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Manuscripts

Negatives: Various productions and related photographs


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    Negatives: Various courses

    Manuscripts

    Folder 11 contains negatives depicting activities and classroom scenes in acting, dance, make-up, set design, and voice and speech courses. Folders 12-14 contain negatives depicting Don Lee television production (circa 1942) and the first and second annual T.V. production workshops (1953-1954), and Folder 15 contains negatives from T.V. productions of Happy Hangs his Hat and Hedda Gabler.

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    Negatives: Various people and events

    Manuscripts

    Folders 1-5 contain negatives of photographs depicting Gilmor Brown and Charlie Prickett; Lenore Shanewise; various people in groups, from Fairfax Walkup files; and portraits of unidentified people. Folders 6-9 depict special events and festivities including a Pasadena Playhouse brunch; a buffet dinner on the set of What Every Woman Knows (1931); and unidentified special events, including possibly a Midsummer Drama Festival breakfast (undated).

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    Original scores for various productions

    Manuscripts

    Contains scores for: Lovely Miss Linley (Lee Gilmore piano score used in 1942 production); Lazarus Laughed (Arthur Alexander original music, 1928, in five parts, some copies and some handwritten); Follies of Pasadena (original scores, blueprint copies, undated); and original music composed in 1939 and undated by Vincent Bowditch for unidentified Pasadena Playhouse productions.

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    Various performance and other photographs

    Manuscripts

    Contains loose undated performance photographs by Jerome Robinson for productions including: Broken dishes (three photos); Take it from the Angels and River Boy (two photos each); and A Yankee Fable, Oh! Susanna, Dr. Knock, A Servant in the House, Twin Beds, The Unmarried Hat, What Happened to Jones?, I Have Been Here Before, and The Patsy (one photo each). Also contains photographs by Jerry Eaton (Arms and the Man, one photo, plus unidentified photos) and two photos by Peter Pipe, one unidentified and one, from Autumn Crocus, inscribed to Gilmor Brown, "with best wishes for the Playbox," signed by Piper (1938). Also contains one drawing of an unidentified actor; portraits of groups and students; two undated photographs of a Mainstage play, Remains to Be Seen (undated); one undated photograph of an event, possibly a Festival breakfast; and 12 undated photos from unidentified performances, taken by unidentified photographer(s).

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    Senior, holiday, other productions

    Manuscripts

    Contains photographs depicting performances at Cue Gardens; Junior and Senior productions; special and holiday productions; Summer Sessions; Third Annual Drama Clinic; and other various student productions, some unidentified.

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    Various

    Manuscripts

    Contains photographs from productions including The Wedding (1922); Polly with a Past (1922); The Wolves (1928); Julius Caesar (1929); Mary, Mary, Quite Contrary (1929); The Armored Train (1930, undated); Marco Millions (1930); The Blue Bird (Muncie set, 1930; 1937); and Yes is for a Very Young Man (circa 1946). Also contains performance photographs and clippings from The Follies of Pasadena, possibly the Playhouse's first comedy caper (1923-1924, undated) and around 40 unidentified performance and cast photographs, possibly from Mainstage and North Fair Oaks theater, from circa 1927-1936.

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