1925.
Work by Jānis Muncis includes a painting for "Armoured Train." Also contains several designs by unidentified artists, including paintings of houses and interiors (possibly by Hyde); costume designs for a Shakespearean festival; drawings and photographs of costumes for the Merry Wives of Windsor; two drawings by Harbert, one of Mistress Page and one of Mistress Ford, with annotations; and various other set and costume designs.
Includes design for Hamlet and otherwise unidentified designs and designers. Also includes unidentified photograph of set design for a bedroom, circa 1950s-1960s.
Includes designs by James Hyde for Lazarus Laughed (circa 1928); Larry Apart (circa 1950); Eight Bells (circa 1940?); and unidentified plays. Also includes two costume designs by an unidentified designer.
Folder 1 contains negatives from productions including Autumn Leaves (1938), And So They Perish (undated), and unidentified productions, including ones labeled "Workshop" and and "Lab"; also included are negatives labeled "Barrie Festival book." Folders 2-3 contain images from a Third-Year student production of Mine Eyes Have Seen (1955) and unidentified student productions (possibly a pageant). Folders 4-5 contain negatives from unidentified productions, circa 1917-1925, and rehearsals, undated. Folder 6 contains negatives from various productions.
