Manuscripts
Rosalinda. Musical drama, 1 pt. John Lockman
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Rosalinda
Manuscripts
The application is noted on the title page as '18 Decr. 1739 This piece is to be represented at my House. Jas. Hugford'. Produced Hickman's Room, 4 Jan 1740. The plot follows the life of Garcia, a nobleman and officer and Rosalinda, the daughter of his king, and Garcia's secret love.
mssLA 18
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Prologue to Oedipus. John Lockman (?). MS: signed, Jno. Lockman; endorsed, by J.P.C., Lockman's handwriting
Manuscripts
The collection consists of official copies of plays submitted for licensing between 1737 and 1824. Most of copies were written by professional copyists. Approximately 95 of the plays submitted were printed texts, either whole or partial. These have been cataloged individually and may be searched in the online catalog.
LA 2477
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The Fisherman. Opera (musical drama), 3 acts. John Tobin (?)
Manuscripts
The collection consists of official copies of plays submitted for licensing between 1737 and 1824. Most of copies were written by professional copyists. Approximately 95 of the plays submitted were printed texts, either whole or partial. These have been cataloged individually and may be searched in the online catalog.
LA 2118
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Angelina. [Walcot Castle.] Musical drama, 2 acts. Mary Goldsmith (?)
Manuscripts
No application. Prod. Margate (?), 1804 (?). MS: previous title, Walcot Castle, erased (but so listed in B.C.). J.P.C. in B.D.: Larpent licensed it [Mary Goldsmith's Angelina] to Wilmot Wells Manager of the Margate Theatre 25 August 1804.
LA 1431
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The Magic of British Liberty; or, The Disgregation of Bonaparte. National pantomime. Andrew Cherry (?)
Manuscripts
No application. [York, Dec. 20, 1803?] Printed copy, Birmingham, n.d.: dated by Larpent; endorsed By A Cherry, Comedian. J.P.C. in B.D.: performed at York Decr. 20th. 1803.
LA 1397
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The Conscious Lovers, Prologue and Epilogue TO. John(?) Lockman
Manuscripts
The collection consists of official copies of plays submitted for licensing between 1737 and 1824. Most of copies were written by professional copyists. Approximately 95 of the plays submitted were printed texts, either whole or partial. These have been cataloged individually and may be searched in the online catalog.
LA 137